From August 4 through November 29, the Harry Ransom Center hosts the exhibition Frank Reaugh: Landscapes of Texas and the American West. It showcases more than 100 artworks by renowned artist Frank Reaugh (pronounced “Ray”) drawn from the Ransom Center’s own collection as well as public and private collections from around the state. The companion book Windows on the West: The Art of Frank Reaugh, edited by Curator of Art Peter F. Mears, complements the exhibition, and published by the Ransom Center and UT Press. Excerpted below is the foreward to the book, “Frank Reaugh in Retrospect,” written by Ron Tyler. In it, Tyler reflects on Reaugh’s life and the context of Reaugh’s distinguished career.Read more
From August 4 through November 29, 2015, the Harry Ransom Center hosts the exhibition Frank Reaugh: Landscapes of Texas and the American West. The showcase displays over 100 artworks by renowned artist Frank Reaugh (pronounced “Ray”). To complement the exhibition, a companion book is available titled Windows on the West, The Art of Frank Reaugh, edited by Curator of Art Peter F. Mears. The excerpt below is Mears’s introduction to the book, titled “Rediscovering the Art of Frank Reaugh.” In it, he describes Reaugh’s life, vision, and legacy as one of Texas’s most iconic artists. Read more
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Peter Mears served in the United States Army before receiving his Bachelor of Fine Art degree from Cranbrook Academy of Art. After traveling through Central America he arrived in Austin and gained experience at what is now called the Contemporary Austin Museum. Mears joined the Ransom Center in 1995 and serves as Curator of Art. Read more
The closing of an exhibition is always bittersweet. The closing of Alice’s Adventures in Wonderland is particularly so for me. During the run of the exhibition we saw the galleries come alive with Read more
The digital collections platform provides access to the Ransom Center’s collections for students, scholars and members of the public who are unable to visit the Center. It also provides a way for visitors to access fragile materials or collections that exist in challenging formats, such as personal effects and costumes. One example is a collection of glass plate negatives that documents theater performances in the late-nineteenth and early-twentieth centuries. The fragile collection was previously inaccessible, but the negative plates were digitized and converted to positive images for the digital collection.
Visitors to the Ransom Center’s website can search within collections or across collections, often revealing related materials. Additional tools provide users with the ability to virtually flip through books, enlarge images and compare page images with accompanying transcripts, which are text-searchable.
Collections are being added on an ongoing basis, and planned digitization projects include the photographs of nineteenth-century photographer Julia Margaret Cameron and photographs and ephemera from the Fred Fehl dance collection.
This project was made possible with funding from the Booth Heritage Foundation.
The Ransom Center is currently engaged in a one-year, grant-funded project to digitize, catalog, process and make the Frank Reaugh art collection available online, which will be the first complete collection of the Ransom Center’s new digital asset management system. The project is ongoing and is expected to be completed and available online to viewers by the fall.
The Frank Reaugh collection consists primarily of pastel landscapes on paper and board but also includes oil landscapes and portraits, charcoal sketches, and pen and ink drawings. Reaugh’s (1883–1937) favorite subject, the Texas Longhorn, is often featured within his untamed Texas landscapes. His work includes native subjects and locations ranging from the Texas Panhandle to the state’s western plains and mountainous regions and beyond the state border to New Mexico, Arizona, and Wyoming. Interest in Frank Reaugh has grown steadily over the years, as his contributions as an influential artist, arts educator, benefactor, naturalist, and inventor are being increasingly recognized by curators, collectors, and scholars. Access to the works has long been limited due to their delicate nature and to their sheer number and size.
Digitization of the framed and often fragile works is not simple. Many of the pastels have never before been removed from their original frames and mats, which were largely constructed by Reaugh himself. Thus far, the first half of the collection has been digitized, beginning with Reaugh’s distinctive small-format pastel landscapes. When the project is finished, researchers will not only have unprecedented access to the entire body of Reaugh’s work held by the Ransom Center but will also have the opportunity to peer beneath the frames.
During the process of removing these delicate pastels from their frames, there is often an unexpected surprise waiting beneath the window mat. Reaugh used his own technique to prepare the paper to hold the pastel media, and evidence of this applied fixative is easily visible in the margins of the paper support. A view of the margins of some of these pastels also reveals previously hidden inscriptions and areas where Reaugh tested his colors. One can see the well-delineated borders of his rectangular landscapes, which he sometimes stayed within, but more often allowed his strokes to extend beyond the intended space. Two pastels have even revealed outlined sketches on the reverse, offering insight into Reaugh’s preliminary drawing techniques. In addition to the works themselves, the framing materials and methods speak to Reaugh’s time on the cattle-trail, where it appears that he made use of whatever materials he had on hand.
Images of each artwork (including the fronts and backs, framed and unframed) will be available via the Ransom Center’s new digital asset management system in the fall. Funding for the Frank Reaugh project is made possible with support from the Institute of Museum and Library Services and the Texas State Library and Archives Commission.
Please click on the thumbnails below to view full-size images.