The Ransom Center invites applications for its 2016–2017 research fellowships. More than 50 fellowships will be awarded for projects that require substantial onsite use of the Center’s collections, supporting research in all areas of the humanities including literature, photography, film, art, the performing arts, music, and cultural history. Read more
The Harry Ransom Center will host six scholars from the United Kingdom as part of the 2015-2016 International Placement Scheme conducted and funded by the UK’s Arts and Humanities Research Council (AHRC). The AHRC provides fellowships to doctoral students and early-career researchers from the United Kingdom to study at international libraries and research institutions. Read more
Jennifer Buckley, an assistant professor of rhetoric at the University of Iowa, visited the Ransom Center to work in the George Bernard Shaw collection. Her research was funded by the Limited Editions Club Endowment, and she shares some of her findings below. The Ransom Center is celebrating the 25th anniversary of its fellowship program in 2014–2015.
I came to the Ransom Center expecting to read hundreds of pages of “Shaw talk”—the lengthy, loquacious, overtly rhetorical stage speech the Irish playwright wrote for actors and readers over the course of his six-decade theatrical career. Read more
Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.
The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. Read more
The archive of Ben Bradlee (1921-2014), former editor of The Washington Post, has been donated to the Ransom Center.
Bradlee presided over the Post — first as managing editor and then as executive editor — and led the paper through the publication of the Pentagon Papers and coverage of the Watergate scandal. Under his leadership, the Post earned 17 Pulitzer Prizes and a reputation for excellence in investigative reporting.
The fellowships support research projects in the humanities that require substantial on-site use of the Ransom Center’s collections of manuscripts, rare books, film, photography, art and performing arts materials.
Matthew McFrederick visited the Harry Ransom Center’s Reading Room as an international fellow from the University of Reading. He conducted research for his thesis, “Staging Beckett in London: Constructing Performance Histories of Samuel Beckett’s Drama.”
McFrederick’s research is part of the Arts and Humanities Research Council–funded “Staging Beckett” project, which is a joint research project involving the University of Reading, the University of Chester, and the Victoria and Albert Museum. This project will study the impact of Beckett’s drama in theater culture and theater practice in the UK and Ireland from 1995 to present day and develop a publicly accessible online database of productions of Beckett’s drama in the UK and Ireland.
McFrederick’s thesis will catalog and analyze significant productions of Beckett’s drama in London and chart the development of Beckettian performance in a number of London theaters such as the Royal Court, the National Theatre, and Riverside Studios. During his time in the reading room, McFrederick, looked at material from the Center’s collections, including those of Samuel Beckett, Peter Glenville, and the English Stage Company.
McFrederick’s research was funded by a fellowship from the Arts and Humanities Research Council as part of the International Placement Scheme.