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Ransom Center accepting applications for research fellowships in the humanities

By Jennifer Tisdale

The Ransom Center invites applications for its 2016–2017 research fellowships. More than 50 fellowships will be awarded for projects that require substantial onsite use of the Center’s collections, supporting research in all areas of the humanities including literature, photography, film, art, the performing arts, music, and cultural history. Read more

Video: Fellow discusses further research in photographic albums

By Marlene Renz

Annamaria Motrescu-Mayes is a visual anthropologist based at the University of Cambridge as an affiliated lecturer and research associate at the Centre of South Asian Studies and a research fellow at Clare Hall College.  She is currently working on her research project, “Visual priming and Ceylonese identities since the late nineteenth century.” Read more

UK postgraduates receive fellowships to work with Ransom Center collections

By Charley Binkow

The Harry Ransom Center will host six scholars from the United Kingdom as part of the 2015-2016 International Placement Scheme conducted and funded by the UK’s Arts and Humanities Research Council (AHRC). The AHRC provides fellowships to doctoral students and early-career researchers from the United Kingdom to study at international libraries and research institutions. Read more

Fellows Find: The Christine Brooke-Rose archive

By Stephanie Jones

Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.


The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. Read more

Reflecting Upon O. G. Rejlander’s “The Countess of Tankerville”

By Marlene Renz

The Ransom Center’s photography collection contains more than 100 photographs attributed to distinguished nineteenth-century photographer O. G. Rejlander. One print is a portrait of Olivia Bennet, The Countess of Tankerville. Researcher Lori Pauli visited the Ransom Center to study the portrait, and she reflected on the possible intersection of the lives of photographer and subject in a story which originally appeared in the Fall 2014 Random Edition newsletter.

The Harry Ransom Center’s renowned photography collection includes the only known print of a portrait of Olivia Bennet, The Countess of Tankerville, by distinguished nineteenth-century photographer Oscar Gustave Rejlander. This portrait is among more than 100 photographs attributed to Rejlander (British, b. Sweden, 1813?–1875) in the Ransom Center’s photography collection. Most are spread among four albums: one that formerly belonged to the British painter William Lake Price (1810–1896); another previously owned by British artist Cecil Gordon Lawson (1851–1882); a third known as the “Riglander” album; and the last an album compiled by writer Charles L. Dodgson (1832–1898), more famously known as Lewis Carroll. There are also ten loose prints attributed to Rejlander in the collection.

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