“I love the big open skies of West Texas. I grew up in Virginia. There, everything is so much closer feeling. So coming out here for the first time, it’s just like—whoa! It’s almost a physical sensation you get when you’re out in that big, open-sky country. So that’s what draws me to paint it.” Read more
Starting today, the Ransom Center celebrates 150 years of Alice’s Adventures in Wonderland with an exhibition for the curious and curiouser of all ages. Learn about Lewis Carroll and the real Alice who inspired his story. See one of the few surviving copies of the first edition of Alice’s Adventures in Wonderland. Discover the rich array of personal and literary references that Carroll incorporated throughout Alice. Explore the surprising transformations of Alice and her story as they have traveled through time and across continents. Follow the White Rabbit’s path through the exhibition, have a tea party, or watch a 1933 paper filmstrip that has been carefully treated by Ransom Center conservators. The Center’s vast collections offer a new look at a story that has delighted generations and inspired artists from Salvador Dalí to Walt Disney.
The exhibition can be seen in the Ransom Center galleries, Monday through Friday from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. Daily public tours are offered at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.
The Making of Gone With The Wind opens tomorrow, September 9, and offers a behind-the-scenes view of one of the classic films of Hollywood’s Golden Age. Featuring more than 300 rarely seen and some never-before-exhibited materials, the exhibition is drawn entirely from the Ransom Center’s collections and includes on-set photographs, storyboards, correspondence and fan mail, production records, makeup stills, concept art, costume sketches, audition footage, and producer David O. Selznick’s memos. The green curtain dress and other gowns worn by Vivien Leigh are displayed together for the first time in more than 25 years.
Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. Selznick struggled to balance his desire for authenticity with audience expectations of spectacle. Americans debated who should be cast as Rhett and Scarlett. There were serious concerns about how the 1939 film, based on the 1936 novel by Margaret Mitchell, would depict race, sex, and violence in the South during the U.S. Civil War and Reconstruction.
This insider view reveals why Gone With The Wind remains influential and controversial 75 years after it was released.
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A recent Longhorn Network video featured the Ransom Center’s exhibition The World At War: 1914–1918 as part of The Alcalde’s magazine program. The video includes interviews with exhibition co-curators Jean Cannon and Elizabeth Garver, as well as Professor Steven Isenberg, who taught a class on World War I this spring at The University of Texas at Austin.
The three discuss how the Great War shaped modern politics and conflict, paved the way for World War II, introduced new technologies, and changed attitudes about the nature of war. The exhibit, which runs through August 3, draws on the Ransom Center’s extensive collections to illuminate the experience of the war from the point of view of its participants and observers, preserved through letters, drafts, and diaries; memoirs and novels; and photographs and propaganda posters, prints, and more.
Each year, thousands of undergraduates come to the Harry Ransom Center to visit with a class, attend one the Center’s programs, or view an exhibition.
Since its founding, the Ransom Center has been an important resource for undergraduates at The University of Texas at Austin. Harry Ransom believed that meaningful undergraduate education was not complete without exposure to rare books and manuscripts.
The Ransom Center continues to maintain this vision to encourage undergraduate interaction with its collections and is launching a new resource that provides information about the many opportunities available to undergraduates.
Whether an entering freshman or a graduating senior, students can explore and be inspired by the offerings of the Ransom Center. Through exposure to and interaction with collection materials—whether it be a manuscript, photograph, artwork, or rare book—students can open the door to the creative process.
What’s the result of 565 minutes of interview recordings with 12 people, 480 minutes of b-roll footage, and nine separate music tracks? The answer is a ten-minute video that provides a broad overview of the Ransom Center’s collections, scholarship, conservation, exhibitions, and programs.
Watch the video to hear curators, students, members, and conservators discuss their work and learn how the Center shares and celebrates the creative process. From a Houdini movie poster to letters by Edgar Allan Poe, from Jack Kerouac’s notebook to Robert De Niro’s make-up stills, the video showcases the range of materials that are housed at the Center.
Culture Unbound: Collecting in the Twenty-First Century can be seen in the Ransom Center Galleries on Tuesdays through Fridays from 10 a.m. to 5 p.m., with extended Thursday hours to 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. The galleries are closed on Mondays.