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Meet the Staff: Digital Collections Librarian Liz Gushee

By Gabrielle Inhofe

Meet the Staff is a Q&A series on Cultural Compass that highlights the work, experience, and lives of staff at the Harry Ransom Center. Liz Gushee has been the digital collections librarian at the Ransom Center since January 2011. She holds a Bachelor’s degree in History from Earlham College and a Master of Library and Information Science from Catholic University of America. Gushee is responsible for launching and managing the platform for the Ransom Center’s digital collections, which includes more than 43,000 items and continues to grow as newly digitized materials are added on a regular basis.

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Initiative provides free access to more than 22,000 images of collection materials

By Jennifer Tisdale

To lower barriers to use of its collections, the Ransom Center has adopted an open access policy, removing the requirement for permission and use fees for a significant portion of its online collections believed to be in the public domain.

In conjunction with the release of the policy, the Ransom Center launches Project REVEAL (Read and View English and American Literature), a year-long initiative to digitize and make available 25 of its manuscript collections of some of the best-known names from American and British literature of the nineteenth and early twentieth centuries. Among the authors represented in Project REVEAL are Read more

Fellows Find: Audio interviews with British actors and actresses reveal rare insight into George Bernard Shaw productions

By Jennifer Buckley

Jennifer Buckley, an assistant professor of rhetoric at the University of Iowa, visited the Ransom Center to work in the George Bernard Shaw collection. Her research was funded by the Limited Editions Club Endowment, and she shares some of her findings below. The Ransom Center is celebrating the 25th anniversary of its fellowship program in 2014–2015.

 

I came to the Ransom Center expecting to read hundreds of pages of “Shaw talk”—the lengthy, loquacious, overtly rhetorical stage speech the Irish playwright wrote for actors and readers over the course of his six-decade theatrical career. Read more

Member Lyndsee Nielson is hooked on the Ransom Center

By Marlene Renz

Members are an essential part of the Ransom Center community and provide us with vital support. In this member spotlight, meet one of our most dedicated members. Lyndsee Nielson chose to become a member because of her interest in the collections. This profile originally appeared in the Spring 2015 Ransom Edition newsletter.

Lyndsee Nielson earned her bachelor’s degree at The University of Texas at Austin and works in the Cockrell School of Engineering. She has lived in Austin for five years, where she continues to establish roots. When she’s not working, Lyndsee cozies up in her apartment to read, watch movies, and listen to Elton John and Louis Armstrong on vinyl. She frequents the Alamo Drafthouse and the Paramount Theater, where she recently saw An American in Paris for the first time. Lyndsee has been a member and volunteer at the Harry Ransom Center since the fall of 2013. Read more

Preserving and Enhancing Access to Physicist Owen W. Richardson’s Papers

By Marlene Renz

With the generous support of a grant from the History Programs, American Institute of Physics, the Ransom Center has created a new online finding aid for the papers of English physicist Owen W. Richardson (1879–1959). The papers were originally processed during the 1960s and described on more than 8,000 catalog cards. Enhanced collection housing was also part of the project, improving long-term preservation of the materials.

 

Recognized for his pioneering work on thermionics, Sir Owen Richardson was awarded the 1928 Nobel Prize in Physics for Read more

Fellows Find: The Christine Brooke-Rose archive

By Stephanie Jones

Stephanie Jones is a Ph.D. candidate in the English and Creative Writing Department at Aberystwyth University. At the Ransom Center, she analyzed the Christine Brooke-Rose papers for her dissertation, which is a single-author study on the writer, looking at the neglect of her work as a British author by the industry. Jones’s research was supported by a 2014–2015 Dissertation Fellowship from the Harry Ransom Center, jointly funded by the Creekmore and Adele Fath Charitable Foundation and The University of Texas at Austin Office of Graduate Studies.

 

The subject of neglected British experimental authors has emerged as a poignant topic of critical discussion over the last few years. Writers of the 1960s and 1970s who had been influenced by the Second World War, as well as the highly reflexive, avant-garde literature produced bysuch modernist heavyweights as James Joyce, Ezra Pound and Samuel Beckett, are beginning to be reassessed as having something useful to offer to the current critical climate. Read more

From Austin to Venice Biennale: 5,614 miles of trucks, planes, and a ferry

By Jennifer Tisdale

The Harry Ransom Center supports an active program of loans from its collections, balancing the task of preparing and processing materials for loan with its own exhibition program. The loans, which share the Center’s collections with a wider audience, are considered on the basis of their merit and contribution to the humanities.

Last year, more than 135 items were loaned to 16 institutions, placing the Ransom Center’s holdings in context with other collections throughout the U.S. and internationally.

One of the Center’s most recent loans is a nearly complete set of the photographs Walker Evans made for Read more