The Harry Ransom Center has received a grant from the National Endowment for the Humanities (NEH) to support a two-year, $195,000 project to arrange, describe, selectively digitize, and share its PEN records. The Ransom Center holds the archives of PEN International and English PEN, who share the mission of promoting literature and defending freedom of expression around the world.
I have always loved to catalog presentation copies of books—those given as a gift from one person to another, usually with a signature or inscription. They represent a tiny piece of the people involved, and allow me to feel a connection to some of my favorite authors. Gabriel García Márquez’s library was no exception. Read more
As Kazuo Ishiguro was preparing his archive for transfer to the Harry Ransom Center, he spent weeks sifting through the papers, making notes about the manuscripts and other documents he found in it. Read more
The stories I selected span three decades and show (Zora Neal) Hurston’s diversity in writing styles and subject matter. I created my illustrations from fragments of fabric, paper and faded photos. The layering of images, patterns and textures evoke the feeling of memory and old tales retold. So they become, like the stories, “Bookmarks in the Pages of Life.”—Betye Saar, artist’s afterword to Bookmarks in the Pages of LifeRead more
Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.
The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. Read more
Acclaimed novelist and poet Michael Ondaatje converses with writer Geoff Dyer in a Harry Ransom Lecture on Tuesday, March 31, at 7 p.m. The event takes place in the Jessen Auditorium, in Homer Rainey Hall, across the plaza from the Ransom Center.
Although he is best known as a novelist, Ondaatje’s work also encompasses poetry, memoir, and film. His Booker Prize–winning novel The English Patient was adapted into an Academy Award–winning film. His other works include his memoir Running in the Family, four collections of poetry, the non-fiction book The Conversations: Walter Murch and the Art of Editing Film, and his novels In the Skin of a Lion, Anil’s Ghost, Divisadero, and The Cat’s Table.
Ondaatje discusses his novels and poetry and his book on film editing, as well as research, editing, adapting books to film, and film as an art itself.
Audience members will be able to ask questions, and a reception and book signing follow at the Ransom Center.
The event is free and open to the public. Priority entry is available to Ransom Center members (one seat per membership card) who arrive by 6:20 p.m. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for Ransom Center members is available at the University Co-op garage at 23rd and San Antonio streets.
This program is presented by the University Co-op.
Attendees may enter to win Michael Ondaatje’s novel In the Skin of a Lion, as well as a copy of his book of poetry, Handwriting.
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Alan Furst, whose papers reside at the Ransom Center, has added a new novel to his list of historical espionage tales set in pre-World War II Europe. Mission to Paris (Random House) follows the story of Hollywood film star Fredric Stahl who travels to Paris in 1938 to make a movie and participate in an informal spy service being run out of the American embassy in Paris.