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Ransom Center staff to contribute to new Texas-themed UT Press book series

By Gabrielle Inhofe

The University of Texas Press recently announced the undertaking of the publishing project The Texas Bookshelf, a series of 16 books, with an accompanying website, focusing on all things Texan.  All books are to be written by faculty and staff at The University of Texas at Austin.  The inaugural book, to be released in 2017, will be a history of Texas written by Stephen Harrigan, faculty member at the Michener Center for Writers.  The subsequent books will focus on Texas history, business, culture, art, music, film, politics, and more.

 

Of the contributors, two are affiliated with the Harry Ransom Center.

 

Greg Curtis, Humanities Coordinator at the Ransom Center and Senior Lecturer at The University of Texas at Austin, plans to write a book on the history of Texas literature, with profiles of the lives of Texas writers and critical responses to their work.

 

Roy Flukinger, Senior Research Curator at the Ransom Center, will be writing and compiling a volume about the evolution and expansion of twentieth-century photography in Texas, which will feature hundreds of significant images created by important photographers and artists who worked throughout the state during that century.

 

Image: Photo of contributors to UT Press series The Texas Bookshelf by Michael O’Brien.

University of Texas at Austin partners with online learning initiative

By Abigail Cain

Ransom Center Senior Research Curator of Photography Roy Flukinger and University of Texas at Austin Professor of Philosophy Daniel Bonevac will be teaching an online course this fall on “Ideas of the Twentieth Century.”
Ransom Center Senior Research Curator of Photography Roy Flukinger and University of Texas at Austin Professor of Philosophy Daniel Bonevac will be teaching an online course this fall on “Ideas of the Twentieth Century.”

When University of Texas at Austin Professor of Philosophy Daniel Bonevac and Ransom Center Senior Research Curator of Photography Roy Flukinger taught the course “Ideas of the Twentieth Century” last fall, they had 100 students.

This fall, they will teach over 20,000.

“Ideas of the Twentieth Century” is one of the courses offered by The University of Texas at Austin as part of the UT System’s partnership with edX, a nonprofit online learning initiative. Launched by Harvard University and the Massachusetts Institute of Technology in 2012, edX collaborates with universities across the country to offer massive open online courses (MOOCs).  MOOCs boast unlimited enrollment and are free for all participants.

Of the classes submitted by The University of Texas at Austin for the upcoming school year, four are currently open for registration and will begin September 15. Besides “Ideas of the Twentieth Century,” those interested can also take “Energy 101,” “Age of Globalization,” and “Take Your Medicine: The Impact of Drug Development.”

Bonevac and Flukinger’s course explores the changing mindsets and morals of the past century through the lenses of philosophy, literature, art, and history. Although they have taught this course five times before as one of the University’s Signature Courses for incoming freshmen, the class had to be adapted for an online audience.

“Our time is much more limited in teaching the online course, so each session had to be reduced down to the more basic concepts, trends, and ideas,” Flukinger said. “And, obviously, the other fact that you miss immediately is the interchange of ideas and discussion with your students. The production studio tends to be a much more detached environment than the customary give-and-take of the classroom. But such are always the tradeoffs with any mass media. And, at the same time, I do find it very invigorating to attempt to expand our teaching to a much larger and more diverse global community.”

“Arnold Newman: At Work” explores photographer through his archive

By Ady Wetegrove

Cover of "Arnold Newman: At Work" by Roy Flukinger.
Cover of "Arnold Newman: At Work" by Roy Flukinger.

In conjunction with the exhibition Arnold Newman: Masterclass, University of Texas Press and the Ransom Center have published Arnold Newman: At Work by Ransom Center Senior Research Curator of Photography Roy Flukinger. Featuring an introductory essay by photo historian Marianne Fulton, the illustrated volume includes Newman’s iconic images alongside his contact sheets, Polaroids, and work prints complete with handwritten notes and marginalia. Providing a contextual overview of the Ransom Center’s Newman archive, the book reveals insights into Newman’s process. The book also includes Newman’s lesser known collages, commercial work, and cityscapes.

Drawing extensively from the Ransom Center’s Newman archive, the book is a rich collection of materials ranging from personal documents—such as Augusta and Arnold Newman’s holiday cards, travel ledgers, and copies of passports and pocketbooks—to some of Newman’s most iconic images. Readers can track the creative process from contact sheets with the photographer’s notes and cropping instructions to the eventual final selection and enlargement.

For Newman, a single session with the sitter was only the beginning of the creative process. Newman’s attentive markups and anecdotes litter the edges of countless contact sheets, and work prints from a portrait sitting allow readers to see how Newman approached his subject and found ways to reveal his or her character. Newman would take 10, 20, 30 and in some cases more than 50 individual photographs of a sitter, making minor adjustments each time. Though highly significant, the differences between the frames are often miniscule, but the variation in their impact can be dramatic.

The Center’s Newman archive contains all of Newman’s negatives, slides and color transparencies, all of his original contact sheets, and more than two thousand prints, including examples of color and collage work. The collection also includes Newman’s original sittings books, correspondence and business files, early sketchbooks and photographic albums.

Read an excerpt from Marianne Fulton’s introduction to the book, which is available for purchase in the Ransom Center’s online store or at the visitors desk during gallery hours. Arnold Newman: Masterclass runs through May 12.

Photo Friday

By Edgar Walters

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Senior Research Curator of Photography Roy Flukinger gives Ransom Center staff members a tour of the exhibition “Arnold Newman: Masterclass.” Photo by Alicia Dietrich.
Senior Research Curator of Photography Roy Flukinger gives Ransom Center staff members a tour of the exhibition “Arnold Newman: Masterclass.” Photo by Alicia Dietrich.
Project Archivist Daniela Lozano sleeves contact sheets from the Peter Buckley photography papers and photography collection. The collection is currently being processed and will open to the public in January 2014. Photo by Edgar Walters.
Project Archivist Daniela Lozano sleeves contact sheets from the Peter Buckley photography papers and photography collection. The collection is currently being processed and will open to the public in January 2014. Photo by Edgar Walters.
Volunteer James McBride catalogs 500-year-old Aldine Press books from the Uzielli collection. Photo by Edgar Walters.
Volunteer James McBride catalogs 500-year-old Aldine Press books from the Uzielli collection. Photo by Edgar Walters.