Be among the first to explore the literary all-stars featured in the Literature and Sport exhibition. Enjoy ballpark-inspired snacks including frozen pops from GoodPop, hot dogs and veggie dogs, mini soft pretzels, and more. Sip on a refreshing summertime cocktail from Dripping Springs Vodka, sangria from the Austin Wine Merchant, or locally brewed beer from Live Oak Brewing Company.
At the event, enter to win a sports-inspired prize package that includes a sports massage, two platinum film fan memberships to the Paramount Theatre, dinner for two at Lamberts, and more. Guests will also have the opportunity to meet Spike, the Round Rock Express mascot, and show off their best baseball player pose in our baseball card photo booth. Members will receive a printed version of their baseball card as a party favor!
Ransom Center members enjoy complimentary admission and valet parking at this event. If you are not yet a member, you may join or order individual $20 tickets at the door. Tickets are also available online until Friday, June 7. Valet parking is not included for non-members.
The Ransom Center is giving away a pair of tickets to an “All-Star Evening.” Email firstname.lastname@example.org with “All-Star” in the subject line by midnight CST tonight to be entered in a drawing for complimentary admission for two. The winner will be notified by email.
Special thanks to these sponsors: Austin Beer Garden and Brewery, The Austin Wine Merchant, Blanton Museum of Art, Clickit Ticket, Dripping Springs Vodka, GoodPop, Lamberts Downtown Barbecue, Live Oak Brewing Company, Paramount Theatre, Peter Pan Mini Golf, RecSports, Round Rock Express, and JD Whittemore.
Come relax in the Design Within Reach outdoor lounge, sip on refreshments from Austin Wine Merchant and Dripping Springs Texas Vodka, and escape the heat with architecturally-inspired ice cream sandwiches from Coolhaus. Bring your vision of the future to life with Toy Joy’s interactive “City of the Future” and pose in a photo booth with one of Bel Geddes’s famous streamlined cars.
You’ll also get a first look at the exhibition, have the opportunity to enter a drawing for a Bel Geddes-inspired prize package, and learn more about the life and career of this influential industrial designer who, more than any designer of his era, created and promoted a dynamic vision of the future.
The Ransom Center is giving away a pair of tickets to “FutureLand.” Email email@example.com with “Norman Bel Geddes” in the subject line by midnight CST tonight to be entered in a drawing for two “tickets to the future.”
Membership to the Ransom Center just became more valuable! We are pleased to announce that Ransom Center members can now receive a $10 discount on a membership to the Austin Film Society (AFS). AFS promotes the appreciation of film and supports creative media production. Combine a Ransom Center membership with a membership to AFS, and you’ll enjoy year-round access to film-related activities and events.
If you are already a member and want to receive a discounted membership to AFS, download and mail a membership form along with your payment or credit card information to AFS, 1901 E 51st, Austin, TX, 78723. Please write “Harry Ransom Center Member” at the top of the form and enclose a photocopy of your Ransom Center membership card. Alternatively, you can email a scanned copy or image of your Ransom Center membership card to firstname.lastname@example.org. If you prefer to speak with someone about becoming a member of the Austin Film Society, please call 512-322-0145.
Upcoming Ransom Center Film Lecture
Join us on Thursday, April 19 at 7 p.m. for a lecture with special effects pioneer Tom Smith, who recently donated his archive to the Ransom Center. Smith discusses his work on films including Raiders of the Lost Ark (1981), E.T. (1982), Star Trek: The Wrath of Khan (1982), and Return of the Jedi (1983).
Members of the Ransom Center receive complimentary parking and priority entry at this Harry Ransom Lecture. Doors open at 6:20 p.m. for members and at 6:30 p.m. for the general public. Members must present their membership cards for priority entrance; one seat per membership card. Members arriving after 6:30 p.m. will join the general queue. Complimentary parking for members is available at the University Co-op garage at 23rd and San Antonio streets.
The Harry Ransom Center extends a thank you to the many generous sponsors who are helping us turn Friday’s opening party, “Kings & Creators,” into an event of biblical proportions.
Tickets are still avilable for this opening celebration. Join online or purchase a membership and tickets at the door.
Enjoy wine provided by the Austin Wine Merchant and Vineyard Brands Inc., a signature “Merrymaker” cocktail courtesy of Dripping Springs Texas Vodka, and screenings of biblically inspired clips, from Pulp Fiction to Jesus Christ Superstar to Bob Marley’s “Exodus,” curated by local filmmaker Tommy Swenson of The Alamo Drafthouse.
Guests will also have the opportunity to create a custom bookmark or notecard with the calligraphers of Capitol City Scribes.
All royal guests will receive gift bags compliments of the Ransom Center, Austin Sugarworks, Dr. Kracker Texas Whole Grain Specialists, Kirkus Reviews, Texas Rain, and TOMMY’S! Foods.*
One lucky guest will also win a “King for a Day” prize. At the event, enter to win a stay at the Four Seasons, Austin; a five-course chef’s tasting dinner for two at Wink; gift certificate for movies and refreshments at Violet Crown ($50); four tickets to a Chanticleer choral performance from Texas Performing Arts; four tickets to Sherwood Forest Faire, and a downtown horse-drawn carriage ride compliments of Angeli Carriages
The Harry Ransom Center extends a thank you to the many generous sponsors who are helping us turn Friday’s opening party, “Uncensored,” into a memorable event. Enjoy a Greenwich Village-inspired specialty cocktail from Treaty Oaks Platinum Rum, “Censored” copper ale courtesy of Lagunitas Brewing Co., and “Objectionable Films” curated by Tommy Swenson. Guests will also receive gift bags compliments of the Ransom Center, Austin Film Festival, Austin Sugarworks, Better Bites of Austin, Dr. Kracker Texas Whole Grain Specialists, Richard’s Rainwater, Texas Olive Ranch, Tommy’s Salsa, and Tribeza Magazine.*
One lucky guest will also win an “Uncensored Prize.” Guests at the opening may enter to win a two-night stay at the W Hotel, Austin; two producer’s passes to the Austin Film Festival, which admits you to all films, panels, and parties; rum-runner cocktail party ingredients with The Very Best of Cole Porter CD and a bottle of Treaty Oak Platinum Rum; and The Wild Party, by Joseph Moncure March with illustrations by Art Spiegelman
In one of Tennessee Williams’s early writings in which he interviews himself, he identifies his audience as “the wild at heart kept in cages.” He also notes that the play Battle of Angels is a prayer for “more tolerance and respect for the wild and lyric impulses that the human heart feels and so often is forced to repress in order to avoid social censure and worse.”
Williams’s draft of The Glass Menagerie, when it was still titled The Gentleman Caller, represents Williams’s personal and professional life. You see him working through what will become his iconic play, but you also see doodles and a dedication to his grandma Rose, who “perforated the lid of my own particular cubicle, thus preventing suffocation and allowing me to continue certain activities inside.” Another important Rose in his life was his sister, whose correspondence to her brother demonstrates their close bond. She writes: “The memory of your gentle, sleepy, sick body and face are such a comfort to me… if I die you will know that I miss you 24 hours a day.”
A more tempestuous relationship is brought to a close in an elegantly written letter from Williams to former lover Pancho Rodriguez. Williams writes: “One thing for which I don’t pity myself is the two years we spent together… You were you, wild, wonderful, a poem.” He caringly instructs Rodriguez to “keep faith with all the beautiful things in your heart… Walk tall, walk proud through this world.”
The exhibition demonstrates how film adaptations modified relationships in Williams’s written work. In Sweet Bird of Youth,the ending was changed to achieve a happy Hollywood resolution, and in A Streetcar Named Desire, the dialog about Blanche’s first love was heavily revised to appease the censors.
Culture Unbound: Collecting in the Twenty-First Century reiterates the topic of love and relationships, specifically in writings by Tim O’Brien, Don DeLillo, and James Salter. In Tim O’Brien’s typescript from The Things They Carried for the chapter “Stockings,” love supersedes borders and war zones. Henry Dobbins uses his girlfriend’s pantyhose as a talisman, and we see O’Brien crafting the passage, crossing through lines and adding a large handwritten section of notes. The story ends with the girlfriend breaking up with Henry, but the power of the remembered love keeps him, and his fellow soldiers, going.
A strong marriage bond connects Jack Gladney and his current wife Babette in Don DeLillo’s White Noise. Gladney muses: “Sometimes I think our love is inexperienced. The question of dying becomes a wise reminder. It cures us of our innocence of the future. Simple things are doomed, or is that a superstition?” He continues: “Babette and I tell each other everything… turned our lives for each other’s thoughtful regard, turned them in the moonlight in our pale hands, spoken deep into the night… In these night recitations we create a space between things as we felt them at the time and as we speak them now.” DeLillo’s handwritten notes for the novel are featured in the exhibition.
James Salter’s novel The Light Years charts the trajectory of another marriage. At the start, the husband, Viri, “wants to enter the aura surrounding her [his wife], to be accepted… [but] soon after they were married, perhaps an hour after… the desperate, unbearable affection vanished, and in its place was a young woman of twenty condemned to live with him… the mistake she knew she would have to make was made at last… She had accepted the limitations of her life.” Later in the novel Nedra explains how impossible it is to live with her husband and summarizes it as “what turns you to powder, being ground between what you can’t do and what you must do. You just turn to dust.” The novel portrays what happens when one’s heart’s passion is not pursued, as Williams seems to warn against in his “prayer for the wild at heart kept in cages.”
The exhibitions are rich with original materials that give glimpses into human emotion, fictional and personal. Becoming Tennessee Williams and Culture Unbound: Collecting in the Twenty-First Century are on view through July 31, 2011.
The Harry Ransom Center celebrated the opening of its exhibitions, Becoming Tennessee Williams and Culture Unbound: Collecting in the Twenty-First Century, with the “Wild at Heart” event on Friday, February 11. Guests enjoyed informal tours of the exhibition, readings of “Night of the Iguana” by Different Stages Theater Company, cocktails courtesy of Balcones Distilling, hors d’oeuvres, and more.
Pam Berry was the lucky winner of the “Wild at Heart” Prize. Congrats, Pam!
Become a member to receive complimentary admission and valet parking at exhibition opening parties. Members of the Harry Ransom Center receive advance notice and invitations to lectures, programs, exhibition previews, and other exclusive members-only events throughout the year, including opportunities for behind-the-scenes glimpses into the Center and its holdings. Join or learn more.