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In the galleries: Norman Mailer’s handwritten draft of “The Fight”

By Abigail Cain

The opening page of Norman Mailer's handwritten draft of "The Fight."
The opening page of Norman Mailer's handwritten draft of "The Fight."

Norman Mailer once wrote, “[Boxing] arouses two of the deepest anxieties we contain. There is not only the fear of getting hurt, which is profound in more men than will admit to it, but there is the opposite panic, equally unadmitted, of hurting others.”

Mailer used boxing to explore many of the violent debates of modern American life, debates about sex, gender, race, and even literary style. The Fight, Mailer’s book-length account of the 1974 heavyweight championship bout between Muhammad Ali and George Foreman, touches on many of these subjects while capturing one of the most famous and memorable boxing matches in history. Mailer’s love of the sport shines through as he describes the precision, skill, and art of two of the greatest fighters who ever lived. Mailer’s unabashed egoism and racism are equally evident. Since its publication in 1975, the book has been both widely celebrated and deeply criticized, much like Mailer himself.

In this draft page of The Fight, Mailer offers a description of the charismatic and often outrageous boxer Muhammad Ali. Mailer writes, “Is it possible that Muhammad Ali is the only American in the 20th century one does not need to describe?… when he is looking his best (and Ali has his days) then not only is the greatest athlete who ever lived standing before you but a fellow who is in danger of being the most beautiful man.”  Though few could rival Mailer’s oversized ego, in Ali, Mailer may have met his match.

The opening page of Norman Mailer’s handwritten draft of The Fight is on display through August 4 in the Ransom Center’s current exhibition, Literature and Sport. Megan Barnard, Associate Director for Acquisitions and Administration, will lead a curator’s tour of the exhibition on July 31 at 7 p.m.

Mailer’s archive is held at the Ransom Center.

Norman Mailer's ticket to the George Foreman–Muhammad Ali championship fight in Kinshasa, Zaire, September 25, 1974.
Norman Mailer's ticket to the George Foreman–Muhammad Ali championship fight in Kinshasa, Zaire, September 25, 1974.

Ransom Center acquires papers of writer Barbara Probst Solomon

By Alicia Dietrich

Barbara Probst Solomon's press pass for "The New York Review."
Barbara Probst Solomon's press pass for "The New York Review."

The Ransom Center has acquired the archive of Barbara Probst Solomon, a prolific writer and chronicler of twentieth- and twenty-first-century culture. The collection includes manuscripts, correspondence, published books, first drafts, interviews, documentaries, and photographs.

Solomon’s career as a writer began shortly after her graduation from Dalton High School in New York City. Bypassing college, Solomon moved to postwar Paris, where she met Spanish students who would later form the resistance movement to Francisco Franco’s dictatorial rule of Spain, which began during the Spanish Civil War. In 1948, she met Barbara Mailer, Norman Mailer’s sister, and they helped activist Paco Benet rescue two Spanish students who had been enslaved in Cuelgamuros, Franco’s labor camp.

Solomon became a notable voice of the 20th-century New York intellectual scene at a time when few women were featured in prominent literary and news publications. Her manuscripts form an integral part of her archive. Her books, including the novel The Beat of Life (1969) and her memoir Arriving Where We Started (1972), have received critical praise, and her memoir was heralded as “the best, most literary account of the intellectual resistance to Franco” when it won the Pablo Antonio de Olavide prize in Barcelona.

Solomon’s archive offers an important snapshot of twentieth-century history and culture. Solomon corresponded extensively in English, French, and Spanish with close friends, and the archive reflects her strong connections with other intellectuals and writers of her time. Solomon had a lifelong friendship with Norman Mailer, and letters and other materials relating to Mailer’s life and works are present. She had a long affair and close friendship with American novelist and screenwriter Clancy Sigal, and her collection contains extensive correspondence about their writings and lives. Mailer’s and Sigal’s archives both reside at the Ransom Center.

Solomon’s archive will be available for research once processed and cataloged.

"America's Best Magazine?: Commentary in the 1960s"

By Ady Wetegrove

A case of materials from the Commentary magazine archive is on display in the lobby for the Morris Dickstein lecture. Photo by Alicia Dietrich.
A case of materials from the Commentary magazine archive is on display in the lobby for the Morris Dickstein lecture. Photo by Alicia Dietrich.

In conjunction with tonight’s lecture by author Morris Dickstein, an accompanying display case in the Ransom Center’s lobby features items from the Center’s Commentary magazine archive. Dickstein’s lecture, titled “America’s Best Magazine?: Commentary in the 1960s,” takes place tonight at 7 p.m. in the Prothro Theater. The Commentary magazine archive was donated to the Center in 2011.

Materials on display include a 1961 subscriber survey, a 1986 exchange of letters between Allen Ginsberg and Commentary editor Norman Podhoretz, and the May 1952 issue of the magazine, which contains the first American publication of “Diary of Anne Frank.”

This program is co-sponsored by the Schusterman Center for Jewish Studies at The University of Texas at Austin. The Albert and Ethel Herzstein Charitable Foundation made a generous donation to support this program and the cataloging of the Commentary magazine archive.

The event will be webcast live at 7 p.m. CST.

Morris Dickstein to discuss Commentary magazine

By Emily Neie

Cover of the February 1960 issue of Commentary magazine.
Cover of the February 1960 issue of Commentary magazine.

Author Morris Dickstein presents the lecture “America’s Best Magazine?: Commentary in the 1960s” this Thursday, April 18, at 7 p.m. at the Harry Ransom Center. In 2011, Commentary magazine donated its archive to the Center, and the collection is now open for research.

Founded in November 1945, shortly after World War II, Commentary was established to reconnect assimilated American Jews and Jewish intellectuals with the broader Jewish community and to bring the ideas of young Jewish intellectuals to a wider audience.

Throughout its history, Commentary has published significant articles on historical, political, cultural, and theological issues in addition to fiction and memoirs. The magazine became a major outlet for leading figures to establish their intellectual careers. The archive spans from 1945 to 1995 and consists mainly of editorial correspondence, galleys, other records, and correspondence with a number of writers whose archives reside at the Ransom Center, including Norman Mailer, Bernard Malamud, and Isaac Bashevis Singer.

Commentary underwent a dramatic shift in 1960 under the editorship of Norman Podhoretz, who applied more rigorous critical standards and made greater use of strong-minded New York intellectuals such as Irving Howe, Alfred Kazin, and Mailer. The magazine responded to all of the major controversies of the decade, from the Eichmann trial and the civil rights movement to the Vietnam War and the Columbia student uprising.

According to historian Richard Pells, Professor Emeritus at The University of Texas at Austin, “no other journal of the past half century has been so consistently influential, or so central to the major debates that have transformed the political and intellectual life of the United States.”

Dickstein is Distinguished Professor of English and Theatre at the CUNY Graduate Center. His most recent book, Dancing in the Dark: A Cultural History of the Great Depression, received the Ambassador Book Award in American Studies in 2010.

The event is free, but donations are welcome. Seating is limited. Line forms upon arrival of the first patron, and doors open 30 minutes in advance. The program will be webcast live.

This program is co-sponsored by the Schusterman Center for Jewish Studies at The University of Texas at Austin. The Albert and Ethel Herzstein Charitable Foundation made a generous grant to support this program and the cataloging of the Commentary archive.