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Museums and Libraries Celebrate the 150th Anniversary of Lewis Carroll’s Famed Work

By Marlene Renz

2015 marks the 150th anniversary of Lewis Carroll’s classic story Alice’s Adventures in Wonderland. Since its publication in 1865, the book has never been out of print. It has been translated into countless languages and has become a work that truly transcends the time and culture in which it was written.


In honor of the book’s legacy the Harry Ransom Center presents Alice’s Adventures in Wonderland. This exhibition follows the evolution of Carroll’s story through time, around the world, and across different types of media, from stage and screen to children’s toys. The exhibition offers something for everyone and provides interactive opportunities throughout. Highlights of the exhibition include a rare copy of the 1865 “suppressed” edition, Carroll’s own photograph of Alice, Edith, and Lorina Liddell, the sisters who inspired the story, and Salvador Dalí’s 1969 illustrations.


View the Ransom Center’s Alice’s Adventures in Wonderland video preview.


Museums and libraries around the world are joining in the observance of Alice’s sesquicentennial. In New York City, the Morgan Library & Museum will display Dodgson’s original manuscript (on loan from the British Library) in its upcoming exhibition Alice: 150 Years of Wonderland, while Vassar College Archives and Special Collections Library will exhibit an early printing of Alice’s Adventures in Wonderland alongside other works of fantasy from the period. John Tenniel’s original drawings will be shown at Harvard’s Houghton Library, and Philadelphia’s Rosenbach Museum & Library will exhibit Carroll’s letters to publisher Alexander MacMillan and a first edition of the book from his library.


Browse upcoming Alice-related events on this list, compiled by The Lewis Carroll Society and the Lewis Carroll Society of North America.


Share your exhibition experience with #aliceinaustin.

Draw Me: A history of the illustrated Alice

By Alexandra Bass

Sir John Tenniel. Dalí. Yayoi Kusama. What do these artists of vastly different styles, mediums, and artistic movements have in common? Each, along with many other artists, has tried their hand at illustrating Lewis Carroll’s classic Alice’s Adventures in Wonderland, a tale so whimsical it demands illustrations. Alice appeals to such a broad range of artists because the creative quality of the story gives artists freedom to interpret the look of the story in any way they please, and the book’s quirky sense of fun is irresistible.


The novel’s first illustrator was none other than its author. Charles Lutwidge Dodgson—alias Lewis Carroll—created a handwritten manuscript with 37 illustrations for the story’s muse, Alice Liddell, after she asked him to write down the fantastical story he told her one lazy summer afternoon on a boat ride. Although somewhat amateurish, the ink illustrations depict a sweet, pretty Alice, not unlike the famous Tenniel illustrations. Indeed, Tenniel, a famous Victorian political cartoonist, and Dodgson worked closely together in creating the now-classic illustrations for the first published edition.


Tenniel’s classical and rather prim imagining of Alice remained the standard throughout the nineteenth century and still remains the most recognizable Alice illustration today. It was not until the turn of the twentieth century that other illustrators tried their hands at Alice. These illustrations reflect the aesthetic of their time. Mabel Lucie Attwell’s 1910 rendering of Alice and Margaret W. Tarrant’s 1916 version are sweet and feminine and still very much geared toward a young audience.


By the middle of the century, illustrations of Alice became more experimental. German illustrator Wiltraud Jasper’s 1958 version is edgy and minimal, all in black and red. In 1969, iconic surrealist Salvador Dalí put his spin on Carroll’s story, creating a dreamy, abstract, and characteristically melty Wonderland in a melancholy color palate.


More recently, Japanese pop artist Yayoi Kusama has re-imagined Alice in her signature polka dots in a 2012 Penguin publication of Alice’s Adventures in Wonderland. Kusama steers away from the “classic” scenes of illustrations and instead focuses on details. For instance, the Mad Tea Party chapter features a red-and-black polka-dotted bowler hat instead of the traditional scene of the eccentric cast of characters tucking into high tea at a long table.


At the very onset of her story, Alice muses to herself about the importance of illustrations: “‘And what is the use of a book,’ thought Alice, ‘without any pictures?’” What use indeed? Would Alice’s Adventures in Wonderland be the classic book and cultural phenomenon that it is without pictures? Likely not—both readers and illustrators alike have fun with the creative freedom offered by the Alice books.


See examples of some of these illustrations in the Ransom Center’s current exhibition Alice’s Adventures in Wonderland, on view through July 6. Share with #aliceinaustin.


Related content:

From the Outside In: Illustration from Alice’s Adventures in Wonderland, John Tenniel, 1865

Read other content related to the exhibition Alice’s Adventures in Wonderland


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Video preview: “Alice’s Adventures in Wonderland”

By Alicia Dietrich

Starting today, the Ransom Center celebrates 150 years of Alice’s Adventures in Wonderland with an exhibition for the curious and curiouser of all ages. Learn about Lewis Carroll and the real Alice who inspired his story. See one of the few surviving copies of the first edition of Alice’s Adventures in Wonderland. Discover the rich array of personal and literary references that Carroll incorporated throughout Alice. Explore the surprising transformations of Alice and her story as they have traveled through time and across continents. Follow the White Rabbit’s path through the exhibition, have a tea party, or watch a 1933 paper filmstrip that has been carefully treated by Ransom Center conservators. The Center’s vast collections offer a new look at a story that has delighted generations and inspired artists from Salvador Dalí to Walt Disney.


The exhibition can be seen in the Ransom Center galleries, Monday through Friday from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. Daily public tours are offered at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.


The exhibition runs through July 6.

Share  the exhibition with #aliceinaustin.


Related content:

View other content related to Alice’s Adventures in Wonderland


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"What you are about to see is unrehearsed and uncensored"

By Io Montecillo

Mike Wallace interviewing Margaret Sanger on "The Mike Wallace Interview," September 23, 1957.  © Mike Wallace.
Mike Wallace interviewing Margaret Sanger on "The Mike Wallace Interview," September 23, 1957. © Mike Wallace.

“Whether you agree or disagree with what you will hear, we feel that none will deny the right of these views to be broadcast.”
-Mike Wallace

Mike Wallace rose to prominence in 1956 with the New York City television interview program Night Beat, which soon developed into the nationally televised prime-time program The Mike Wallace Interview.

Well prepared with extensive research, Wallace asked probing questions of guests framed in tight close-ups. The result was a series of compelling and revealing interviews with some of the most interesting and important people of the day, including Justice William O. Douglas, Frank Lloyd Wright, Pearl Buck, Salvador Dali, Oscar Hammerstein and Henry Kissinger. The interviews dealt with the issues of the times, including civil rights and the Cold War.

In the early 1960s, Wallace donated to the Ransom Center the show’s interviews on 16mm kinescope. The 30-minute interviews can be viewed online. Most of the episodes have not been seen on television since they aired.

Starting many of the interviews with “What you are about to see is unrehearsed and uncensored,” Wallace quickly became recognized for his tough questions and the forceful style for which he is still known today. Through the online videos, one can watch Wallace aggressively question his subjects, including Margaret Sanger about her support for birth control.

Almost half a century since their original broadcast, these interviews not only remain compelling and serve as a time capsule from the mid-twentieth century, but they also continue to resonate with many of the issues still being addressed today.