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Twenty-four Hours with the Herd, a night of image and sound with Graham Reynolds

By Kathleen Telling

Critically acclaimed Austin composer Graham Reynolds (Golden Arm Trio, Bernie, Before Sunset) breathes new life into Frank Reaugh’s 1933 masterpiece, Twenty-four Hours with the Herd, a musical presentation of Reaugh’s stunning seven-part pastel series depicting the West Texas plains as a backdrop to cattle drives. Read more

Anne Frank and the archive

By Eric Colleary

It has been over 60 years since The Diary of Anne Frank was first published in the United States. Frequently listed among the most significant books of the twentieth century, the classic account of the 13-year-old girl who hid from the Nazis with her family in an attic in Amsterdam has long been an international bestseller. Many came to know the story in Read more

Fellows Find: Audio interviews with British actors and actresses reveal rare insight into George Bernard Shaw productions

By Jennifer Buckley

Jennifer Buckley, an assistant professor of rhetoric at the University of Iowa, visited the Ransom Center to work in the George Bernard Shaw collection. Her research was funded by the Limited Editions Club Endowment, and she shares some of her findings below. The Ransom Center is celebrating the 25th anniversary of its fellowship program in 2014–2015.


I came to the Ransom Center expecting to read hundreds of pages of “Shaw talk”—the lengthy, loquacious, overtly rhetorical stage speech the Irish playwright wrote for actors and readers over the course of his six-decade theatrical career. Read more

Eric Colleary named as Cline Curator of Theater and Performing Arts

By Christine Lee

The Harry Ransom Center announces the appointment of Eric Colleary as Cline Curator of Theater and Performing Arts. In this position, Colleary will oversee research, access, and interpretation of the Ransom Center’s theater and performing arts materials.

“This appointment signals the Ransom Center’s continued commitment to its already deep theater and performing arts collections, and we can look forward to the many ways Eric will engage students and scholars in the thoughtful exploration of these holdings,” said Ransom Center Director Steve Enniss.

Colleary is currently a visiting professor of performance studies and history in the Department of Theatre and Dance at Macalester College in Saint Paul, MN. He holds a doctorate in Theater Historiography from the University of Minnesota. Previously, Colleary was an archivist and volunteer with the Tretter Collection of Gay, Lesbian, Bisexual and Transgender Studies at the University of Minnesota Libraries since 2009, where he organized the exhibition “Stonewall at 40: The Gay and Lesbian Rights Movement in America.” He currently serves on committees for the Theatre Library Association and the American Theatre Archives Project.

“The theater and performing arts collections at the Ransom Center are among the very best in the world,” said Colleary. “I am honored to be joining such a talented team, and I look forward to continuing to develop these collections and engaging with new audiences.”

The Ransom Center has extensive holdings of major American and British dramatists including David Hare, Lillian Hellman, David Mamet, Arthur Miller, George Bernard Shaw, Tom Stoppard, and Tennessee Williams, among others. Within these archives are manuscripts, correspondence, notes, photographs, and performance programs and ephemera.

The performing arts collections contain materials documenting a wide variety of performance genres in the United Kingdom and America. The collections feature holdings in theater, dance, costume and scenic design, opera, and popular entertainments, such as the circus, vaudeville, minstrel shows, puppetry, and magic. The creative process, from concept and staging to publication and revival, constitutes the primary focus of these collections.

Colleary begins his position on July 1.