Navigate / search

Draw Me: A history of the illustrated Alice

By Alexandra Bass

Sir John Tenniel. Dalí. Yayoi Kusama. What do these artists of vastly different styles, mediums, and artistic movements have in common? Each, along with many other artists, has tried their hand at illustrating Lewis Carroll’s classic Alice’s Adventures in Wonderland, a tale so whimsical it demands illustrations. Alice appeals to such a broad range of artists because the creative quality of the story gives artists freedom to interpret the look of the story in any way they please, and the book’s quirky sense of fun is irresistible.

 

The novel’s first illustrator was none other than its author. Charles Lutwidge Dodgson—alias Lewis Carroll—created a handwritten manuscript with 37 illustrations for the story’s muse, Alice Liddell, after she asked him to write down the fantastical story he told her one lazy summer afternoon on a boat ride. Although somewhat amateurish, the ink illustrations depict a sweet, pretty Alice, not unlike the famous Tenniel illustrations. Indeed, Tenniel, a famous Victorian political cartoonist, and Dodgson worked closely together in creating the now-classic illustrations for the first published edition.

 

Tenniel’s classical and rather prim imagining of Alice remained the standard throughout the nineteenth century and still remains the most recognizable Alice illustration today. It was not until the turn of the twentieth century that other illustrators tried their hands at Alice. These illustrations reflect the aesthetic of their time. Mabel Lucie Attwell’s 1910 rendering of Alice and Margaret W. Tarrant’s 1916 version are sweet and feminine and still very much geared toward a young audience.

 

By the middle of the century, illustrations of Alice became more experimental. German illustrator Wiltraud Jasper’s 1958 version is edgy and minimal, all in black and red. In 1969, iconic surrealist Salvador Dalí put his spin on Carroll’s story, creating a dreamy, abstract, and characteristically melty Wonderland in a melancholy color palate.

 

More recently, Japanese pop artist Yayoi Kusama has re-imagined Alice in her signature polka dots in a 2012 Penguin publication of Alice’s Adventures in Wonderland. Kusama steers away from the “classic” scenes of illustrations and instead focuses on details. For instance, the Mad Tea Party chapter features a red-and-black polka-dotted bowler hat instead of the traditional scene of the eccentric cast of characters tucking into high tea at a long table.

 

At the very onset of her story, Alice muses to herself about the importance of illustrations: “‘And what is the use of a book,’ thought Alice, ‘without any pictures?’” What use indeed? Would Alice’s Adventures in Wonderland be the classic book and cultural phenomenon that it is without pictures? Likely not—both readers and illustrators alike have fun with the creative freedom offered by the Alice books.

 

See examples of some of these illustrations in the Ransom Center’s current exhibition Alice’s Adventures in Wonderland, on view through July 6. Share with #aliceinaustin.

 

Related content:

From the Outside In: Illustration from Alice’s Adventures in Wonderland, John Tenniel, 1865

Read other content related to the exhibition Alice’s Adventures in Wonderland

 

Receive the Harry Ransom Center’s latest news and information with eNews, a monthly email. Subscribe today.

 

Please click on the thumbnails to view larger images.

 

Mad Hatter Teas complement “Alice’s Adventures in Wonderland” exhibition

By Jennifer Tisdale

“It’s always tea time” according to the Mad Hatter. With this in mind, Four Seasons Hotel Austin is pleased to offer a special Alice-themed Mad Hatter Tea in conjunction with the Harry Ransom Center’s Alice’s Adventures in Wonderland exhibition.

 

Complementing Alice’s Adventures in Wonderland, the Mad Hatter Teas take place during the run of the exhibition on February 22, March 29, April 26, May 31, June 28, and July 5, 2015, from 2 p.m. to 5 p.m.

 

Hosted in the Four Seasons Lobby Lounge, the teas feature creative treats, such as “Eat Me” carrot cupcakes, shortbread clock cookies, cheshire macarons, and queen of hearts cakes. Special decor, an “Alice in Wonderland” photobooth, and the classic movie playing on the big screen complete the whimsical event.

 

The Mad Hatter Teas are $42 per adult and $30 per child. Seats are limited. Reservations are required and can be made by contacting the Four Seasons at 512-478-4500.

 

Share the news with #aliceinaustin.


Related content:

View other content related to Alice’s Adventures in Wonderland

 

Image: Photo courtesy of Four Seasons Hotel Austin.

 

In the Galleries: “The Rectory Magazine”

By Danielle Sigler

The man who became famous as Lewis Carroll was born Charles Lutwidge Dodgson in 1832. Dodgson, the third of 11 siblings, grew up in northern England surrounded by his brothers and sisters. Together they put on plays and created family publications like The Rectory Magazine, named for their home in Croft-on-Tees. Dodgson’s father was an Archdeacon in the Church of England and lived in a rectory, or a residence for the parish clergyman.

 

This edition of The Rectory Magazine includes essays, poems, and short stories, as well as hand-drawn and colored illustrations. The sense of humor and parody that appear in much of Carroll’s later work is already evident in The Rectory Magazine, produced when Dodgson was 18 years old.

 

Visitors to the Ransom Center’s exhibition Alice’s Adventures in Wonderland, on view through July 6, can turn the pages of a digital version of The Rectory Magazine on a touchscreen in the galleries.

 

Share information about the exhibition with #aliceinaustin.

 

Related content

View other content related to Alice’s Adventures in Wonderland

 

Receive the Harry Ransom Center’s latest news and information with eNews, a monthly email. Subscribe today.

 

Please click on the below thumbnails to view larger images.

Video preview: “Alice’s Adventures in Wonderland”

By Alicia Dietrich

Starting today, the Ransom Center celebrates 150 years of Alice’s Adventures in Wonderland with an exhibition for the curious and curiouser of all ages. Learn about Lewis Carroll and the real Alice who inspired his story. See one of the few surviving copies of the first edition of Alice’s Adventures in Wonderland. Discover the rich array of personal and literary references that Carroll incorporated throughout Alice. Explore the surprising transformations of Alice and her story as they have traveled through time and across continents. Follow the White Rabbit’s path through the exhibition, have a tea party, or watch a 1933 paper filmstrip that has been carefully treated by Ransom Center conservators. The Center’s vast collections offer a new look at a story that has delighted generations and inspired artists from Salvador Dalí to Walt Disney.

 

The exhibition can be seen in the Ransom Center galleries, Monday through Friday from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. Daily public tours are offered at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.

 

The exhibition runs through July 6.

Share  the exhibition with #aliceinaustin.

 

Related content:

View other content related to Alice’s Adventures in Wonderland

 

Receive the Harry Ransom Center’s latest news and information with eNews, a monthly email. Subscribe today.

Slideshow: See the exhibition “Alice’s Adventures in Wonderland” come to life during installation

By Alicia Dietrich

Starting tomorrow, the Ransom Center celebrates 150 years of Alice’s Adventures in Wonderland with an exhibition for the curious and curiouser of all ages. Below, get a preview of the galleries with a slideshow of images from the installation process over the past few weeks.

 

The exhibition can be seen in the Ransom Center galleries, Monday through Friday from 10 a.m. to 5 p.m., with extended Thursday hours until 7 p.m. On Saturdays and Sundays the galleries are open from noon to 5 p.m. Daily public tours are offered at noon, Thursdays at 6 p.m., and Saturdays and Sundays at 2 p.m.

 

The exhibition runs through July 6.

 

Please click on thumbnails below to view larger images.

Related content:

View other content related to Alice’s Adventures in Wonderland

 

Receive the Harry Ransom Center’s latest news and information with eNews, a monthly email. Subscribe today.

Meet the Staff: Webmaster Daniel Zmud

By Sarah Strohl

Meet the Staff is a Q&A series on Cultural Compass that highlights the work, experience, and lives of staff at the Harry Ransom Center. Daniel Zmud, who joined the Ransom Center in 2001, manages everything web-related and supervises the digitization of the Center’s archival sound recordings, videotapes, and motion picture films. He received a Bachelor’s degree in Radio-Television-Film from The University of Texas at Austin in 1996 and has led the Ransom Center through two major website redesigns, the latest of which launched in 2008.

 

Can you tell us a little about what you do here at the Ransom Center?

My responsibilities have grown over time. At first I was only producing the public website and online research tools, but since then I’ve also been supervising the audiovisual digitization lab and creating interactive installations for the exhibition galleries.

 

What do you like most about working at the Ransom Center?

I like being a part of activities that shine some light on our collections. They could sit on a dark shelf forever, but it’s much more enjoyable to take them out for exhibitions or research. I was lucky enough to be around when we were scanning the Gutenberg Bible. It’s almost never out of its display case, so it was a pretty rare opportunity to have it there on the scanning station, turning every page, and getting to see it up close. We had to have an armed guard on duty…it was an incredible experience.

 

I hear you have spent some time building the web exhibition for The Making of Gone With The Wind. How has that been going?

It has been a whirlwind of activity this spring and summer. The web exhibition will include Gone With The Wind content that we’ve previously published, but we’re also integrating a fan-mail database. People can search by name or topic and read actual correspondence that was sent to David O. Selznick’s film production company before, during, and after the making of the film. You’ll be able to type in your relatives’ names to see if they sent in any comments or applied for a job.

 

Do you have a favorite item or collection here at the Ransom Center?

I haven’t seen every collection, but I always want to tell people about the Norman Dawn collection. He was a special effects inventor for film projects in the early 1900s. We have over 150 display cards from him, and each one describes a different special effect. Special effects at that time were so new—directors didn’t want to spend money on them unless they knew that they were actually going to work. He used a variety of artistic techniques like sketching, watercolor, and painting to sell the special effects to whoever was making a movie, and then he went back after the fact and inserted film stills of the finished special effect. The skill and artistry involved is incredible.

 

Can you tell us about your car restoration hobby and the cars you’ve been working on lately?

Well, I go to antique malls pretty often, and one time around three years ago I came across this stack of car-customizing magazine from the ’50s and ’60s. They really showed me the creative element in repairing and customizing old cars. I never thought it was something I would be able to do, but flipping through those magazines, I realized that older cars are actually simple machines. So, I was going through Craigslist around that time, and I came across a 1965 Chevrolet Corvair that just intrigued me. It was in rough shape, and I thought to myself, “Here’s a blank slate!” With the help of many people giving me advice and directing me to spare parts, I was able to get that car looking really nice within a year, and I ended up reluctantly selling it. What I learned was that once you finish a project, you are eager to start another one. Right now, I’m working on two Mazda Miatas.

Below, watch Zmud drive the 1965 Chevrolet Corvair that he restored.

 

Where is your favorite place to travel?

Every year since 1988 I’ve gone to Taos, New Mexico for a week or two in the summer. I like to hit the reset button there. I’m with my family, and it’s not a typical trip where every minute is scheduled. I just get to relax, take in the scenery, and escape the heat.

 

Do you happen to collect anything?

I collect snapshots. You’ll find these buckets full of snapshots in antique stores, and I like flipping through every last one of them. When one sticks with me as interesting or artistic, I decide to take it home. People can be accidentally artistic, even when they are just taking a picture of their aunt and uncle, or the picture isn’t in focus.

 

Please click on thumbnails below to view full-size images.