Internationally-renowned American photojournalist David Douglas Duncan celebrates his 100th birthday on January 23. For decades, Americans at home and abroad learned of world events as they unfolded before Duncan’s camera, first during his service as a combat photographer with Read more
Antes de la invención de materiales plásticos, el vidrio y el papel eran los materiales principales para producir negativos en blanco y negro. Las placas de vidrio con emulsión de gelatina fueron producidas desde finales del siglo diecinueve (XIX) hasta mediados del siglo veinte (XX). La transparencia del vidrio facilitó Read more
Before the invention of plastics, glass and paper were used to produce black and white photographic negatives. Glass plates with gelatin emulsion were produced from the late- nineteenth century until the mid-twentieth century. The transparency of glass made the plates very Read more
Annamaria Motrescu-Mayes is a visual anthropologist based at the University of Cambridge as an affiliated lecturer and research associate at the Centre of South Asian Studies and a research fellow at Clare Hall College. She is currently working on her research project, “Visual priming and Ceylonese identities since the late nineteenth century.” Read more
The Harry Ransom Center supports an active program of loans from its collections, balancing the task of preparing and processing materials for loan with its own exhibition program. The loans, which share the Center’s collections with a wider audience, are considered on the basis of their merit and contribution to the humanities.
Last year, more than 135 items were loaned to 16 institutions, placing the Ransom Center’s holdings in context with other collections throughout the U.S. and internationally.
One of the Center’s most recent loans is a nearly complete set of the photographs Walker Evans made for Read more
The Ransom Center’s photography collection contains more than 100 photographs attributed to distinguished nineteenth-century photographer O. G. Rejlander. One print is a portrait of Olivia Bennet, The Countess of Tankerville. Researcher Lori Pauli visited the Ransom Center to study the portrait, and she reflected on the possible intersection of the lives of photographer and subject in a story which originally appeared in the Fall 2014 Random Edition newsletter.
The Harry Ransom Center’s renowned photography collection includes the only known print of a portrait of Olivia Bennet, The Countess of Tankerville, by distinguished nineteenth-century photographer Oscar Gustave Rejlander. This portrait is among more than 100 photographs attributed to Rejlander (British, b. Sweden, 1813?–1875) in the Ransom Center’s photography collection. Most are spread among four albums: one that formerly belonged to the British painter William Lake Price (1810–1896); another previously owned by British artist Cecil Gordon Lawson (1851–1882); a third known as the “Riglander” album; and the last an album compiled by writer Charles L. Dodgson (1832–1898), more famously known as Lewis Carroll. There are also ten loose prints attributed to Rejlander in the collection.
Photographer Abelardo Morell, whose work is featured in the Alice’s Adventures in Wonderland exhibition, delivers the Amon Carter lecture on Thursday, March 26, at 7 p.m. at the Ransom Center.
Morell’s work has been collected and shown at institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Victoria & Albert Museum.
Five prints from Morell’s series Alice in Wonderland are on view in the Ransom Center’s current exhibition, Alice’s Adventures in Wonderland. Morell says of this series, “When I began to make photographs illustrating this book by Lewis Carroll I had in mind that books themselves should form the architecture and landscape where the story takes place.”
The program is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.