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Video: Fellow discusses further research in photographic albums

By Marlene Renz

Annamaria Motrescu-Mayes is a visual anthropologist based at the University of Cambridge as an affiliated lecturer and research associate at the Centre of South Asian Studies and a research fellow at Clare Hall College.  She is currently working on her research project, “Visual priming and Ceylonese identities since the late nineteenth century.” Read more

From Austin to Venice Biennale: 5,614 miles of trucks, planes, and a ferry

By Jennifer Tisdale

The Harry Ransom Center supports an active program of loans from its collections, balancing the task of preparing and processing materials for loan with its own exhibition program. The loans, which share the Center’s collections with a wider audience, are considered on the basis of their merit and contribution to the humanities.

Last year, more than 135 items were loaned to 16 institutions, placing the Ransom Center’s holdings in context with other collections throughout the U.S. and internationally.

One of the Center’s most recent loans is a nearly complete set of the photographs Walker Evans made for Read more

Reflecting Upon O. G. Rejlander’s “The Countess of Tankerville”

By Marlene Renz

The Ransom Center’s photography collection contains more than 100 photographs attributed to distinguished nineteenth-century photographer O. G. Rejlander. One print is a portrait of Olivia Bennet, The Countess of Tankerville. Researcher Lori Pauli visited the Ransom Center to study the portrait, and she reflected on the possible intersection of the lives of photographer and subject in a story which originally appeared in the Fall 2014 Random Edition newsletter.

The Harry Ransom Center’s renowned photography collection includes the only known print of a portrait of Olivia Bennet, The Countess of Tankerville, by distinguished nineteenth-century photographer Oscar Gustave Rejlander. This portrait is among more than 100 photographs attributed to Rejlander (British, b. Sweden, 1813?–1875) in the Ransom Center’s photography collection. Most are spread among four albums: one that formerly belonged to the British painter William Lake Price (1810–1896); another previously owned by British artist Cecil Gordon Lawson (1851–1882); a third known as the “Riglander” album; and the last an album compiled by writer Charles L. Dodgson (1832–1898), more famously known as Lewis Carroll. There are also ten loose prints attributed to Rejlander in the collection.

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