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Enter to win a signed copy of a T. C. Boyle book

By Alicia Dietrich

Cover of "San Miguel" by T. C. Boyle.
Cover of "San Miguel" by T. C. Boyle.

Novelist and short story writer T. C. Boyle, whose archive resides at the Ransom Center, has a new novel out today.

San Miguel (Viking, 2012) is a historical novel about three women’s lives on a windswept island off the California coast. Boyle is the author of 23 books of fiction, and his short stories have appeared in The Atlantic, EsquireHarper’sMcSweeney’s, and The New Yorker.

The Ransom Center acquired Boyle’s papers in 2012, and Boyle wrote about packing up his archive for The New Yorker.

On the Ransom Center’s Facebook page, share which of these three T. C. Boyle books you like most: The Tortilla Curtain, World’s End, or Stories. By doing so, you will be entered into our drawing for a signed copy of your selection.

O. Henry turns 150 today

By Alicia Dietrich

To celebrate the 150th birthday anniversary of American writer William Sidney Porter—better known by his pen name of O. Henry—Cultural Compass has compiled a gallery of images from the O. Henry manuscript collection. The Ransom Center holds two boxes of materials that include letters and manuscripts.

 

Please click the thumbnails below to view full-size images.

 

Iain Sinclair’s "Ghost Milk" includes visit to Austin

By Alicia Dietrich

Ghost Milk: Recent Adventures Among the Future Ruins of London on the Eve of the Olympics (Farrar, Straus and Giroux, 2012), the latest work by British writer-filmmaker Iain Sinclair, explores the changes in East London as the city prepared for the 2012 Olympics and concludes with his visit to the United States, including his April 2010 trip to the Ransom Center.

Sinclair, whose archive resides at the Ransom Center, delivered a public talk, met with students, and worked with archivists cataloging his papers. Long walks in urban areas are a frequent topic of Sinclair’s writing, and Sinclair agreed to tour the campus, including the 307-foot-tall Tower, and offer his insights.

Please click on the thumbnails below to view full-size images.

 

Kraus map collection now accessible

By Alicia Dietrich

Joan Blaeu's world map "Nova Totius Terrarum Orbis Tabula," 1648. The Ransom Center's copy, one of only two known to exist and the only colored copy, survives complete with an accompanying text. Photo by Pete Smith.
Joan Blaeu's world map "Nova Totius Terrarum Orbis Tabula," 1648. The Ransom Center's copy, one of only two known to exist and the only colored copy, survives complete with an accompanying text. Photo by Pete Smith.

The Ransom Center recently launched an online database for its Kraus map collection. The 36-map collection, acquired in 1969 by Harry Ransom from the New York antiquarian dealer Hans P. Kraus, features a wide range of individual maps of Europe and America, atlases, a rare set of large terrestrial and celestial globes (ca. 1688) produced by the Italian master Vincenzo Coronelli, and a group of manuscript letters by Abraham Ortelius.

“Visitors can see the remarkable foundations of modern cartography in this digital collection,” said Richard Oram, the Ransom Center’s Associate Director and Hobby Foundation Librarian. “From a medieval map that shows the world divided into three parts split by the Mediterranean Sea to an early portolan chart of the coast of Africa and a rare 1541 Mercator globe, it’s all accessible to anyone with an Internet connection.”

Because of size and conservation considerations—some maps are as large as six by nine feet—some of these maps have been seen by only a handful of visitors. This digital collection makes it possible for a broader public to examine the collection via the Ransom Center’s website. The maps are all zoom-able, and users can view detailed close-ups of images.

Save 50 percent on Individual and Dual memberships today through Groupon

By Alicia Dietrich

Film Curator Steve Wilson gives a tour to Ransom Center members. Photo by Anthony Maddaloni.
Film Curator Steve Wilson gives a tour to Ransom Center members. Photo by Anthony Maddaloni.

Join today for 50% off a new membership to the Harry Ransom Center!

Through Groupon, purchase a one-year Individual membership for $25 (regularly $50) or a one-year Dual membership for $45 (regularly $90).

Join now.

Membership benefits include personalized membership cards, insider access to the Ransom Center and its collections, events with the Director, complimentary parking and priority access at select events, private exhibition and collection tours, and the latest news of acquisitions, programs, and more.

Additionally, as a member, you will receive complimentary admission and valet parking at “FutureLand,” the opening celebration on September 14, 2012 for the fall exhibition I Have Seen the Future: Norman Bel Geddes Designs America.

Join today to experience all that the Ransom Center has to offer.

Restrictions: Offer valid through www.groupon.com/austin on Thursday, October 7. Only valid for individual and dual level memberships. Once purchased, you must redeem the Groupon online by October 16, 2012. Members will receive benefits for one year, starting from the date of activation. Current or lapsed members may not use to renew. For new memberships only.

First Photograph to travel to Europe for first time in 50 years

By Alicia Dietrich

Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.
Joseph Nicéphore Niépce's 'View from the Window at Le Gras' c. 1826. Photo by J. Paul Getty Museum.

The First Photograph will be loaned, along with 119 other images and photography-related items from the Harry Ransom Center’s Gernsheim collection, to the Reiss Englehorn Museum in Mannheim, Germany, for the exhibition “The Birth of Photography-Highlights of the Helmut Gernsheim Collection.” The exhibition runs from September 9 through January 6, 2013.

The First Photograph has been removed from display at the Ransom Center to be prepared for its departure in July. The First Photograph will be back on display at the Ransom Center in February 2013.

The First Photograph was acquired by the Ransom Center as part of the Gernsheim collection from Helmut and Alison Gernsheim in 1963. Taken in 1826 or 1827, Joseph Nicéphore Niépce’s View from the Window at Le Gras depicts the view from an upstairs window at Niépce’s estate, Le Gras, which is in the Burgundy region of France. Niépce’s photograph represents the foundation of today’s photography, film, and other media arts.

The First Photograph forms the cornerstone of Helmut Gernsheim’s photographic collection, which was the largest in the world when the Ransom Center acquired it in 1963. The Gernsheim collection is one of the seminal collections in the United States of the history of photography and contains an unparalleled range of more than 35,000 images. Its encyclopedic scope—as well as the expertise with which the Gernsheims assembled the collection — makes the Gernsheim collection one of the world’s premier sources for the study and appreciation of photography

In 2002, the Forum International Photographie at the Reiss Engelhorn Museum acquired Gernsheim’s later collection of contemporary photography, along with his own photographs and archive. For the first time in half a century, major portions of both Gernsheim collections are being reunited: the historical material housed in the Ransom Center and the contemporary collection in the Forum International Photographie at the Reiss Engelhorn Museum.

While the First Photograph is on loan, the photographic print View from the Window at Le Gras, 1826, 2009 by Adam Schreiber will occupy the display in the Ransom Center’s lobby. The photograph depicts the Niepce plate in situ in the museum display, as photographed by Schreiber in 2009. Schreiber is a member of the Lakes Were Rivers artist collective, a group of artists who work primarily in photography and video. In summer 2013, the Ransom Center will host an exhibition in which members of the collective will display their original works paired with Ransom Center collection material that inspired them.

Alice in Burnt Orange: Salvador Dalí’s rendition of the Lewis Carroll classic at the Ransom Center

By Alicia Dietrich

Sarah Sussman is a graduate student in the English Department at The University of Texas at Austin. Though currently writing about nineteenth-century American Spiritualism, she is interested in Surrealist art, children’s literature, and British literature as well.

Lewis Carroll’s 1865 novel that stretches the imagination and playfully defies logic has been adapted by a number of artists throughout the years, but perhaps none have been so well-suited to put their own spin on the English author’s topsy-turvy adventure as Salvador Dalí. The surrealist artist’s galas might have rivaled the Mad Hatter’s tea parties, and his paradoxical identification of himself as a sane madman would have put him at home as one of Carroll’s whimsical characters.

Dalí’s illustrations for the novel come more than 100 years after its original printing with John Tenniel’s images. Although many will be familiar with Tenniel (a number of his images can be seen reproduced today on all sorts of Alice ephemera), the Dalí prints are far less common. Viewers will be struck by the artist’s intensely vivid, color-saturated heliogravure with woodblock prints. They offer a new way to read Alice’s Adventures, from a twentieth-century perspective only Dalí could provide—from an outlandishly sized, wide-eyed, dashing white rabbit, to dripping fluorescent mushrooms, to larger-than-life butterflies and, yes, even one of the artist’s signature melting clocks. It seems especially fitting that this portfolio is at The University of Texas at Austin, because Dali’s edition is highlighted entirely in burnt orange, from the portfolio’s burnt orange box, to its burnt orange typographical accents, to its featured frontispiece of Alice, looming large in frenetically etched orange lines, carrying a jump rope or a hoop against a cloud-scudded sky.

Published in New York by Maecenas Press–Random House in 1969, the portfolio-style book features 12 prints to correspond with each chapter of Carroll’s book and an original signed etching as the frontispiece. The Ransom Center’s copy is signed and one of 2,500 portfolios. Dalí’s rendition is a well-paired match for Carroll’s adventure and a lively part of the Ransom Center’s holdings.

Click on the thumbnails below to view larger images.

Win a signed copy of an Alan Furst book

By Alicia Dietrich

Alan Furst. © Shonna Valeska
Alan Furst. © Shonna Valeska

Alan Furst, whose papers reside at the Ransom Center, has added a new novel to his list of historical espionage tales set in pre-World War II Europe. Mission to Paris (Random House) follows the story of Hollywood film star Fredric Stahl who travels to Paris in 1938 to make a movie and participate in an informal spy service being run out of the American embassy in Paris.

To celebrate this publication, the Ransom Center is giving away a signed copy of a book by Furst. Visit the Center’s Facebook page to enter to win.

Read a Q&A with Furst about the new novel and his writing process in the Wall Street Journal.

Need more for your Furst fix? Cultural Compass has compiled a list of interviews, videos, recommended reading, and more.

-Watch videos of Furst discussing how he develops atmosphere, the importance of first drafts, his archive at the Ransom Center, and why he writes spy novels.

-Furst’s novel Spies of Warsaw is being turned into a miniseries starring David Tenant and Janet Montgomery by the BBC. Listen to Furst read from the novel.

-View a list of books recommended by Furst

-Read a Q&A with Furst

-Read “Interrogation of a Spy Novelist,” which originally appeared in The Alcalde magazine.

In Memoriam: Barry Unsworth (1930–2012)

By Alicia Dietrich

Handwritten draft of Barry Unsworth's 1992 novel, "Sacred Hunger."
Handwritten draft of Barry Unsworth's 1992 novel, "Sacred Hunger."

British author Barry Unworth, whose archive resides at the Ransom Center, died earlier this week at the age of 81.

Unsworth, who is known for such acclaimed novels as Sacred Hunger (1992), Pascali’s Island (1980), and The Ruby in Her Navel (2006), handwrites all of his novels, and the archive contains manuscripts of all but one of the 16 novels he wrote before 2007.

In this age of computers and word processing, Unsworth’s handwritten drafts reveal much about his creative process. The above page is from a draft from his Booker Prize–winning novel, Sacred Hunger (1992). This draft fills five notebooks. The novel centers on an eighteenth-century slave ship, which Unsworth describes on this page as: “a particle in a bloodstream constantly circulating negro slaves, and a minute, discrete element in a gigantic commercial enterprise that was to change the world forever, cost forty million lives, bring to Africa misery on a scale hardly conceivable, to Europe enormous infusions of capital, to France the Industrial Revolution, to America the plantation system, the Civil War and the shape of the nation.”

Unworth visited the Ransom Center in spring 2009 to read from his novel Land of Marvels (2009). His last novel, The Quality of Mercy, was published in 2011.

Unsworth visited the Ransom Center in 2009. Photo by Anthony Maddaloni.
Unsworth visited the Ransom Center in 2009. Photo by Anthony Maddaloni.

T. C. Boyle's recommended books featured in web exhibition

By Alicia Dietrich

T. C. Boyle tours the Ransom Center with Megan Barnard, Assistant Director for Acquisitions and Administration. Photo by Alicia Dietrich.
T. C. Boyle tours the Ransom Center with Megan Barnard, Assistant Director for Acquisitions and Administration. Photo by Alicia Dietrich.

The American Writers Museum Foundation has launched the online exhibition Power of the Word:  Leaders, Readers and Writers, which invites visitors to join in a discussion of how literary works influence lives.

This online exhibition of the American Writers Museum includes writer T. C. Boyle, whose archive was recently acquired by the Ransom Center.  Boyle identifies the works world leaders could read to understand America, his favorite childhood books, and the international writers who have influenced him.

The mission of the American Writers Museum Foundation is to establish the first national museum in the United States dedicated to engaging the public in celebrating American writers and exploring their influence on history, identity, culture, and daily lives.