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In the Galleries: Anatomy of the King James Bible title page

By Io Montecillo

The title page of the 1611 King James Bible is the first title page of an English Bible to feature a depiction of the Trinity: Father, Son, and Holy Spirit. Though this Bible is traditionally called the “King James,” the title page does not announce the king’s patronage by featuring his image. View a full-size version of this image here.

The imposing architectural frame, suggestive of a church edifice, is full of human figures, including Moses and Aaron, the Evangelists, and the Apostles. Traditionally, Jesus had twelve Apostles, but the thirteen depicted here include Matthias, who replaced Judas after his betrayal (Acts 1:26), and Paul, who described himself as an Apostle in Romans 1. Each apostle is represented by a symbolic attribute, though not all are easily identifiable.

The first edition’s title page and other materials pertaining to the King James Bible are on view in the exhibition The King James Bible: Its History and Influence through July 29.

Your Humble Serpent: “Book Snake” and “Book Worm” are unsung Reading Room companions

By Io Montecillo

A small book worm, assisted by a book support, and a large book snake; both assist Io Montecillo, by gently holding open small and large books.  Photo by Pete Smith.
A small book worm, assisted by a book support, and a large book snake; both assist Io Montecillo, by gently holding open small and large books. Photo by Pete Smith.

Though seldom spoken of, the “book snake” has been a staple for patrons in the Ransom Center’s reading room for many years, while its smaller cousin, the “book worm” has appeared more recently. The story behind these creatures, often seen draped over the sides of books or nestled between the covers, is little known to those not involved in book conservation.

Book snakes and worms, along with book cradles, are used to safely support books and other collection materials while they remain open. The added support of a cradle keeps a book from lying flat on a surface, thereby maintaining the integrity of the spine. Book snakes and worms keep pages open, minimizing contact with oils found on hands and fingertips. These measures extend the life of books and preserve them for future use.

While similar in purpose, the distinction between book snakes and worms lies in their size and structure.  In the past, the Ransom Center’s book snakes and worms were more commonly weighted with lead shot. The difficulty of obtaining loose shot, however, compelled Ransom Center conservators to seek alternative materials.

Mindell Dubansky, a preservation librarian and book conservator at The Metropolitan Museum of Art, proposed using chain-stuffed book snakes. Mary Baughman, a Ransom Center conservator, fashioned a prototype with a dense chain that was strong but no bulkier than an equal weight of shot, and at a reduced production cost. The reading room staff approved Baughman’s design for use.

Samantha Cabrera constructing “book snakes” with chain links. Photo by Mary Baughman.
Samantha Cabrera constructing “book snakes” with chain links. Photo by Mary Baughman.

Now, the Ransom Center’s book snakes are made by hand sewing 12-inch lengths of chain onto a piece of polyester batting. The batting is then sewn around the chain with thread. The padded chain is then placed into an ultra-suede cover, and the open end of the cover is sewn shut. The finished snake weighs about one pound.

The structure of the Center’s book worms, on the other hand, differs from that of their larger counterparts. Because the worms are more suitable for use with smaller volumes, a dense chain is unnecessary.  Instead, book worms are made from four lengths of drapery-weight cord that are tied into a 12-inch long bundle using sturdy book-binding thread. Each bundle is encapsulated in a polyethylene sleeve secured with a basting stitch using sewing thread. The bundles are then placed into a ultra-suede covers, and the open end of the covers are sewn shut. The finished book worm weighs about one ounce.

When not retrieving books from the stacks for library patrons, reading room staff are able to assist in the construction of the snakes and worms because of the simplified construction method.

Read more about conservation at the Ransom Center.

Before and After: Mark Twain's Bible

By Io Montecillo

This copy of the Bible belonged to Samuel Clemens (Mark Twain), who carried the book with him during a trip to Constantinople in 1867 while he was writing "Innocents Abroad."
This copy of the Bible belonged to Samuel Clemens (Mark Twain), who carried the book with him during a trip to Constantinople in 1867 while he was writing "Innocents Abroad."

While writing Innocents Abroad, Samuel Clemens (known more familiarly as Mark Twain) carried a Bible during a trip to Constantinople in 1867. The book is now part of the Ransom Center’s collections and can be seen in the exhibition The King James Bible: Its History and Influence, which runs through July 29.

The Bible recently underwent some work in the Ransom Center’s conservation lab. Learn about the steps taken to conserve and house this historical book.

Making It New: The Bible and Modernist Book Arts

By Io Montecillo

"The Song of Song Which Is Solomon's" (1902).
"The Song of Song Which Is Solomon's" (1902).

Although the focus of The King James Bible: Its History and Influence is on the 400th anniversary of the Bible, the occasion presented an ideal opportunity to display early English Bibles from the Ransom Center’s collections and some of the finest examples of modern book design featuring Biblical texts.

Co-curators Richard Oram and Ryan Hildebrand write about the different ways printers, book designers, and artists have approached the artistic presentation of the King James Bible in “Making it New: The Bible and Modernist Book Arts.”

The King James Bible: Its History and Influence runs through July 29.