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Video highlights fellow’s work in Transcription Centre archive

By Edgar Walters

Samantha Pinto came to the Ransom Center as a fellow from Georgetown University to work on her project “Africa, (Re)Circulated: Cosmopolitan Performances of Mid-Century Modernity.”

Pinto’s research, which focuses on the United States’s perception of Africa, involved documents and multimedia components from the Transcription Centre archive. The materials from the archive related to Africa are in their own finding aid, which Pinto says will make the Ransom Center a destination for students and scholars in the field of African and African Diaspora studies.

Pinto’s work was funded by the Andrew W. Mellon Foundation Research Fellowship Endowment.

Related content:

Africa and the Archive:
Researching the Transcription Centre

Photo Friday

By Edgar Walters

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Photography volunteer Michel McCabe-Hughes inventories negatives from the Arnold Newman papers and photography collection. Photo by Edgar Walters.
Photography volunteer Michel McCabe-Hughes inventories negatives from the Arnold Newman papers and photography collection. Photo by Edgar Walters.
Student technician Nestor Cordova digitizes the Robert De Niro video collection. The film being digitized is "Jacknife" (1989). Photo by Edgar Walters.
Student technician Nestor Cordova digitizes the Robert De Niro video collection. The film being digitized is "Jacknife" (1989). Photo by Edgar Walters.
Digitization Supervisor Alan Van Dyke scans a first edition copy of "Helena" by Evelyn Waugh. Photo by Edgar Walters.
Digitization Supervisor Alan Van Dyke scans a first edition copy of "Helena" by Evelyn Waugh. Photo by Edgar Walters.

Photo Friday

By Edgar Walters

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Associate Director for Exhibitions Cathy Henderson leads a tour of "I Have Seen the Future: Norman Bel Geddes Designs America." Photo by Pete Smith.
Associate Director for Exhibitions Cathy Henderson leads a tour of "I Have Seen the Future: Norman Bel Geddes Designs America." Photo by Pete Smith.
Federal Work-Study senior Cheyenne McClaran, a Supply Chain Management major, photographs the wardrobe tag corresponding to Robert De Niro's coat from the film "Being Flynn." Photo by Edgar Walters.
Federal Work-Study senior Cheyenne McClaran, a Supply Chain Management major, photographs the wardrobe tag corresponding to Robert De Niro's coat from the film "Being Flynn." Photo by Edgar Walters.
Volunteer and recent University of Texas at Austin graduate Stephanie Tiedeken documents reports on fan letters for "Gone With The Wind," such as a letter with casting suggestions to producer David O. Selznick. Photo by Edgar Walters.
Volunteer and recent University of Texas at Austin graduate Stephanie Tiedeken documents reports on fan letters for "Gone With The Wind," such as a letter with casting suggestions to producer David O. Selznick. Photo by Edgar Walters.

Photo Friday

By Edgar Walters

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Joanna Barker, right, views photographs from the Julia Margaret Cameron collection at the Ransom Center. Cameron photographed Joanna Barker’s great-grandmother Mary Ryan many times, and the collection contains photos of her great-grandparents posing as Romeo and Juliet in 1867 shortly before they were married that year. Joanna's husband Nicolas Barker, left, editor of The Book Collector, was here as part of a public forum The Fate of The Book presented by the English Department at The University of Texas at Austin. Photo by Alicia Dietrich.
Joanna Barker, right, views photographs from the Julia Margaret Cameron collection at the Ransom Center. Cameron photographed Joanna Barker’s great-grandmother Mary Ryan many times, and the collection contains photos of her great-grandparents posing as Romeo and Juliet in 1867 shortly before they were married that year. Joanna's husband Nicolas Barker, left, editor of The Book Collector, was here as part of a public forum The Fate of The Book presented by the English Department at The University of Texas at Austin. Photo by Alicia Dietrich.
Alex Szerlip, a scholar working in the Norman Bel Geddes collection, gives a talk for docents at the Ransom Center about her research. Photo by Pete Smith.
Alex Szerlip, a scholar working in the Norman Bel Geddes collection, gives a talk for docents at the Ransom Center about her research. Photo by Pete Smith.
 Conservation staff bathe an Eric Gill drawing to remove a poor quality mat. The mat was adhered to the front of the drawing and was discoloring and damaging the paper.
Conservation staff bathe an Eric Gill drawing to remove a poor quality mat. The mat was adhered to the front of the drawing and was discoloring and damaging the paper.

Remembering Futurama at the 1939 New York World’s Fair

By Edgar Walters

Bob Hesdorfer visits "I Have Seen the Future: Norman Bel Geddes Designs America." Hesdorfer attended Bel Geddes' Futurama exhibit at the 1939 New York World's Fair. Photo by Alicia Dietrich.
Bob Hesdorfer visits "I Have Seen the Future: Norman Bel Geddes Designs America." Hesdorfer attended Bel Geddes' Futurama exhibit at the 1939 New York World's Fair. Photo by Alicia Dietrich.

Norman Bel Geddes’s Futurama exhibit, dedicated to “building the world of tomorrow,” proved to be a step into Bob Hesdorfer’s future before he’d even arrived.

“I was probably 14,” says Hesdorfer, referring to the spring day in 1939 that he and a classmate spent at the New York World’s Fair. The exhibit, which took place at Flushing Meadows-Corona Park, marked one of his first ventures into adulthood. Hesdorfer recalls, “For the very first time, I was allowed to take the Long Island Railroad and the New York City Subway on my own.” Nearly three-quarters of a century later, he still remembers it fondly.

Upon arriving, Hesdorfer recounts, “We hit many of the pavilions, but we couldn’t begin to cover the whole fair in one day. I think the General Motors [Futurama exhibit] was the one we headed for first.” They weren’t alone in their eager enthusiasm. “As I recall, there were long lines waiting to get in.” When asked whether he thought the other guests were as excited as he was, Hesdorfer responded, “Oh, you could just tell.”

Simply entering Futurama proved arresting: “We were overwhelmed. It was really something that I had never seen before… We were curious about what it was all about,” says Hesdorfer. More than just a collection of sleek predictions, the exhibit represented an entirely new way of viewing a world shaped by humans. It allowed viewers a departure from temporal technological constraints, offering a tangible example of a delightful but elusive concept: the potential of the future. For Hesdorfer, who grew up to be a graphic designer, the experience was particularly inspiring. “Everything was smooth and clean and rounded and pristine… I appreciated the concept and the design work that went into it… I thought I could have been an automobile designer… I would have liked to have been an industrial designer as Bel Geddes was.”

Hesdorfer with Ransom Center Director Thomas F. Staley. Photo by Alicia Dietrich.
Hesdorfer with Ransom Center Director Thomas F. Staley. Photo by Alicia Dietrich.

Hesdorfer describes the experience: “When we got to the Futurama model, they had these chairs on a conveyor belt, and we got in a couple chairs and rode around the whole thing. The model was in the middle below us and we could look down on it.”

“There was a voice describing what we were seeing, and it was just mindboggling… The traffic was below ground, or at least below the sidewalk level, and the sidewalks were above and around. There was no direct contact with the traffic, so it was safer and easier. You didn’t have to wait to cross the street or for the light to change.”

Some of Bel Geddes’s predictions, nearly inconceivable at the time, now seem believable. Hesdorfer recalls, “One of the things that they predicted was keeping automatic distance between vehicles on the highway, and now I guess it’s just about ready for use in the cars.”

The fair made a lasting impression on the boys. When asked whether Hesdorfer knew at that age who Norman Bel Geddes was, he responded, “Probably not before [Futurama].” He’s certainly known about him ever since.

Photo Friday

By Edgar Walters

Each Friday, the Ransom Center shares photos from throughout the week that highlight a range of activities and collection holdings. We hope you enjoy these photos that reveal some of the everyday happenings at the Center.

Mark Updegrove, Director of the LBJ Presidential Library, reads at Wednesday's "Politics and Presidents" Poetry on the Plaza event. Photo by Pete Smith.
Mark Updegrove, Director of the LBJ Presidential Library, reads at Wednesday's "Politics and Presidents" Poetry on the Plaza event. Photo by Pete Smith.
Barry Stone of the artist collective Lakes Were Rivers conducts a show-and-tell with Ransom Center staff to prepare for an upcoming exhibition this summer at the Ransom Center. Photo by Alicia Dietrich.
Barry Stone of the artist collective Lakes Were Rivers conducts a show-and-tell with Ransom Center staff to prepare for an upcoming exhibition this summer at the Ransom Center. Photo by Alicia Dietrich.
Photographer Nathan Lyons signs copies of his books at the Ransom Center before speaking at a public program on Thursday. Photo by Pete Smith.
Photographer Nathan Lyons signs copies of his books at the Ransom Center before speaking at a public program on Thursday. Photo by Pete Smith.