“If Edgar Allan Poe had never written a poem, he would still have been one of America’s greatest writers, thanks to his wonderful short stories, and the invention of the murder mystery genre in particular. If he had never written any of his colorful and often scary short stories, he would still have been one of America’s very greatest poets. In our program at the Harry Ransom Center we’re going to try to demonstrate both sides of this unique literary artist.”
Tonight’s program also features actors René Auberjonois and Fionnula Flanagan. They will read works by Poe, including “The Raven,” “Annabel Lee,” “The Black Cat,” “Alone,” “To Helen,” “The Masque of the Red Death,” “The Sphinx,” and “The Bells.”
The Ransom Center has acquired the papers of American novelist Jayne Anne Phillips. Phillips has published six novels and story collections over the last three decades. Her most recent work is Lark and Termite (2009).
Phillips visited the Ransom Center recently and recorded a reading of Lark and Termite, which you can listen to here.
Known for her poetic prose and her in-depth study of family dynamics, Phillips has received critical acclaim and major literary prizes, including a Guggenheim fellowship and two National Endowment for the Arts fellowships. A member of the American Academy of Arts and Letters, Phillips is professor of English and director of the Master of Fine Arts program in Creative Writing at Rutgers University, Newark.
The acquisition contains manuscripts in multiple states for Black Tickets (1979), Machine Dreams (1984), Shelter (1995), Motherkind (2000), and Lark and Termite, as well as dozens of individual short stories and essays, some never published. Phillips’s school records, early writings, family photographs, notebooks, business documents, fan mail, and related ephemera provide insight into the writer’s life, writing process, family relationships, and publishing history.
The Harry Ransom Center recently celebrated the opening of its exhibitions From Out That Shadow: The Life and Legacy of Edgar Allan Poe and Other Worlds: Rare Astronomical Works with a reception for members. View photographs from the evening.
As a member, you can enjoy a behind-the-scenes glimpse into the Center with invitations to exhibition previews, lectures, unique film screenings, and private events with Ransom Center Director Thomas F. Staley. Members receive a subscription to the Center’s print newsletter, Ransom Edition, and email notices about the latest happenings. We invite you to learn more about membership.
Last year the Ransom Center received as a gift a bible printed in 1481, in Basel by Johan de Amerbach, that was adorned with a 19th century fore-edge painting by bibliophile John T. Beer. The scene is described in a checklist of Beer’s fore-edge paintings simply as “A scene on the Nile,” and the image is sufficiently vague to merit such a title.
What biblical paintings might have inspired the painting? Some have suggested Shadrach, Meshach, and Abednego; Joseph and his brothers; and the Holy Family leaving Egypt. Can any of these suggestions be substantiated based on the details present in the painting? Take a close look and leave a comment with your thoughts.
The Ransom Center’s Coronelli Celestial globe (ca. 1688) is almost five feet high and depicts several constellations labeled in Italian and Latin. To coincide with the current exhibition, Other Worlds: Rare Astronomical Works, the technology and digital services department developed a virtual model of the globe for our website. Photographer Pete Smith and technology services graduate intern Ramona Broussard describe how they assembled this model:
The first challenge we encountered in creating this virtual model was moving the globe to the photography studio to capture high-quality images. The Ransom Center’s exhibition preparation department had to remove a door so that the large globe could fit inside the photography studio.
After our first test shots, we realized that the lighting would have to be polarized to clear up the glare coming off the shiny surface of the globe. The final lighting setup required five powerful flash units and numerous reflectors. For the animation to run smoothly, the globe had to be rotated the same distance for each photographed frame. After some investigation we found that the globe was marked with 72 longitudinal lines that were perfect to use as guides when we moved the globe for each frame. When photographing the globe we had to be careful not to skip a section or double up on one.
One person moved the globe and carefully stepped out of the frame so that the photograph could be taken. This process was repeated 72 times until the globe was photographed for one full rotation. When the photographing was complete, the exhibition preparation crew lifted the globe onto a type of dolly and rolled it out of the studio. They then replaced the door.
The next challenge was deciding how to stitch the photographs together and present them online in a usable and accurate way. We settled on using Flash because Flash is a widely adopted tool that most browsers support without the need for add-ons or plug-ins; the necessity of downloading add-ons often prevents people from accessing new multimedia.
We reviewed several online Flash tools and settled on one created by YoFLA because it was easy to use and provided several functions we wanted, including the ability to zoom, a customizable look, and predefined hotspots (or clickable areas.) YoFLA 3D Object Rotate is freely available for those who want to try it.
The first 3D object we created with 72 uncropped images was prohibitively large. To keep download time to a minimum, we created a smaller object with only 36 images that were cropped. Finally, we had a virtual globe that could be put online for easy viewing and close inspection.
Four-time Tony Award-winning playwright Terrence McNally is a frequent focus of theater news these days. This summer he completed a workshop production of his new drama, Unusual Acts of Devotion, at the La Jolla Playhouse, that starred Richard Thomas and Doris Roberts. His latest musical—a stage version of Catch Me If You Can, originally a film starring Leonardo DiCaprio—just closed in a workshop production in Seattle and will move to Broadway sometime in 2010. McNally will also be represented on Broadway this season by revivals of his musical Ragtime and his dramedy Lips Together, Teeth Apart. In March, the Kennedy Center for the Performing Arts in Washington, D.C., is mounting a mini-festival of his work titled “Three Nights at the Opera with Terrence McNally” that will include productions of his The Lisbon Traviata and Master Class, and will feature a newly commissioned play focused on the opening night performance of Bellini’s I Puritani that will be titled The Golden Age.
McNally has thus far made three gifts of his papers to the Ransom Center, and researcher Raymond-Jean Frontain recently wrote an article about his work with the Ransom Center’s McNally papers. Frontain is a professor of English at the University of Central Arkansas, where he focuses on seventeenth-century literature.
So how does a specialist in seventeenth-century devotional literature find his way from the religious lyrics of John Donne to the work of contemporary playwright McNally?
“In 1993, I caught the Broadway production of A Perfect Ganesh with Frances Sternhagen, which was one of the most luminous performances that I had experienced in a long while,” Frontain explains. “The actor led me to the play. I’ve been exploring the religious bases of McNally’s drama ever since.”
Read Frontain’s article “Terrence McNally’s Connections,” in which he explores McNally’s relationship with John Steinbeck, Angela Lansbury, and others.
Poe’s influence on varied and broad swaths of popular culture—hard-boiled detective fiction, horror and suspense films, song lyrics, crime-scene-analysis dramas, graphic novels—seems to prove Allen Ginsberg’s claim that “everything leads to Poe.” Immortalized in the minds of readers and fans—as well as in television, film, t-shirts, and collectibles—Poe continues to fascinate and inspire.
One classic example is Poe’s appearance on The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album (1967). In their song “I Am the Walrus,” The Beatles declared, “Man you should have seen them kicking Edgar Allan Poe.” The band also made him a member of Sgt. Pepper’s Lonely Hearts Club, placing him in a prominent position on the memorable album cover.
Many other popular musicians have paid homage to Poe: Alan Parsons—famous for his engineering of Pink Floyd’s Dark Side of the Moon—set Poe’s works, such as “The Tell-Tale Heart” and “The Raven.” In 2003, Lou Reed released a concept album, The Raven, featuring musical and spoken interpretations of Poe’s works by various actors, including Steve Buscemi and Willem Dafoe.