By Megan Barnard
The Ransom Center’s extensive David Foster Wallace collection was recently enriched by a donation of the original manuscript of a little-known, unpublished story, titled “Shorn.” Wallace wrote the two-page story, about a boy having his hair cut by his mother, while a graduate student at the University of Arizona. The manuscript was donated by Karen Green, who was married to Wallace and now heads the David Foster Wallace Literary Trust.
The typed manuscript now resides at the Ransom Center alongside drafts of Infinite Jest, The Pale King, and Wallace’s other celebrated works; his childhood writings; correspondence; teaching materials; and his library of annotated books. The Ransom Center acquired David Foster Wallace’s archive in 2010 and has supplemented the archive in the years since with materials from Wallace’s literary agent, his publisher, and others.
These materials offer an unparalleled opportunity for researchers to gain deeper insight into Wallace’s work and his creative process, and they are among the Center’s most frequently researched collections. Biographers, literary scholars, students, and teachers have all studied the collection to learn more about Wallace’s writing. Since the Wallace archive became accessible in 2010, the Ransom Center has extended more than 14 research fellowships to support scholarly projects related to Wallace’s archive. The recent gift of Wallace’s story “Shorn” makes the archive an even richer resource.
The story is now accessible in the Ransom Center’s reading room.
Image: First page of unpublished short story manuscript of “Shorn” by David Foster Wallace. © David Foster Wallace Literary Trust. Harry Ransom Center.
By Alicia Dietrich
Click on the four-way arrow in the bottom right-hand corner of the slideshow to convert into full-screen mode.
Materials related to David Foster Wallace’s posthumous novel The Pale King (April 2011) are now open for research at the Ransom Center. The materials related to The Pale King were acquired as part of the Wallace (1962–2008) archive in 2010 but were retained by publisher Little, Brown and Co. until after the book’s publication and the subsequent publication of the paperback edition.
The Pale King materials fill six boxes and include handwritten and typescript drafts, outlines, characters lists, research materials, and a set of notebooks containing reading notes, names, snippets of dialog, definitions, quotations, and clippings.
The materials have been organized according to a spreadsheet developed by Wallace’s editor, Michael Pietsch. Pietsch, then-executive vice president and publisher of Little, Brown and Co., spent months reading through and organizing the material and found what he called “an astonishingly full novel, created with the superabundant originality and humor that were uniquely David’s.”
In conjunction with the publication of The Pale King, the Ransom Center partnered with publisher Little, Brown and Co. to offer an online preview of materials from the archive in April 2011.
By Alicia Dietrich
A digital preview of archive materials relating to David Foster Wallace’s posthumous novel The Pale King is now live on the Ransom Center’s website. The preview, a collaboration between the Center and publisher Little, Brown and Company, includes a series of drafts of the “Author’s Foreword,” which eventually became chapter nine of The Pale King. Michael Pietsch, Wallace’s longtime editor, provides context about the pages and elaborates on the publication of the novel.
In 2010, the Ransom Center acquired and made accessible Wallace’s archive. The archive contains manuscript materials for Wallace’s books, stories and essays, research materials, Wallace’s college and graduate school writings, juvenilia, including poems, stories and letters, teaching materials, and books. Materials for The Pale King are included in the archive but will remain with Little, Brown and Company until after the book’s publication.
On Thursday, April 15, the Ransom Center celebrates the release of The Pale King with readings from the novel by Kevin Brockmeier, Doug Dorst, Amelia Gray, and Jake Silverstein. The program will be webcast live at 7 p.m. CST.
By Megan Barnard
The journey an archive takes from an author’s desk to the Ransom Center is often long and circuitous. The archive of David Foster Wallace arrived at the Ransom Center in the last days of 2009, but the earliest seeds of the acquisition were sown years before.
Because of the Ransom Center’s strong collections in contemporary literature, our curators and staff keep careful watch on promising, young writers. Over the past 20 years, we have built a list of hundreds of contemporary writers we follow, and we collect first editions of all their books. David Foster Wallace was added to this list early in his career. As we watched his career progress, it became apparent that he was one of the great talents of his generation.
We had our first glimpse into Wallace’s creative process in 2005 with our acquisition of the papers of Don DeLillo. Unexpectedly, the archive included a small cache of letters between Wallace and DeLillo, a correspondence initiated by Wallace when he was struggling through his colossal novel, Infinite Jest. Wallace’s letters show a writer who was deliberate, funny, and often uncertain, but most clearly, they show a writer who took painstaking care with his art.
In 2006, after reading Wallace’s essay on tennis player Roger Federer in The New York Times, Thomas F. Staley, the Director of the Ransom Center and an avid tennis player, wrote to Wallace to inquire about his archive, invite him to visit the Center, and challenge him to a friendly match of tennis. For years Wallace had been among the top names on our wish list of potential speakers—a long-shot, of course, for a writer who made few public appearances. The letter went unanswered.
Several weeks after the shocking news of Wallace’s death, we wrote to his literary agent, Bonnie Nadell, to express how saddened we were at the Ransom Center by this tragic loss. We also expressed our hope that Wallace’s papers would be preserved somewhere—anywhere—so that his remarkable contributions to our culture could be studied for generations to come.
Several months later, we were contacted by a bookseller representing Wallace’s literary estate, and we began the negotiations that led to the eventual arrival of Wallace’s archive at the Ransom Center. This long journey, however, has not quite come to an end. Wallace’s papers related to his final book, The Pale King, though part of the archive acquired by the Ransom Center, will remain with publisher Little, Brown until the book’s release, which is scheduled for April 2011. After the book’s release, the papers, notes, and computer disks related to this novel Wallace never fully completed will be reunited with his archive at the Ransom Center. If these materials are anything like the papers already here, they will be a fascinating and rich resource for students and scholars.