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Now open at the Wolfsonian: “I Have Seen The Future: Norman Bel Geddes Designs America”

By Sarah Strohl

The exhibition I Have Seen the Future: Norman Bel Geddes Designs America is now open at the Wolfsonian at Florida International University in Miami Beach, Florida.  Pulled mostly from the Ransom Center’s Bel Geddes archive, the exhibition originated in fall 2012 at the Ransom Center and was on view earlier this year at the Museum of the City of New York. Bringing together some 200 unique drawings, models, photographs, and films, this exhibition highlights Bel Geddes’s creativity and desire to transform American society through design.

 

Norman Bel Geddes (1893–1958) was an industrial and theatrical designer who gained fame in the 1920s, ’30s, and ’40s for his streamlined and futuristic innovations. His designs played a significant role in shaping America’s image as an innovative powerhouse and global leader into the future. One of his most famous undertakings was the unforgettable Futurama exhibition at the 1939–1940 New York World’s Fair.

 

I Have Seen the Future is on view at the Wolfsonian until September 28.

 

Image: Norman Bel Geddes, Motor Car No. 9 (without tail fin), ca. 1933.

 

Related content:

View the Norman Bel Geddes Designs America book

Curator of Norman Bel Geddes exhibition discusses influence of the industrial designer

Read an inside look at Bel Geddes’s design, Motorcar Number 9

Texas collection of comedias sueltas and Spanish theater available for research and in online database

By Jennifer Tisdale

The Texas Collection of Comedias Sueltas and Spanish Theater is available for research. Individual records for each suelta are also available in an online database, providing extensive information about the collection.

The collection includes more than 15,000 “comedias sueltas,” a generic term for plays published in small pamphlet format in Spain from the early seventeenth century through the early twentieth century. The materials at the Ransom Center have been described as one of the major collections of Spanish dramatic literature in suelta form in North America.

Within the collection, more than 2,500 authors were identified of sueltas and related works published between 1603 and late 1930s. Nearly 600 sueltas at the Cushing Library at Texas A&M University were also cataloged as part of the project.

The Council on Library and Information Resources (CLIR) funded the cataloging project “Revealing Texas Collections of Comedias Sueltas” under its “Cataloging Hidden Special Collections and Archives” initiative. CLIR is a nonprofit organization that works with libraries, cultural institutions, and communities of higher learning to enhance research and teaching.

On September 29-30, the Department of Spanish and Portuguese at The University of Texas at Austin, the Department of Hispanic Studies at Texas A&M University and the Ransom Center will host the conference “The State of the Comedia Suelta: Celebrating the Texas Collections.” Held at the Ransom Center, the conference will highlight writers and/or works represented in the collection. Researchers from a variety of fields — including Hispanic literature and culture, history of the book, music, theater, bibliography, conservation, and library science — are expected to attend.

Read more information about the project. The news is also available in Spanish.

Alan Furst’s “Midnight in Europe” now available

By Sarah Strohl

Alan Furst, a New York Times bestselling author whose archive resides at the Harry Ransom Center, recently published his latest novel Midnight in Europe.

 

Furst is widely recognized for his historical espionage novels set in the World War II era. His 2008 novel, The Spies of Warsaw, was adapted into a miniseries starring David Tenant and Janet Montgomery that premiered on the BBC in 2013. His works have been translated into 18 languages, and in 2011 he received the Peggy V. Helmerich Distinguished Author Award.

 

Midnight in Europe is set in the outskirts of wartime Paris in 1938. Cristián Ferrar, a Spanish émigré and lawyer at an international law firm risks his life in a mission to help supply weapons to the Republic’s army. He is joined in his efforts by a motley crew of idealists, gangsters, arms traders, aristocrats, and spies, all compelled by different reasons to fight for righteous principles and democracy.

 

To celebrate the release of Midnight in Europe, the Ransom Center will be giving away a signed copy of Furst’s 2008 novel Spies of the Balkans. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway@gmail.com with “Alan Furst” in the subject line. By entering via email, you are also opting-in to receive the Ransom Center’s monthly email newsletter. All tweets and emails must be sent by Thursday, June 26, at midnight CST, and winner will be drawn and notified on Friday.

 

Related content:

Listen to Alan Furst reading from The Spies of Warsaw

 

Watch video interviews with Alan Furst

 

View a list of recommended reading by Alan Furst

 

Writers Reflect with Alan Furst

 

Read “The Alan Furst Papers: Interrogation of a Spy Novelist

 

Image: Cover of Alan Furst’s novel Midnight in Europe.

Video showcases exhibition “The World At War: 1914–1918”

By Gabrielle Inhofe

A recent Longhorn Network video featured the Ransom Center’s exhibition The World At War: 1914–1918 as part of The Alcalde’s magazine program. The video includes interviews with exhibition co-curators Jean Cannon and Elizabeth Garver, as well as Professor Steven Isenberg, who taught a class on World War I this spring at The University of Texas at Austin.

 

The three discuss how the Great War shaped modern politics and conflict, paved the way for World War II, introduced new technologies, and changed attitudes about the nature of war. The exhibit, which runs through August 3, draws on the Ransom Center’s extensive collections to illuminate the experience of the war from the point of view of its participants and observers, preserved through letters, drafts, and diaries; memoirs and novels; and photographs and propaganda posters, prints, and more.

New collections of Bernard Malamud’s work released

By Jane Robbins Mize

Novelist Bernard Malamud was one of the most significant Jewish American writers of the twentieth century, and this year, to honor and celebrate his life and work, The Library of America has released two collections of Malamud’s fiction: Novels and Stories of the 1940s & 50s and Novels and Stories of the 1960s. A third collection is forthcoming.

 

The Ransom Center is home to an important archive of Malamud’s work

 

Born in Brooklyn on April 26, 1914, to Russian Jewish immigrants, Malamud earned his Master’s degree from Columbia University and taught writing at Oregon State University and Bennington College. His first novel, The Natural (1952), was adapted into a film starring Robert Redford in 1984. His fourth novel, The Fixer, won both the National Book Award and Pulitzer Prize in 1966. Malamud also published a total of six other novels and 65 short stories throughout his career.

 

Malamud’s archive includes correspondence, articles, essays, notebooks, manuscripts, interviews, and more.

 

Related content:

Additional Bernard Malamud letters, typescripts acquired by Ransom Center

Acclaimed writer Ian McEwan’s archive acquired

By Alicia Dietrich

The Harry Ransom Center has acquired the archive of writer Ian McEwan (b. 1948), one of the most distinguished novelists of his generation.  The archive documents McEwan’s career and includes early material from his childhood and adolescence, as well as his earliest abandoned stories dating from the late-1960s and early 1970s. The archive includes drafts of all of McEwan’s later published works including his critically acclaimed novels Amsterdam and Atonement up through On Chesil Beach and Solar.

 

McEwan composed his novels partly in longhand, typically in uniform green, spiral-bound notebooks, and party on the computer. After an initial draft, he would transfer the entire text to a computer, printing out multiple drafts, which he would revise further by hand. McEwan’s Booker Prize-winning novel Amsterdam is represented in the archive in its earliest form as a handwritten notebook, followed by two further revised drafts. McEwan often notes details of composition in these drafts, including their completion or revision dates.

 

“The writer tends to forget rapidly the routes he or she discarded along the way,” McEwan said, commenting on his manuscripts. “Sometimes the path towards a finished novel takes surprising twists. It’s rarely an even development. For example, my novel Atonement started out as a science fiction story set two or three centuries into the future.”

 

Read a Q&A with McEwan, where he shares insights about his archive, writing process, and more.

 

McEwan’s archive will reside at the Ransom Center alongside the archives of many of his peers and contemporaries, including his longtime friend Julian Barnes, as well as J. M. Coetzee, Doris Lessing, Jayne Anne Phillips, and Tom Stoppard. The McEwan materials will be accessible once processed and cataloged.

 

McEwan will visit Austin and speak at the university on Sept. 10. More details about this event will be posted here later this summer.

 

Please click on thumbnails below to view larger images.

Sebastian Barry’s newest novel “The Temporary Gentleman” now available

By Jane Robbins Mize

Sebastian Barry, whose archive resides at the Ransom Center, has written a new novel, The Temporary Gentleman, the latest of six distinct yet related books based on the characters and events of Barry’s own family.

 

The Irish poet, novelist, and playwright is the author of the critically acclaimed play The Steward of Chirstendom (1995) and the novel A Long Long Way, which was a finalist for the 2005 Man Booker Prize. His first novel, Macker’s Garden, was published in 1982, two years before he attended the Iowa Writer’s Workshop as a Fellow at the International Writing Program.

 

The Temporary Gentleman is written from the perspective of an Irishman living in Accra, Ghana, in 1957 as he urgently reflects on his life and work. The novel explores its narrator’s past serving in World War II, working as an engineer and UN observer, and struggling to maintain his marriage.

 

Barry visited the Harry Ransom Center in 2006 to meet with archivists about his then-recently acquired papers. The collection includes drafts of the writer’s published and unpublished works as well as manuscripts, letters, and more.

 

To celebrate the release of The Temporary Gentleman, the Ransom Center will be giving away a signed copy of Barry’s previous novel, The Secret Scripture (2008). To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway(at)gmail.com with “Sebastian Barry” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, May 14. [Update: This giveaway is closed, and the winner has been notified.]

 

Related content:

L.A. theater company resurrects deleted monologue in Sebastian Barry’s “The Steward of Christendom”

Writers Reflect with Sebastian Barry

Listen to Sebastian Barry read from The Secret Scripture

Ransom Center to host more than 80 scholars in fellowship program’s 25th year

By Bridget Ground

The Ransom Center will support more than 80 research fellows for 2014–2015, the 25th anniversary of the fellowship program. Since the program’s inception, the Center has awarded fellowships to more than 900 scholars from around the world.

 

The fellowships support research projects in the humanities that require substantial on-site use of the Center’s collections of manuscripts, rare books, film, photography, art, and performing arts materials.

 

The 2014–2015 fellowship recipients, more than half of whom will be coming from abroad, will use Ransom Center materials to support projects with such titles as “J. M. Coetzee and the Idea of the Literary,” “Imagined Heartlands: Post-Postmodern Literature and the American Midwest,” “The Films of Powell and Pressburger,” “Norman Hall: Photo-Editing and International Connections in Mid-Twentieth Century Photography,” and “Dawn of a New Day: New York City Between the Fairs.”

 

The fellowships range from one to three months in duration and provide $3,000 of support per month. Travel stipends and dissertation fellowships are also awarded.

 

The stipends are funded by individual donors and organizations, including the Andrew W. Mellon Foundation, the Creekmore and Adele Fath Charitable Foundation, the American Society for Eighteenth-Century Studies, and The University of Texas at Austin’s Office of Graduate Studies, Schusterman Center for Jewish Studies, and program in British Studies.

 

The Ransom Center will host eight additional scholars in collaboration with the Arts and Humanities Research Council (AHRC) International Placement Scheme (IPS). This program, funded and administered by the U.K.-based AHRC, offers early-career researchers and AHRC-funded doctoral students from U.K. universities the opportunity to enhance their research with a fellowship at one of its six participating host institutions.

 

Image: Cover of Eric Gill’s Twenty-five Nudes (1938; reprint, London: J. M. Dent & Sons Ltd., 1951); James Salter’s notes on possible titles for his novel Light Years, ca. 1974–5; cover of Paul Hayden Duensing’s 25: a quarter-century of triumphs and disasters in the microcosm of the Private Press & Typefoundry of Paul Hayden Duensing (Kalamazoo, Mich.: The Private Press and Typefoundry of Paul Hayden Duensing, 1976); signaled message from the Royal Air Force to John Pudney requesting a poem for the organization’s 25th anniversary, March 24, 1943; photograph of 25th Street Theater, Waco, ca. 1962.

 

Author Jim Crace awarded literary prize

By Jane Robbins Mize

This year, novelist Jim Crace, whose archive resides in the Ransom Center, has received an award of $150,000 for his fiction writing. Presented by Yale University, the Windham Campbell Prize is awarded to writers of fiction, nonfiction, and drama to financially support their literary endeavors.

 

Upon receiving the award, Crace said, “After a couple of years of creative doubt when I thought I might not write another novel but should turn instead to the theatre, I have rediscovered my passion for fiction. Stories are crowding in, demanding their space on the page. The Windham Campbell Prize at Yale gives me the independence and the confidence to take on those stories, free from everyday pressures. The timing couldn’t be more perfect. My gratitude couldn’t be greater.”

 

Crace’s writing is celebrated for its powerful style, inspired by the magical realism of Gabriel García Márquez and rich with the natural imagery of imagined worlds. He is the author of 13 award-winning novels, including Continent (1986), Quarantine (1997), and Being Dead (1999). Crace has served as a Distinguished Writer-in-Residence at the James A. Michener Center for Writers at The University of Texas at Austin. His most recent novel, Harvest, was shortlisted for the 2013 Man Booker Prize for Fiction.

 

To celebrate Crace’s achievement, Cultural Compass will be giving away a signed copy of his novel The Pesthouse. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway(at)gmail.com with “Crace” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified by Monday, May 12. [Update: This giveaway is closed, and the winner has been notified.]

 

Related Content:

Jim Crace discusses creative process

Jim Crace gives writing advice and discusses why T.H. White’s archive at the Ransom Center brought tears to his eyes

Iain Sinclair traces steps of literary heroes of the Beat Generation in new book

By Jane Robbins Mize

Writer, documentarian, and Londoner Iain Sinclair, whose archive resides at the Ransom Center, has written a new book, American Smoke: Journeys to the End of the Light. Sinclair visited The University of Texas at Austin in 2010 while preparing for his previous project, Ghost Milk: Recent Adventures Among the Future Ruins of London on the Eve of the Olympics (2012).

 

American Smoke records Sinclair’s personal pilgrimage from Great Britain to the United States, the home of his literary heroes of the Beat Generation. Travelling from Hackney, London, to Gloucester, Massachusetts, the writer hoped to discover and understand the spirit of the poets and novelists who inspired his youth: Charles Olson, Garry Snyder, William Boroughs, Jack Kerouac, and Dylan Thomas, to name a few.

 

The story opens with the writer’s identification of time, place, and emotion: “It was the season of autumn ghosts, a dampness in the soul. 2011 and London had lost its savour. A good step beyond midway through my dark wood of the world, I came to America, hoping to reconnect with the heroes of my youth. The largest, the most light-occulting of all the giants, that earlier race, was Charles Olson: poet, scholar, and last rector of Black Mountain College.”

 

The scope of American Smoke extends beyond Charles Olson and Sinclair himself. Not only a memoir of his journey in the United States, the book is also a portrait of a former generation of Americans and an exploration of their legacy today.

 

To celebrate the release of American Smoke: Journeys to the End of the Light, the Ransom Center will be giving away a signed copy of Sinclair’s book Hackney, That Rose-Red Empire: A Confidential Report. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to hrcgiveaway(at)gmail.com with “Iain Sinclair” in the subject line. All Tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, May 2 [Update: The winner has been chosen and notified.]