By Kathleen Telling
Fellows Find: Revelations hidden on post-its, in book flaps, and in the margins of the papers in David Foster Wallace’s archive
By Stephen Burn
Stephen J. Burn, a Reader in American Literature after 1945 at the University of Glasgow, visited the Ransom Center during the spring of 2011 to research his book-in-progress, Neurofiction: the Contemporary American Novel and the Brain (Don DeLillo/ David Foster Wallace). Burn’s research was supported by the Andrew W. Mellon Foundation Research Fellowship Endowment.
When I first visited the Harry Ransom Center in August of 2008, I wasn’t looking for David Foster Wallace. I’d just finished revising a book that read Wallace alongside his contemporaries Jonathan Franzen and Richard Powers (Jonathan Franzen at the End of Postmodernism), and was putting together a blueprint for a new book that I planned to build out of the Center’s archive of Don DeLillo’s assorted drafts and research materials. Read more
By Jennifer Tisdale
The Ransom Center invites applications for its 2016–2017 research fellowships. More than 50 fellowships will be awarded for projects that require substantial onsite use of the Center’s collections, supporting research in all areas of the humanities including literature, photography, film, art, the performing arts, music, and cultural history. Read more
By Charley Binkow
The Harry Ransom Center will host six scholars from the United Kingdom as part of the 2015-2016 International Placement Scheme conducted and funded by the UK’s Arts and Humanities Research Council (AHRC). The AHRC provides fellowships to doctoral students and early-career researchers from the United Kingdom to study at international libraries and research institutions. Read more
Fellows Find: Audio interviews with British actors and actresses reveal rare insight into George Bernard Shaw productions
By Jennifer Buckley
Jennifer Buckley, an assistant professor of rhetoric at the University of Iowa, visited the Ransom Center to work in the George Bernard Shaw collection. Her research was funded by the Limited Editions Club Endowment, and she shares some of her findings below. The Ransom Center is celebrating the 25th anniversary of its fellowship program in 2014–2015.
I came to the Ransom Center expecting to read hundreds of pages of “Shaw talk”—the lengthy, loquacious, overtly rhetorical stage speech the Irish playwright wrote for actors and readers over the course of his six-decade theatrical career. Read more
By Stephanie Jones
Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.
The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. Read more