Molly Schwartzburg, former Cline Curator of Literature at the Ransom Center and current curator at Albert and Shirley Small Special Collections Library at the University of Virginia, contributed an essay about how Wallace’s manuscripts and personal library were handled and processed after they arrived at the Ransom Center.
Other contributors include Don DeLillo, whose papers reside at the Ransom Center, Jonathan Franzen, George Saunders, Rick Moody, Dave Eggers, and David Lipsky, and Wallace’s Little, Brown editor, Michael Pietsch. The book was edited by Samuel Cohen and Lee Konstantinou.
Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.
On Thursday, April 5, the Ransom Center kicks off The David Foster Wallace Symposium with a public event featuring Wallace’s literary agent, Bonnie Nadell, and his editor, Michael Pietsch, in conversation with Los Angeles Times book critic David Ulin. The free, public event will take place at 7 p.m. (C.S.T.) at Jessen Auditorium, across the plaza from the Ransom Center on The University of Texas at Austin campus. Please note that seating will be limited. Registrants of the symposium will have reserved seating, and Ransom Center members will receive priority entry at 6:20 p.m. Doors will open to the general public at 6:30 p.m. Those unable to attend the event or the symposium can enjoy a live webcast.
Throughout the day on Friday, April 6, the symposium will continue with a series of panel discussions featuring esteemed writers, editors, critics, and journalists who will consider Wallace’s work, his life, and his contribution to contemporary literature. Registration is limited, and only a few spaces remain.
The Ransom Center acquired the David Foster Wallace papers and Wallace’s personal library in late 2009. Since that time, the Center has acquired several smaller collections related to Wallace, including:
Photocopies of Wallace’s completed “usage ballots” for the American Heritage Dictionary. Wallace was a member of the company’s board that governs decisions on usage, spelling, and pronunciation.
Items related to “Democracy and Commerce at the U. S. Open,” an article Wallace wrote for Tennis magazine in 1995, including correspondence with Jay Jennings, senior editor at Tennis.
A photocopy of a typed letter from Wallace to Brandon Hobson in which Wallace gives writing advice to the then-22-year-old Hobson.
Nine annotated drafts of “Host,” an essay Wallace published in The Atlantic Monthly in 2005, together with correspondence related to the essay between Wallace and Martha Spaulding of TheAtlantic.
A small collection of correspondence, primarily from Wallace to recipients including collector Bernard Peyton Watson, who donated the materials.
An unpublished typescript essay titled Pearls & Swine by Wallace, written at the request of James Harmon, who wrote to well-known individuals requesting that they respond to the question, “If you could offer the young people of today one piece of advice, what would it be?”
A collection of correspondence and manuscripts Wallace sent to editor and literary critic Steven Moore between 1987 and 2004, together with photocopies of correspondence from Wallace to writer David Markson.
A two-case display of select items from these various collections will be on view in the Ransom Center’s lobby April 3–8.
Because of anticipated high demand for the use of the Wallace papers and associated collections during the symposium, all researchers intending to request access to these materials must inform curatorial staff of their research plans in advance of their visit, no later than March 30, 2012. To protect the materials, space and access will be limited. Walk-ins will not have access to the materials during this time.
We look forward to welcoming symposium participants, registrants, and other guests to the Ransom Center during the symposium to celebrate the life and work of one of the most creative and influential writers of our time.
The Ransom Center holds Wallace’s archive, which was made accessible for research in September 2010. For the symposium, writers, editors, journalists, and critics gather to discuss Wallace’s life and work in panel discussions on such topics as “Editors on Wallace” and “A Life through the Archive.”
Symposium moderators and participants include Wallace’s literary agent Bonnie Nadell, editor Michael Pietsch of Little, Brown and Company, and Los Angeles Times book critic David Ulin.
David Foster Wallace, who was regarded by many as the best writer of his generation, was a talented essayist who was commissioned by several publications, from Harper’s and The Atlantic Monthly to Rolling Stone and Gourmet, to write on topics as disparate as a luxury cruise, tennis, the Illinois State Fair, and the first presidential campaign of John McCain.
Wallace, whose affinity for and comprehension of the rules of grammar and usage were widely known, published an essay entitled “Tense Present: Democracy, English, and the Wars over Usage” in Harper’s in April 2001. An early draft of his essay can be seen in the Ransom Center’s current exhibition, Culture Unbound: Collecting in the Twenty-First Century. The draft is a veritable rainbow, covered in red, black, blue, and green ink. Wallace notes his argument at the bottom of the page: “Language & grammar are the distinctive human attainment. They make possible almost everything we value as human (and beyond: ‘In the beginning was the Word). Facility with language… may be one of our responsibilities (like care of the earth, decency to our fellows).”
David Foster Wallace’s affinity for grammar is also seen in his library, which includes a number of books related to language, usage, and writing. One of his books about the history of the English language is underlined extensively throughout by Wallace. On one page, Wallace highlights with an exclamation point the following text: “[The average person] is likely to forget that writing is only a conventional device for recording sounds and that language is primarily speech.”
It seems that none of Wallace’s books were safe from his inquiring pen. Wallace deeply admired novelist Don DeLillo. His library includes more than a dozen books by DeLillo, whose influence on Wallace can be seen in Wallace’s extensive handwritten notes about the novels and DeLillo’s writing style. On a page of DeLillo’s 1982 novel, The Names, Wallace writes with his red and green pens: “D doesn’t use commas between independent clauses—only uses ‘and.’ See p. 19. Why? It gives narrative a more oral quality—We never hear this comma.”
Starting at 6:30 p.m. on April 14, the Ransom Center is distributing free copies of David Foster Wallace’s book Consider the Lobster and other titles by Culture Unbound exhibition authors. Check in with us upstairs at Central Market (40th and Lamar) to receive your book and a food sample from the Cooking School chefs.
A digital preview of archive materials relating to David Foster Wallace’s posthumous novel The Pale King is now live on the Ransom Center’s website. The preview, a collaboration between the Center and publisher Little, Brown and Company, includes a series of drafts of the “Author’s Foreword,” which eventually became chapter nine of The Pale King. Michael Pietsch, Wallace’s longtime editor, provides context about the pages and elaborates on the publication of the novel.
In 2010, the Ransom Center acquired and made accessible Wallace’s archive. The archive contains manuscript materials for Wallace’s books, stories and essays, research materials, Wallace’s college and graduate school writings, juvenilia, including poems, stories and letters, teaching materials, and books. Materials for The Pale King are included in the archive but will remain with Little, Brown and Company until after the book’s publication.
On Thursday, April 15, the Ransom Center celebrates the release of The Pale King with readings from the novel by Kevin Brockmeier, Doug Dorst, Amelia Gray, and Jake Silverstein. The program will be webcast live at 7 p.m. CST.