The University of Texas at Austin’s LLILAS Benson Latin American Studies and Collections and Ransom Center will host the symposium “Gabriel García Márquez: His Life and Legacy” on October 28–30 in Austin. In advance of the symposium, the García Márquez archive will open for research in the Ransom Center’s Reading and Viewing Room on October 21.
The symposium will explore the life and legacy of the beloved author and public intellectual. International scholars, journalists, filmmakers, and former colleagues of García Márquez’s will speak about his global influence in the fields of journalism, filmmaking, and literature. Panel topics include “Gabo: The Storyteller,” “Global Gabo,” “Gabo the Journalist,” and “Gabriel García Márquez: Cinematic Scribe and Muse.” Panelists hail from Colombia, Mexico, and the United States.
The Ransom Center is pleased to share its annual report covering the 2013–2014 academic year. Ransom Center Director Steve Enniss notes that “the annual report, coupled with the Ransom Center’s recently completed strategic plan, provides a blueprint for how we hope to grow.” The data and information included in the report not only document how the Center serves students, scholars, and the public, but also provide measurable benchmarks to track future progress.
After discussing his own work in the Harry Ransom Center’s archives with students in his Humanities classes, Dr. Elon Lang realized that despite his students’ interest in what he suggested could be learned from archival materials, very few had actually visited the Ransom Center and even fewer had contemplated doing research here.
Lang made it his mission to design a course that would show how the Ransom Center could serve as a valuable and approachable research tool for all interested users—especially The University of Texas at Austin’s undergraduates—and to show how much students could gain from working with archival materials.
With these goals in mind, Lang developed “Drama in the Archives,” a Humanities Honors course he taught in fall 2014.
During the semester, Lang brought students from his class to the Ransom Center at least once per week to learn about the Center and to learn how to conduct original primary research in the Center’s theater and performing arts collections.
He chose important plays as the subject matter for the class partly because of the Ransom Center’s impressive collections and partly because the consequences of creative choices that can be revealed in an archive become clear very quickly when analyzing dramatic texts.
After several weeks of guided readings and archival work, Lang had students develop their own research projects that involved close attention to an item in the Ransom Center’s collections and its historical and critical contexts.
Below, undergraduates describe the research they conducted and the discoveries they made while working with collections at the Ransom Center. They show how, with creativity and a bit of support, they were able to create a singular experience for themselves at the Ransom Center that greatly enhanced their undergraduate education.
The National Endowment for the Humanities (NEH) has awarded the Ransom Center a $18,900 grant to preserve and enhance access to the Ransom Center’s non-commercial sound recordings. The grant allows the Ransom Center to complete a preservation survey of more than 13,000 archival sound recordings to establish and document preservation digitization priorities, processes, and standards to enhance access to these research materials.
“To make the most prudent and productive use of resources available, the Ransom Center must understand the condition of its sound recordings, as well as their intellectual and research value, in order to make preservation decisions based on clear principles that will expand current and inform future reformatting, stabilizing, and cataloging efforts,” said Ransom Center Director Steve Enniss. “This support from the NEH is powerful validation of the Center’s efforts.”
A majority of the recordings are unique and were made for private, non-commercial use. The content varies widely but includes literary spoken word, conference proceedings, dictated notes and letters, field recordings, structured interviews, lectures and readings, musical performances, radio broadcasts, rehearsals, telephone conversations, dictated drafts of writings, and even therapy sessions and psychic readings.
Recordings in the collection belong to some of the twentieth- and twenty-first-century’s most notable writers, artists, and performers including Stella Adler, Neal Cassady, Andre Dubus, David Douglas Duncan, Norman Bel Geddes, Spalding Gray, Denis Johnson, Ernest Lehman, Norman Mailer, Bernard Malamud, Gerard Malanga, David Mamet, Nicholas Ray, Ross Russell, David and Jeffrey Selznick, Anne Sexton, Isaac Bashevis Singer, Warren Skaaren, Ted Spagna, Gloria Swanson, and Leon Uris.
Of the more than 13,000 audio recordings cataloged in the Ransom Center’s Sound Recordings Collection database, 2,700 have been digitized and are available for streaming onsite in the Center’s Reading and Viewing Room.
A long-term goal is to place the Sound Recordings Collection database on the Ransom Center’s website, providing patrons access to existing sound recordings.
“In the 50 years since NEH’s founding, the Endowment has supported excellence in the humanities by funding far-reaching research, preservation projects and public programs,” said NEH Chairman William Adams. “The grants continue that tradition, making valuable humanities collections, exhibitions, documentaries, and educational resources available to communities across the country.”
Upon completion, the project will serve as a model for a follow-up project to survey the Ransom Center’s archival moving image materials.
Beginning Saturday, April 4, the Ransom Center increases its Saturday operating hours for its Reading and Viewing Room and will be open from 9 a.m. to 5 p.m. The times are an increase from the Center’s prior Saturday hours of 9 a.m. to noon.
The Ransom Center’s Reading and Viewing Room is an active place, facilitating the scholarly inquiry of researchers. In the past year, researchers from 46 states and 30 countries worked in the Reading and Viewing Room.
Patrons from Austin and Texas will benefit from the increased hours as will other researchers, including many of the Ransom Center’s fellowship recipients, 49 percent of whom travel from abroad to conduct research here.
The increased hours will provide additional opportunities for onsite use of the Center’s collections of manuscripts, rare books, photographs, and other materials.
Information about using the collections, including establishing a research account, can be found online.
“It’s always tea time” according to the Mad Hatter. With this in mind, Four Seasons Hotel Austin is pleased to offer a special Alice-themed Mad Hatter Tea in conjunction with the Harry Ransom Center’s Alice’s Adventures in Wonderland exhibition.
Complementing Alice’s Adventures in Wonderland, the Mad Hatter Teas take place during the run of the exhibition on February 22, March 29, April 26, May 31, June 28, and July 5, 2015, from 2 p.m. to 5 p.m.
Hosted in the Four Seasons Lobby Lounge, the teas feature creative treats, such as “Eat Me” carrot cupcakes, shortbread clock cookies, cheshire macarons, and queen of hearts cakes. Special decor, an “Alice in Wonderland” photobooth, and the classic movie playing on the big screen complete the whimsical event.
The Mad Hatter Teas are $42 per adult and $30 per child. Seats are limited. Reservations are required and can be made by contacting the Four Seasons at 512-478-4500.