The Ransom Center is pleased to share its annual report covering the 2013–2014 academic year. Ransom Center Director Steve Enniss notes that “the annual report, coupled with the Ransom Center’s recently completed strategic plan, provides a blueprint for how we hope to grow.” The data and information included in the report not only document how the Center serves students, scholars, and the public, but also provide measurable benchmarks to track future progress.
The Harry Ransom Center announces the appointment of Eric Colleary as Cline Curator of Theater and Performing Arts. In this position, Colleary will oversee research, access, and interpretation of the Ransom Center’s theater and performing arts materials.
“This appointment signals the Ransom Center’s continued commitment to its already deep theater and performing arts collections, and we can look forward to the many ways Eric will engage students and scholars in the thoughtful exploration of these holdings,” said Ransom Center Director Steve Enniss.
Colleary is currently a visiting professor of performance studies and history in the Department of Theatre and Dance at Macalester College in Saint Paul, MN. He holds a doctorate in Theater Historiography from the University of Minnesota. Previously, Colleary was an archivist and volunteer with the Tretter Collection of Gay, Lesbian, Bisexual and Transgender Studies at the University of Minnesota Libraries since 2009, where he organized the exhibition “Stonewall at 40: The Gay and Lesbian Rights Movement in America.” He currently serves on committees for the Theatre Library Association and the American Theatre Archives Project.
“The theater and performing arts collections at the Ransom Center are among the very best in the world,” said Colleary. “I am honored to be joining such a talented team, and I look forward to continuing to develop these collections and engaging with new audiences.”
The Ransom Center has extensive holdings of major American and British dramatists including David Hare, Lillian Hellman, David Mamet, Arthur Miller, George Bernard Shaw, Tom Stoppard, and Tennessee Williams, among others. Within these archives are manuscripts, correspondence, notes, photographs, and performance programs and ephemera.
The performing arts collections contain materials documenting a wide variety of performance genres in the United Kingdom and America. The collections feature holdings in theater, dance, costume and scenic design, opera, and popular entertainments, such as the circus, vaudeville, minstrel shows, puppetry, and magic. The creative process, from concept and staging to publication and revival, constitutes the primary focus of these collections.
The National Endowment for the Humanities (NEH) has awarded the Ransom Center a $18,900 grant to preserve and enhance access to the Ransom Center’s non-commercial sound recordings. The grant allows the Ransom Center to complete a preservation survey of more than 13,000 archival sound recordings to establish and document preservation digitization priorities, processes, and standards to enhance access to these research materials.
“To make the most prudent and productive use of resources available, the Ransom Center must understand the condition of its sound recordings, as well as their intellectual and research value, in order to make preservation decisions based on clear principles that will expand current and inform future reformatting, stabilizing, and cataloging efforts,” said Ransom Center Director Steve Enniss. “This support from the NEH is powerful validation of the Center’s efforts.”
A majority of the recordings are unique and were made for private, non-commercial use. The content varies widely but includes literary spoken word, conference proceedings, dictated notes and letters, field recordings, structured interviews, lectures and readings, musical performances, radio broadcasts, rehearsals, telephone conversations, dictated drafts of writings, and even therapy sessions and psychic readings.
Recordings in the collection belong to some of the twentieth- and twenty-first-century’s most notable writers, artists, and performers including Stella Adler, Neal Cassady, Andre Dubus, David Douglas Duncan, Norman Bel Geddes, Spalding Gray, Denis Johnson, Ernest Lehman, Norman Mailer, Bernard Malamud, Gerard Malanga, David Mamet, Nicholas Ray, Ross Russell, David and Jeffrey Selznick, Anne Sexton, Isaac Bashevis Singer, Warren Skaaren, Ted Spagna, Gloria Swanson, and Leon Uris.
Of the more than 13,000 audio recordings cataloged in the Ransom Center’s Sound Recordings Collection database, 2,700 have been digitized and are available for streaming onsite in the Center’s Reading and Viewing Room.
A long-term goal is to place the Sound Recordings Collection database on the Ransom Center’s website, providing patrons access to existing sound recordings.
“In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs,” said NEH Chairman William Adams. “The grants continue that tradition, making valuable humanities collections, exhibitions, documentaries, and educational resources available to communities across the country.”
Upon completion, the project will serve as a model for a follow-up project to survey the Ransom Center’s archival moving image materials.
Beginning Saturday, April 4, the Ransom Center increases its Saturday operating hours for its Reading and Viewing Room and will be open from 9 a.m. to 5 p.m. The times are an increase from the Center’s prior Saturday hours of 9 a.m. to noon.
The Ransom Center’s Reading and Viewing Room is an active place, facilitating the scholarly inquiry of researchers. In the past year, researchers from 46 states and 30 countries worked in the Reading and Viewing Room.
Patrons from Austin and Texas will benefit from the increased hours as will other researchers, including many of the Ransom Center’s fellowship recipients, 49 percent of whom travel from abroad to conduct research here.
The increased hours will provide additional opportunities for onsite use of the Center’s collections of manuscripts, rare books, photographs, and other materials.
Information about using the collections, including establishing a research account, can be found online.
The Harry Ransom Center is excited to announce its participation in this year’s Amplify Austin Day. Beginning on March 5 at 6 p.m., we will be asking for your help in raising $5,000 within a 24-hour period. We are proud to be a part of this year’s community-wide effort to give back to the city of Austin. So mark your calendars and help support your community and the Ransom Center on this day of giving!
Proceeds raised will be used to support the Ransom Center’s upcoming exhibitions and programming. The money raised will assist in:
developing future exhibitions
creating and launching web exhibitions
supporting teacher training opportunities and family-guide materials
publishing exhibition catalogs and companion books
collaborating with other museums
The Center’s exhibitions are free and open to the public. With your support, we can continue to share our world-renowned collections. Schedule a donation.
The Harry Ransom Center announces the appointment of Gerald W. Cloud as its Carl and Lily Pforzheimer Curator of Early Books and Manuscripts.
Cloud will be responsible for overseeing the Ransom Center’s extensive holdings of early books and manuscripts, including promoting access to, and use of, the collections and interpreting them for varied audiences. The Ransom Center’s Pforzheimer Library of English Literature is one of the cornerstones of the Center’s early books and manuscripts collections.
Prior to joining the Ransom Center, Cloud served as head librarian at UCLA’s William Andrews Clark Memorial Library, curator of literature at Columbia University’s Rare Book & Manuscript Library, and most recently as an antiquarian bookseller at James Cummins Bookseller.
“Gerald’s professional experiences—academic teaching, collection development, knowledge of the antiquarian book trade, scholarship in bibliography and the history of the book—will be invaluable to the Ransom Center and its patrons,” said Steve Enniss, Director of the Harry Ransom Center.
Cloud will support researchers working with the Ransom Center’s early book and manuscripts collections and collaborate with colleagues to promote enhanced access to collections, including digital initiatives and exhibitions. He’ll also work closely with the Center’s conservation department on setting treatment priorities for collection materials as well as expanding and strengthening the Pforzheimer Library.
“I look forward to raising the profile of the Ransom Center’s collections and invigorating use for original research with scholars, students, faculty and others,” said Cloud.
Holdings within the Pforzheimer Library include the plays, poems, novels, essays, polemical writings, and translations of some of the most important English writers from 1475 to 1700. All major writers (William Caxton, Edmund Spenser, Christopher Marlowe, William Shakespeare, John Donne, Francis Bacon, John Milton, Andrew Marvell, John Dryden, and William Congreve, among many others) are represented by first and important editions. The Pforzheimer books are supplemented by 2,000 manuscript items.
The Ransom Center will be closed on Christmas Eve Day (Wednesday, December 24) and Christmas Day (Thursday, December 25). However, the Ransom Center Galleries will be open the rest of winter break on Mondays, Tuesdays, Wednesdays, and Fridays from 10 a.m. to 5 p.m., Thursdays from 10 a.m. to 7 p.m., and on Saturdays and Sundays from noon to 5 p.m. Additional member-only hours will be available from 10 a.m. to noon on Saturday and Sunday.
Please also be aware that the Reading and Viewing Rooms and administrative office will be closed during the University holidays from Saturday, December 20, through Thursday, January 1.
Free docent-led gallery tours occur daily at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m. (There will be no public tour on the closed days of Wednesday, December 24 or Thursday, December 25.) The public tours meet in the south atrium, and no reservations are required. On weekends, a selection of screentests from Gone With The Wind will be shown in the Ransom Center’s first-floor theater at 1:30 p.m. and 3:30 p.m.
Admission is free. Your donation will support the Ransom Center’s exhibitions and public programs. Parking information and a map are available online.
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Image: Scene concept for “Christmas at Aunt Pittypat’s in Atlanta” in Gone With The Wind.