By Courtney Reed
The Ransom Center recently acquired additional collection material for its Bernard Malamud collection, including 285 letters and 10 typescript stories from Malamud to his literary agent. This new collection complements the Center’s existing collection of Malamud papers.
Malamud (1914–1986) was a novelist and short story writer, probably best known for his 1952 novel The Natural, which was adapted into a film in 1984 that starred Robert Redford.
In the new collection, the bulk of Malamud’s letters are addressed to his literary agent at Russell & Volkening, Diarmuid Russell. There are also three letters each to Henry Volkening and to Russell’s assistant, Connie Cunningham. In many of the letters, Malamud wrote his response on the bottom of the originals from contacts at Russell & Volkening and then returned them to the sender. Throughout his correspondence, Malamud discusses contracts, foreign editions, potential movie deals, money-matters, arranging meetings or visits, and sharing general updates about himself and his family. Various business documents are also included in the additional material.
In earlier letters, Malamud is more gregarious and “chatty,” divulging more about his work. In one letter from 1950, Malamud writes that he is hard at work on a new novel: “I’m writing a novel about a baseball player (not a baseball novel). It will deal with a man, an American hero, who does not understand what it means to be a hero […] I call the book THE NATURAL” (June 30, 1950). Though, by 1957, Malamud’s letters take on a more formal tone, shorter and more businesslike.
The collection also contains typescripts corrected in Malamud’s hand, including 23 pages of Zora’s Noise, which Malamud emended with pencil and ink and white-out, correcting grammatical errors. Three pages of a photocopied first draft of a biographical piece are also found in the collection.
The materials will be accessible once processed and cataloged.