We left off in part one wondering how to evaluate the Ransom Center’s unique non-commercial sound recordings, particularly when we aren’t able to access their audio content prior to preservation. Verifying written descriptions helps, but there are other considerations to keep in mind, such as a recording’s physical format—different types of material become increasingly unstable with age, but at different rates, and in different ways. Read more
Starting today, the Ransom Center celebrates 150 years of Alice’s Adventures in Wonderland with an exhibition for the curious and curiouser of all ages. Learn about Lewis Carroll and the real Alice who inspired his story. See one of the few surviving copies of the first edition of Alice’s Adventures in Wonderland. Discover the rich array of personal and literary references that Carroll incorporated throughout Alice. Explore the surprising transformations of Alice and her story as they have traveled through time and across continents. Follow the White Rabbit’s path through the exhibition, have a tea party, or watch a 1933 paper filmstrip that has been carefully treated by Ransom Center conservators. The Center’s vast collections offer a new look at a story that has delighted generations and inspired artists from Salvador Dalí to Walt Disney.
The exhibition can be seen in the Ransom Center galleries, Monday through Friday from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. Daily public tours are offered at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.
Matthew McFrederick visited the Harry Ransom Center’s Reading Room as an international fellow from the University of Reading. He conducted research for his thesis, “Staging Beckett in London: Constructing Performance Histories of Samuel Beckett’s Drama.”
McFrederick’s research is part of the Arts and Humanities Research Council–funded “Staging Beckett” project, which is a joint research project involving the University of Reading, the University of Chester, and the Victoria and Albert Museum. This project will study the impact of Beckett’s drama in theater culture and theater practice in the UK and Ireland from 1995 to present day and develop a publicly accessible online database of productions of Beckett’s drama in the UK and Ireland.
McFrederick’s thesis will catalog and analyze significant productions of Beckett’s drama in London and chart the development of Beckettian performance in a number of London theaters such as the Royal Court, the National Theatre, and Riverside Studios. During his time in the reading room, McFrederick, looked at material from the Center’s collections, including those of Samuel Beckett, Peter Glenville, and the English Stage Company.
McFrederick’s research was funded by a fellowship from the Arts and Humanities Research Council as part of the International Placement Scheme.
Kamran Javadizadeh, an assistant professor in the English Department at Villanova University, visited the Ransom Center this fall to conduct research for his current book project, “Bedlam & Parnassus: The Institutionalization of Midcentury American Poetry.”
The idea for Javadizadeh’s book began when he discovered that Ezra Pound and Elizabeth Bishop could both see the U.S. Capitol from their very different positions in 1950—one was a patient at St. Elizabeths Hospital and the other the poet laureate. He argues that the combination of these two poets creates an understanding of what poetry meant culturally and societally in post-war America. While at the Ransom Center, Javadizadeh studied the Robert Lowell and Ezra Pound collections.
Javadizadeh’s work was jointly funded by the Frederic D. Weinstein Memorial Fellowship and the Dorot Foundation Postdoctoral Research Fellowship in Jewish Studies, as part of the Ransom Center’s fellowship program.
Alison Stone, a doctoral student at the University of Exeter, recently spent time in the Ransom Center’s reading room conducting research for her thesis, “Contemporary British Poetry and Objectivism.”
Her thesis will chart the exchange of ideas and influences between a group of British poets of the 1950s and 1960s, including Andrew Crozier and Gael Turnbull, and a group of late-Modernist Americans, called the “Objectivists.” She explored the archives of Charles Tomlinson, Hugh Kenner, Louis Zukofsky, and others to pinpoint exactly what the British poets borrowed from their American counterparts.