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From Austin to Venice Biennale: 5,614 miles of trucks, planes, and a ferry

By Jennifer Tisdale

The Harry Ransom Center supports an active program of loans from its collections, balancing the task of preparing and processing materials for loan with its own exhibition program. The loans, which share the Center’s collections with a wider audience, are considered on the basis of their merit and contribution to the humanities.

Last year, more than 135 items were loaned to 16 institutions, placing the Ransom Center’s holdings in context with other collections throughout the U.S. and internationally.

One of the Center’s most recent loans is a nearly complete set of the photographs Walker Evans made for Read more

Reflecting Upon O. G. Rejlander’s “The Countess of Tankerville”

By Marlene Renz

The Ransom Center’s photography collection contains more than 100 photographs attributed to distinguished nineteenth-century photographer O. G. Rejlander. One print is a portrait of Olivia Bennet, The Countess of Tankerville. Researcher Lori Pauli visited the Ransom Center to study the portrait, and she reflected on the possible intersection of the lives of photographer and subject in a story which originally appeared in the Fall 2014 Random Edition newsletter.

The Harry Ransom Center’s renowned photography collection includes the only known print of a portrait of Olivia Bennet, The Countess of Tankerville, by distinguished nineteenth-century photographer Oscar Gustave Rejlander. This portrait is among more than 100 photographs attributed to Rejlander (British, b. Sweden, 1813?–1875) in the Ransom Center’s photography collection. Most are spread among four albums: one that formerly belonged to the British painter William Lake Price (1810–1896); another previously owned by British artist Cecil Gordon Lawson (1851–1882); a third known as the “Riglander” album; and the last an album compiled by writer Charles L. Dodgson (1832–1898), more famously known as Lewis Carroll. There are also ten loose prints attributed to Rejlander in the collection.

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Featured “Alice’s Adventures in Wonderland” artist Abelardo Morell delivers Amon Carter Lecture

By Marlene Renz

Photographer Abelardo Morell, whose work is featured in the Alice’s Adventures in Wonderland exhibition, delivers the Amon Carter lecture on Thursday, March 26, at 7 p.m. at the Ransom Center.

 

Morell’s work has been collected and shown at institutions including the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, and the Victoria & Albert Museum.

 

Five prints from Morell’s series Alice in Wonderland are on view in the Ransom Center’s current exhibition, Alice’s Adventures in Wonderland. Morell says of this series, “When I began to make photographs illustrating this book by Lewis Carroll I had in mind that books themselves should form the architecture and landscape where the story takes place.”

 

The program is free and open to the public, but donations are welcome. Seating is first-come, first-served, and doors open at 6:30 p.m.

 

Morell’s photographs can be seen in Alice’s Adventures in Wonderland, on view through July 6. Share with #aliceinaustin.

 

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Undergraduates in the archives

By Marlene Renz

Students at The University of Texas have the opportunity to enhance their studies with the Ransom Center’s collections. Andrea Gustavson, PhD candidate in American Studies at The University of Texas at Austin, designed an entire class around the Ransom Center’s collections, and she writes about how the primary source materials enhanced the learning experience for her undergraduate students.

 

Related content:

Video: The Undergraduate Visitor at the Ransom Center

Drama in the Archives: Humanities class fosters undergraduate research

Undergraduates review music production records for “Rebecca” to understand business side of Hollywood film scores

 

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