This is the last of a three-part series of posts highlighting the influence and work of Countée Cullen, a poet and editor during the Harlem Renaissance.
Cullen used the special issue of Palms as a springboard for a book-length anthology. Caroling Dusk, An Anthology of Verse by Negro Poets, was published by Harper & Brothers in 1927 and featured decorations by artist Aaron Douglas. Read more
This is the second of a three-part series of posts highlighting the influence and work of Countée Cullen, a poet and editor during the Harlem Renaissance.
In the mid-1920s anthologies of African American writing found a receptive audience in the United States and abroad. The poetry magazine Palms embraced the trend and invited Countée Cullen to serve as guest editor of its “Negro Poets’ Number.” Read more
Countée Cullen was one of the first poets to establish a national reputation in the midst of the Harlem, or New Negro, Renaissance. Critics recognized Cullen’s first book of poetry, Color (1925), as a significant literary achievement. Read more
The closing of an exhibition is always bittersweet. The closing of Alice’s Adventures in Wonderland is particularly so for me. During the run of the exhibition we saw the galleries come alive with Read more
The man who became famous as Lewis Carroll was born Charles Lutwidge Dodgson in 1832. Dodgson, the third of 11 siblings, grew up in northern England surrounded by his brothers and sisters. Together they put on plays and created family publications like The Rectory Magazine, named for their home in Croft-on-Tees. Dodgson’s father was an Archdeacon in the Church of England and lived in a rectory, or a residence for the parish clergyman.
This edition of The Rectory Magazine includes essays, poems, and short stories, as well as hand-drawn and colored illustrations. The sense of humor and parody that appear in much of Carroll’s later work is already evident in The Rectory Magazine, produced when Dodgson was 18 years old.
Visitors to the Ransom Center’s exhibition Alice’s Adventures in Wonderland, on view through July 6, can turn the pages of a digital version of The Rectory Magazine on a touchscreen in the galleries.
Share information about the exhibition with #aliceinaustin.
In elementary school, my class took a field trip to the main branch of the Houston Public Library. We learned how to use the microfilm machines, and I was allowed to look up the front page of the newspaper from the day I was born. I still remember the “Ransom Recovered” headline, a reference to the Patty Hearst case, something about which I knew absolutely nothing.
That moment sitting in front of a microfilm reader is as vivid to me now as it was 30 years ago. Suddenly, there was an entire world before me. I had discovered the appeal of research and of primary source materials. I certainly wouldn’t have articulated it that way at the time. I just knew that I had found something new and interesting that suggested limitless possibility.
That love of research ultimately led me to the Ransom Center. And appreciating the value of using primary source materials in the classroom has inspired the Ransom Center’s teacher workshops.
For the last five years, the Center has offered seminars for teachers on topics ranging from the 1920s to Watergate. These workshops provide the Ransom Center with the opportunity to share collections with educators from around the state who can then take their experiences and digital materials back to the classroom and their students. Local teachers can also follow up by bringing their students to tour the exhibitions.
This spring, the Ransom Center will be hosting two workshops related to the exhibition The King James Bible: Its History and Influence. The first workshop will examine the historical influence of the King James translation and is designed for social studies teachers at the junior high and high school levels, while the second workshop will focus on the King James Bible’s literary influence and is designed for language arts teachers at the junior high and high school levels.
A grant from Humanities Texas, the state affiliate of the National Endowment for the Humanities, made these workshops possible. Thanks to their support, teachers will leave the workshop with a copy of Gordon Campbell’s Bible: The Story of the King James Version 1611–2011, an edition of the King James Bible, and digital images from the Center’s collections to use in their classrooms.
By supporting the work of local educators, we hope to foster the next generation of scholars and help students understand how vital the care and preservation of our cultural heritage is.
The Harry Ransom Center is pleased to provide current University of Texas at Austin graduate and undergraduate students with the opportunity to join playwright, writer, and director David Mamet on “A Journey Towards Meaning.”
The Ransom Center, a humanities research library and museum, is home to David Mamet’s archive, which is open and available for use.
Mr. Mamet will meet with 10 students 1-4 p.m. on Tuesday, March 9 and 1-4 p.m. on Wednesday, March 10. Students must be available on both days in order to participate. The Ransom Center encourages students to consult with their professors before missing class to participate in this seminar.
Currently enrolled University of Texas at Austin students should submit no more than TWO LINES explaining why they should be chosen to firstname.lastname@example.org. Entries longer than two lines will not be considered.
Entries must be received by March 2, 2010. Selected students will be notified by March 4, 2010.
The Ransom Center cannot offer further guidance about entries.