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In the Galleries: Josef Koudelka

By Jessica McDonald

Josef Koudelka. “Czechoslovakia. Slovakia. Michalovce.” 1966 © Josef Koudelka/Magnum Photos.
Josef Koudelka. “Czechoslovakia. Slovakia. Michalovce.” 1966 © Josef Koudelka/Magnum Photos.

 

Initially drawn to their traditional folk music, Josef Koudelka (b. 1939) photographed the nomadic Romani people—or Gypsies—of Czechoslovakia and Romania for nearly ten years. Most of the photographs in his seminal 1975 book Gypsies were taken in Eastern Slovakia between 1962 and 1968. In his sensitive study of these communities, Koudelka examined the remnants of a threatened way of life after government efforts to assimilate the Gypsies confined them to grim settlements lacking basic utilities or sanitation services. Something of a nomad himself and forced to seek political asylum after escaping the Czech Republic early in his career, Koudelka has often lived as his subjects do, fostering a shared experience and sense of respect that is discernible in his photographs.

 

In the Ransom Center’s exhibition Radical Transformation: Magnum Photos into the Digital Age, on view through January 5, this photograph is presented with four others from the series, as well as a copy of Koudelka’s book, one of several pioneering publications by Magnum photographers highlighted in the exhibition. There were few publishers for photography books during Magnum’s first decades, but when photography gradually gained widespread acceptance as an art form in the 1970s, publishing houses began to embrace the medium.  Photographers aspiring to use the book form to give a more sophisticated account of world events and personal journeys now had more models to guide them. These books employed complex sequencing and innovative combinations of images and text; they displayed a nuanced understanding of layout and design and a standard of printing quality not previously associated with works of reportage.

 

Koudelka will speak on a panel at the upcoming symposium “Magnum Photoso into the Digital Age.” The symposium takes place October 25–27.

In the Galleries: Robert Capa

By Jessica McDonald

“France. Normandy. Landing of the American troops on Omaha Beach.” 1944 © Robert Capa © International Center of Photography/Magnum Photos
“France. Normandy. Landing of the American troops on Omaha Beach.” 1944 © Robert Capa © International Center of Photography/Magnum Photos

Robert Capa (1913–1954), proclaimed “The Greatest War Photographer in the World” by the Picture Post in 1938, famously created some of the only surviving photographs of the Allied Invasion of Normandy in 1944. When his rolls of film arrived for development at the Life magazine office in London, a darkroom assistant was told to rush the processing to get the photographs to New York for publication in the next issue. The assistant placed the newly developed film in a drying cabinet on high heat, melting the emulsion on three of the four rolls. Luckily, ten images from the fourth roll were not entirely destroyed and appeared only “slightly out of focus,” the title Capa would cleverly give to his memoir in 1947. The blurred photographs became known for their sense of drama and immediacy, as Life’s story captions falsely attributed the blur to Capa’s trembling hands.

In the Ransom Center’s exhibition Radical Transformation: Magnum Photos into the Digital Age, on view through January 5, this photograph is presented in a way that shows both the front and back of the print. Visitors are able to see the stamps, inscriptions, reference numbers, and notes that trace the trajectory of this individual press print, one of nearly 200,000 recently donated to the Ransom Center. Also on view are four additional photographs from the larger group that constituted Capa’s D-Day picture story, facsimile versions of his handwritten captions submitted to Life magazine, and copies of the June 19, 1944 issue of Life showing how the story was published.

Three years later, Capa and his close friends Henri Cartier-Bresson, George Rodger, and David “Chim” Seymour founded the Magnum Photos agency in the penthouse restaurant of the Museum of Modern Art in New York. (Photographer William Vandivert also joined the group but left after about a year.) These were photographers who had experienced a catastrophic war and were united by their belief in a shared obligation to be the historians of their own causes. Magnum Photos continues to be fully owned and supported by its members, numbering over 100 since its founding in 1947, with offices in New York, Paris, London, and Tokyo.

Photography department intern Josephine Minhinnett contributed to this post.

Registration closes next week for symposium “Magnum Photos into the Digital Age”

By Alicia Dietrich

Image credit: Jonas Bendiksen, “Russia. Altai Territory. Villagers collecting scrap from a crashed space¬craft, surrounded by thousands of white butterflies. Environmentalists fear for the region’s future due to the toxic rocket fuel,” 2000. © Jonas Bendiksen/Magnum Photos.
Image credit: Jonas Bendiksen, “Russia. Altai Territory. Villagers collecting scrap from a crashed space¬craft, surrounded by thousands of white butterflies. Environmentalists fear for the region’s future due to the toxic rocket fuel,” 2000. © Jonas Bendiksen/Magnum Photos.

The Harry Ransom Center presents the symposium “Magnum Photos into the Digital Age.” Scheduled for October 25–27, the symposium is in conjunction with the Ransom Center’s current exhibition Radical Transformation: Magnum Photos into the Digital Age.

Twelve Magnum photographers, including Christopher Anderson, Bruno Barbey, Michael Christopher Brown, Eli Reed, Jim Goldberg, Josef Koudelka, Susan Meiselas, Mark Power, Moises Saman, Alessandra Sanguinetti, Alec Soth, and Chris Steele-Perkins, as well as Magnum CEO Giorgio Psacharopulo are scheduled to appear in panel discussions with a focus on the cooperative’s evolution and future.

To celebrate the fact that this many Magnum photographers are coming to Austin, we’re giving away a copy of panel moderator Kristen Lubben’s coffee table book Magnum: Contact Sheets (Thames & Hudson). To be eligible to win, retweet information about the symposium on Twitter or “Like” our Facebook post about the symposium on Facebook by midnight CST on Thursday, October 10.

The symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding.

Symposium information, including registration, is available online. Registration closes on Thursday, October 10. Register now.

Panel moderators include Kristen Lubben, Curator and Associate Director of Exhibitions at the International Center of Photography, New York; Anne Wilkes Tucker, Gus and Lyndall Wortham Curator of Photography at the Museum of Fine Arts, Houston; David Little, Curator of Photography and New Media at the Minneapolis Institute of Arts; Stuart Alexander, Independent Curator and International Specialist, Photographs, Christie’s, New York; and Jessica S. McDonald, Nancy Inman and Marlene Nathan Meyerson Curator of Photography at the Ransom Center.

The Magnum Photos collection was donated to the Ransom Center by Michael and Susan Dell, Glenn and Amanda Fuhrman, and John and Amy Phelan.

Explore the Ransom Center in a photography-themed open house this weekend

By Alicia Dietrich

Photo by Pete Smith.
Photo by Pete Smith.

Enjoy a day of photography at the Ransom Center’s open house on Saturday, September 28 from noon to 5 p.m. Join us for activities including “jet-setter” tours of the current exhibition, Radical Transformation: Magnum Photos into the Digital Age, gallery activities, and mini-tours of the conservation department. Attendees will have the rare opportunity to learn how staff of the Ransom Center preserve and conserve collection materials, including photographs.

Commemorate your visit by posing in a photo booth inspired by the golden age of travel.

On the plaza, enjoy the music of the 1950s and 1960s with GirlFriend. Food trailers including mmmpanadas will have snacks available for purchase.

The first 100 guests will receive a gift bag that includes items from Austinuts, Tommy’s Salsa, Dr. Kracker, Texas Olive Ranch, and more. Maine Root sodas and KIND bars will provide complimentary treats.

The Ransom Center’s pop-up store will feature a merchandise sale, including glass water bottles inspired by the Center’s windows and Magnum Photos-inspired t-shirts, postcards, and publications. Attendees will have the opportunity to win a prize package that includes signed books.

Special thanks to these sponsors and participants: Austinuts, Dr. Kracker, KIND bars, Maine Root Soda, Texas Olive Ranch, and Tommy’s Salsa.

The event is free and open to the public.