Please be aware that the Ransom Center will be closed on Thanksgiving Day. However, the Ransom Center Galleries will be open on Friday, November 28, from 10 a.m. to 5 p.m. and from noon to 5 p.m. on Saturday, November 29, and Sunday, November 30. Additional member-only hours will be available from 10 a.m. to noon on Saturday and Sunday.
Free docent-led gallery tours will occur daily at noon and at 2 p.m. on Saturday and Sunday. The public tours meet in the south atrium, and no reservations are required. A selection of screentests from Gone With The Wind will be shown in the Ransom Center’s first-floor theater on weekends at 1:30 p.m. and 3:30 p.m.
Admission is free. Your donation supports the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.
The Ransom Center’s Reading and Viewing Rooms and administrative office will be closed on Thursday, November 27, and Friday, November 28, and will reopen on Monday, December 1.
Share your love of film, literature, and photography this year by giving a gift membership to the Ransom Center. Purchase online or at the Ransom Center’s visitor desk.
Image: Norman Bel Geddes draws a concept for a Macy’s Thanksgiving Day parade float, ca. 1926. Unidentified photographer.
Meet the Staff is a Q&A series on Cultural Compass that highlights the work, experience, and lives of staff at the Harry Ransom Center. Jean Cannon has been the literary collections research associate at the Ransom Center since March 2012. She holds a Bachelor’s degree from Duke University, a Master’s degree from Tulane University, and a PhD from The University of Texas at Austin. Cannon is responsible for helping patrons in the reading room, answering research queries, and curating exhibitions. She spent the last two years working with colleague Elizabeth Garver to co-curate the current exhibition, The World at War: 1914–1918.
What’s your favorite thing about working at the Ransom Center?
I love the moment when you see a student or researcher come across an artifact that really just makes their jaw drop, the “wow” moment.
Can you tell me more about curating the current World at War exhibition?
We started that process about two years ago. I did my dissertation research using several World War I collections at the Ransom Center, but even having done that, I had no idea just how much was here. I had worked in the literary collections, but we also have photographs and posters and all sorts of things that made it a very exciting treasure hunt throughout the building. It was a long process of researching and amassing material from the collections, and then the painful part was choosing the items and having to cut things out because you only have so much space in the gallery. We did a lot of what I like to call “dreaming and scheming.”
What is it like picking and choosing items for the exhibitions?
It’s exciting and can also be kind of chaotic. I think research on that large of a scale is a process of ducking down lots of different rabbit holes every day. Even if you try to be systematic about it, you will find yourself getting drawn to different items. For example, I went through about a month of being obsessed with carrier pigeons, and Elizabeth went through a month being obsessed with pilots.
Did carrier pigeons actually work?
Absolutely. On the western front, telephone lines would get blown up really easily with all the shelling on the western front, so carrier pigeons were actually more reliable. It was a strange meeting of the old world and the new, nineteenth-century and twentieth-century technologies co-existing on the battlefield.
If you could pick a favorite item in the Ransom Center’s collections, what would it be?
One item that really means a lot to me is Wilfred Owen’s last letter to his mother. That’s one of the most affecting of the letters that I’ve read here, and it’s in the gallery now, right in the middle of the show.
Can you tell me a little more about your educational background and how you ended up in your current job at the Ransom Center?
It’s a long, twisty tale. I started graduate school at Tulane in New Orleans, and the second year I was there, Hurricane Katrina hit. So I ended up evacuating and coming to UT because the university had a large enough program that they were able to absorb some of the Tulane students, for which I’m ever grateful. The wonderful thing about being here was being able to do the two-year graduate internship at the Ransom Center. I just fell in love with the place, and I continued volunteering and doing freelance research in the reading room. Then, as I was finishing my doctoral degree, the director at the time recruited me to come in and serve as literary collections research associate. So I defended my dissertation, took two weeks off to hike the Grand Canyon and then came back to start working here full time. It was a whirlwind!
I hear you are a talented hat maker. Can you tell me a little more about that?
Well, I’ve always loved hats and have always worn a lot of hats, even as a child. Then, when I was working in New York, I saw that there was a night class at Parson’ School of Design, so I just decided to take it! At that point I didn’t even know how to run a sewing machine, and I loved it even though I was really out of my depth. Since then, I’ve sought out classes here and there and found old millinery text books and manuals in the archives. My house is full of 50 or so hats.
What is a perfect Saturday for you?
I would probably go for a run on the Greenbelt, maybe go for a swim, read a good book on the porch (for which it has to be sunny, but not 100 degrees), work on a hat, and cook a nice dinner and have people over! Possibly a good film also, especially if it’s hot outside and I can go to the Paramount Summer Classics series.
What book would you consider a “must read” this summer?
I just finished reading Donna Tartt’s The Goldfinch. It will take you awhile, but it’s really worth it. She’s a big believer that a book can be escapist but also very smart, and I really love that combination.
During the First World War, dogs attached to the Medical Corps and the Red Cross lived up to the title “Man’s Best Friend” by helping to rescue soldiers.
Medical Corps dogs were trained to enter No Man’s Land (an unoccupied zone between the trench systems of the Allied and Central Powers) at night and locate fallen soldiers. These dogs could recognize the scent of blood, check for a man’s breath, and–if the soldier were alive–deliver his hat to a Medical Corps officer. (The hat’s insignia was an important identification method for the officer.) Stretcher-bearers were then dispatched to rescue the soldier at daybreak.
Indeed, dogs have participated in warfare for thousands of years. According to some Egyptian murals, dogs were unleashed against enemies in Egypt as far back as 4000 B.C.E. Dogs make excellent companions in modern war because of their superior auditory sense, which allows them to hear artillery fire before humans. They also have superior night vision, making them valued message-bearers.
The Ransom Center’s exhibition The World at War, 1914–1918 features a panoramic group portrait of the 103rd Aero Squadron (Lafayette Escadrille), the first U.S. aviation pursuit squadron in combat in France during World War I.
The photograph was sent to the Ransom Center’s conservation lab because it was tightly rolled, making it brittle and fragile. Previous attempts to unroll the paper had left one corner almost detached. The only clue as to its contents was a handwritten inscription on the roll’s outermost edge. Learn more about how photo conservators Barbara Brown and Diana Diaz worked to safely unroll the photograph to preserve it and display it in the exhibition.
Image: Eugene O. Goldbeck. Panoramic portrait of the 103rd Aero Squadron (Lafayette Escadrille). ca. 1919.
Docent-led gallery tours occur on Tuesdays at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m. (There will be no public tour on Thursday, November 28.) The public tours meet in the lobby, and no reservations are required.
Admission is free. Your donation supports the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.
The Cultural Compass blog will be on hiatus during the University’s winter break and will return the week of January 6.
The grant will support a range of activities including facilitating long-range planning, creating teacher training workshops related to future exhibitions, fostering collaboration with other institutions, and supporting print and online publications related to the Center’s exhibitions.
The Ransom Center has four years to match NEH’s $500,000 challenge grant with $1.5 million in private contributions to create a dedicated $2 million exhibition endowment.
“This NEH award is validation of the strong work the Ransom Center does in interpreting its collections for wide and diverse audiences,” said Ransom Center Director Stephen Enniss. “It will enable us to build on that past success and sustain this vital program for years to come.”
Image: Tour of Culture Unbound: Collecting in the Twenty-First Century. Courtesy TxDOT/Stan A. Williams.
2014 will mark the 100th anniversary of the start of the First World War, a watershed event that claimed millions of lives and changed the course of the twentieth century. The Ransom Center’s exhibit The World at War, 1914–1918 will illuminate the lived experience of the world’s first global war, and will be supplemented with a trip led by exhibition curators and historians to its key monuments and battlefields throughout Great Britain, France, and Belgium, from June 14 through June 23, 2014. The trip is organized by the Texas Exes Flying Longhorns. Information regarding the trip can be found on the Texas Exes alumni travel website.
Sites in London include the Imperial War Museum, Westminster Abbey, the Douglas Haig Memorial, 10 Downing Street, and the Houses of Parliament. Participants will also travel to Oxford to meet with scholar Dr. Jon Stallworthy, the leading scholar on the works of English soldier-poet Wilfred Owen. The Ransom Center holds a collection of Owen’s letters. While in London, participants will stay in the Grosvenor House, a historic 5-star hotel that is frequented by celebrities and royalty.
From London, the group will visit towns such as Ypres, Somme, Verdun, and Rheims, home to key battlegrounds and memorials along the Western Front. The town of Ypres was the site of three major battles, as well as the first documented use of poison gas. Visitors can still view Ypres’ trenches, underground bunkers, and even a church where Adolf Hitler was treated after being wounded. Trip participants will also visit La Maison Forestière in Ors, a memorial to Wilfred Owen, and the Thiepval Memorial to the Missing of the Somme. France is also famed for its champagnes, and participants will enjoy a tasting, featuring classics like Veuve Cliquot and Tattinger.
The trip ends in Paris, home to attractions like the Louvre, the Eiffel Tower, and Notre-Dame. Participants will stay in the Intercontinental LeGrand Hotel, a luxury hotel with views of the Paris Opera House. There is an optional two-day extension of the trip here, which includes a Seine River cruise and a show at the Moulin Rouge.
Don DeLillo once noted in an interview, “The significance of baseball, more than other sports, lies in the very nature of the game—slow and spread out and rambling. It’s a game of history and memory, a kind of living archive.”
DeLillo explored those aspects of the sport in his 1997 novel Underworld. Pictured here is a page from the first draft of that work, drawn from DeLillo’s archive at the Ransom Center. In this passage, he captures the magic of baseball: its ability to unite disparate individuals. The concluding lines in this draft differ from the published version, which reads, “The game doesn’t change the way you sleep or wash your face or chew your food. It changes nothing but your life.”
Widely regarded as one of the greatest pieces of baseball fiction ever written, the prologue of Underworld was originally published as the novella “Pafko at the Wall” in the October 1992 issue of Harper’s Magazine. The text centers on the October 3, 1951 playoff game between the New York Giants and the Brooklyn Dodgers that ended with the “shot heard ’round the world,” Bobby Thomson’s homerun that clinched the National League pennant for the Giants. DeLillo pairs his telling of this historic baseball game with another major event of the day: the U.S. government’s announcement that the Soviet Union had successfully tested an atomic bomb. In an interview, DeLillo noted, “The two events seemed oddly matched, at least to me, two kinds of conflict, local and global rivalries.”
This draft page can be seen in the current exhibition Literature and Sport, on display through August 4. Visitors can also view the notebook containing DeLillo’s notes for the novel and the author’s handwritten transcript of Russ Hodges’s broadcast of the conclusion of the playoff game between the Giants and the Dodgers.
In conjunction with the exhibition, DeLillo will read from his work at a Harry Ransom Lecture on Thursday, July 25, at 7 p.m. in Jessen Auditorium. The event is free and open to the public.
Before the DeLillo event, stop by the Ransom Center’s visitor desk and sign up for eNews between 5 and 6:30 p.m.* to receive a free copy of Underworld.
Materials from the novel are highlighted in the exhibition Literature and Sport, on view through August 4.
Two new exhibitions, Literature and Sport and Contemporary Photographic Practice and the Archive open today at the Ransom Center.
Sport holds a sacred place in Western culture and literature. Writers as diverse as Ernest Hemingway, Willa Cather, Norman Mailer, Marianne Moore, Don DeLillo, Joyce Carol Oates, and David Foster Wallace have written about sport.
Drawn exclusively from the Ransom Center’s collections, Literature and Sport showcases the literature of sport through fiction, essays, poetry, and plays. Organized by sport, the exhibition highlights some of the finest examples of literary writing about baseball, football, boxing, tennis, cricket, bullfighting, and other sports. From Bernard Malamud’s The Natural to Norman Mailer’s The Fight, great literary works capture the appeal of sport and its ability to transform both the individual and society, all the while demonstrating how writers elevate language to literature.
Contemporary Photographic Practice and the Archivewas created in cooperation with the Lakes Were Rivers collective, an Austin-based group of artists working in photography and video. Members of the collective created a body of work influenced in some way by the Ransom Center—its space, its purpose, its collections. Approximately 50 new works are displayed alongside Ransom Center collection materials chosen by the artists, including photographs by Ansel Adams and Man Ray, manuscripts from the E. E. Cummings archive, William Blake’s Songs of Innocence, an embellished Maurice Ravel score, and props from the Robert De Niro collection.
Both exhibitions are on display through August 4 and can be seen in the Ransom Center Galleries on Tuesdays through Fridays from 10 a.m. to 5 p.m., with extended Thursday hours to 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. The galleries are closed on Mondays.
Beginning June 18, free docent-led tours are offered on Tuesdays at noon, Thursdays at 6 p.m., Saturdays at 2 p.m., and Sundays at 2 p.m.
Join us for an “All-Star Evening,” the opening celebration for the summer exhibitions Literature and Sport and Contemporary Photographic Practice and the Archive, this Friday from 7 to 9 p.m. Become a member now to receive complimentary admission and valet parking at this event. If you are not yet a member, tickets are available for $20 at the door (valet parking not included for non-members).
This exhibition explores the career of photographer Arnold Newman (1918–2006), who created iconic portraits of some of the most influential innovators, celebrities, and cultural figures of the twentieth century. Newman’s archive resides at the Ransom Center.
A bold modernist with a superb sense of compositional geometry, Newman is known for a crisp, spare style that situates his subjects in their personal surroundings rather than in a photographer’s studio. Marlene Dietrich, Harry Truman, John F. Kennedy, Arthur Miller, Salvador Dalí, and Pablo Picasso are only a few of his celebrated sitters. Featuring more than 200 of these well-known masterworks, Arnold Newman: Masterclass also includes rarely seen work prints and contact sheets.
The first major exhibition of the photographer’s work since his death, Arnold Newman: Masterclass showcases the entire range of Newman’s photography, featuring many prints for the first time.
Admission to the exhibition is free, but donations are welcome. Free docent-led tours of the exhibition are offered Tuesdays at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.
The exhibition can be seen in the Ransom Center Galleries on Tuesdays through Fridays from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. The galleries are closed on Mondays.
Become a member now to receive complimentary admission and valet parking at “Face to Face,” the opening celebration for the photography exhibition Arnold Newman: Masterclass. If you are not yet a member, you may purchase individual tickets for $20 (valet parking not included) at the door.