I visited the Harry Ransom Center for two weeks to access the collection of St. John Ervine (1883–1971), an enigmatic, occasionally-forgotten figure who nonetheless casts a spell over a select band of Irish scholars and historians. His personal story fuses both the culture and politics of his Ireland. Read more
The Harry Ransom Center celebrates the reissue of Adrienne Kennedy’s groundbreaking memoir People Who Led to My Plays from Theatre Communications Group. First published in 1987 as a response to the frequently asked question of what inspirations have influenced her work, Kennedy recorded brief, fragmentary memories covering 1936–1961. A deeply influential and radically innovative kind of memoir, novelist Ishmael Reed called these glimpses into her life “a new form of black autobiography.” Read more
The Ransom Center acquired Mamet’s archive in 2007. The collection is made up of more than 300 boxes of material, covers his entire career through 2007, and contains manuscripts, journals, office and production files, correspondence, and multiple drafts of each of his works, including the acclaimed plays American Buffalo (1975) and Glengarry Glen Ross (1982) and screenplays The Untouchables (1987), The Spanish Prisoner (1997), and Wag the Dog (1997). These materials record the writing and revision of all of his published texts, as well as several that are unpublished or unfinished.
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