Sebastian Barry, whose archive resides at the Ransom Center, has written a new novel, The Temporary Gentleman, the latest of six distinct yet related books based on the characters and events of Barry’s own family.
The Irish poet, novelist, and playwright is the author of the critically acclaimed play The Steward of Chirstendom (1995) and the novel A Long Long Way, which was a finalist for the 2005 Man Booker Prize. His first novel, Macker’s Garden, was published in 1982, two years before he attended the Iowa Writer’s Workshop as a Fellow at the International Writing Program.
The Temporary Gentleman is written from the perspective of an Irishman living in Accra, Ghana, in 1957 as he urgently reflects on his life and work. The novel explores its narrator’s past serving in World War II, working as an engineer and UN observer, and struggling to maintain his marriage.
Barry visited the Harry Ransom Center in 2006 to meet with archivists about his then-recently acquired papers. The collection includes drafts of the writer’s published and unpublished works as well as manuscripts, letters, and more.
To celebrate the release of The Temporary Gentleman, the Ransom Center will be giving away a signed copy of Barry’s previous novel, The Secret Scripture (2008). To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway(at)gmail.com with “Sebastian Barry” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, May 14. [Update: This giveaway is closed, and the winner has been notified.]
Sebastian Barry’s play The Steward of Christendom tells the story of Irishman Thomas Dunne, the former chief of the Dublin Metropolitan Police who is now confined to an asylum. He reminisces about his personal and professional life, going back and forth between lucidity and seeming incoherence. A Roman Catholic still loyal to the British crown, Dunne looks back at the consequences of that loyalty.
The play opens with a monologue by Dunne as he appears to be reliving a scene from his childhood, but that wasn’t always the opening monologue. The first opening monologue was cut from the original production of the play due to transition challenges it presented for the actor.
In the omitted speech, Dunne describes breaking up the famous 1913 labor protest at which Irish trade union leader James Larkin appeared to address a crowd of 20,000 striking transit workers who had been locked out by their employers.
Director Steven Robman first read about the deleted monologue in an academic essay written by University of Texas at Austin English Professor Elizabeth Cullingford. The essay appeared in a compendium about Barry’s work called Out of History: Essays on the Writings of Sebastian Barry (Catholic University of America Press, 2006). Robman asked Barry about the deleted monologue, and the playwright asked the Ransom Center to send scans of the original manuscript material to Los Angeles.
“This [event] is extremely important in Irish history, but it is little known to Americans,” said Robman. “It is also a crucial event in Thomas’s personal history, as it underscores his fall from grace in the eyes of Irish republicans.”
In the published version of the play, Dunne makes multiple references to Larkin, but there is no detailed description of the 1913 protest. Robman thought that adding the speech back in might help the audience understand the context of Dunne’s “vanished world.”
Robman learned that the monologue was cut from the original version because the transition between the Larkin speech—intended as a sort of prologue—and the speech as he’s reliving a childhood memory felt too awkward for Donal McCann, the lead actor in the original production.
Robman experimented with different placements of the monologue, finally inserting it later in the play almost as an aside that Dunne delivers to himself while one other character is on stage. Barry himself called the Larkin protest “the moment that made Thomas hated in Irish folklore and history.”
Robman also worked with the playwright to add a few words or substitute words throughout the script to allow an American audience to have an easier time with certain historical references or unfamiliar vocabulary, though the monologue is the largest change.
Barnes was nominated for his novel The Sense of an Ending, and Barry was nominated for On Canaan’s Side. Both are previous nominees for the award.
Barnes has been shortlisted three times for the prize: in 2005 for Arthur and George, in 1998 for England, England, and in 1984 for Flaubert’s Parrot. Barry was previously shortlisted in 2008 for The Secret Scripture and in 2005 for A Long Long Way.
Materials from both authors can be seen in the Ransom Center’s galleries in Culture Unbound, which is on display through Sunday, July 31.
The shortlist of six authors will be announced on September 6, and the winner of the 2011 Man Booker Prize for Fiction will be announced on October 18.
To celebrate this news, Cultural Compass will be giving away signed copies of books by each author. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to firstname.lastname@example.org with “Booker Prize” in the subject line. All tweets and emails must be sent by midnight CST, and winners will be drawn and notified tomorrow. [Update: Winners have been drawn and notified.]