Enjoy a signature champagne cocktail and hors d’oeuvres at this reception and pose in our photo booth inspired by the golden age of travel. Guests will also have the opportunity to enter to win an exclusive prize package that includes a dinner for two at Uchi, a two-night stay at Hotel San Jose, a handcrafted vintage suitcase, and more. DeeJay jLa will be playing records from the ‘50s and ‘60s, the era of Magnum Photo’s founding, on the plaza.
Be among the first to explore the exhibition, which chronicles the evolution of Magnum Photos, the iconic photography cooperative. Magnum photographers have produced some of the most memorable images of the last century, shaping history and revolutionizing photography’s influence on modern culture.
Ransom Center members receive complimentary entry and valet parking at this celebration. If you are not yet a member, tickets to the opening will be available for $20 at the door (valet parking is not included for non-members).
The Ransom Center is giving away a pair of tickets to “Boundless.” Email firstname.lastname@example.org with your favorite travel destination in the subject line by midnight CST tonight to be entered in a drawing for complimentary admission for two. The winner will be notified by email.
Special thanks to these sponsors: Austin Wine Merchant, Blanton Museum of Art, BookPeople, Dripping Springs Vodka, Hotel San Jose, Shuford Alexander Cases, and Uchi
Author Jim Crace, whose archive resides at the Ransom Center, has been shortlisted for the 2013 Man Booker Prize for Fiction for his novel Harvest (Nan A. Talese/Picador).
Crace was previously shortlisted for the Booker Prize for his 1997 novel Quarantine. The winner of the Booker will be announced at a ceremony in London on Ocober 15.
To celebrate this news, Cultural Compass will be giving away a signed copy of Crace’s novel The Pesthouse. To be eligible to win, tweet a link to this blog post and mention @ransomcenter. If you’re not on Twitter, send an email to email@example.com with “Booker Prize” in the subject line. All tweets and emails must be sent by midnight CST tonight, and winners will be drawn and notified tomorrow, September 12. [Update: The giveaway is now closed. A winner has been selected and notified.]
Magnum Photos photographers have produced some of the most memorable images of the last century, shaping history and revolutionizing photography’s influence on modern culture. Founded in 1947, it was the first cooperative agency to be established and operated by photographers, thus ensuring unprecedented creative, editorial, and economic independence.
Its founders, including renowned photographers Robert Capa, Henri Cartier-Bresson, David “Chim” Seymour, and George Rodger, united in their pursuit of creative freedom and their commitment to sharing their images with the world. Membership in this collective empowered photographers to document conflict and liberation, revolution and reform, while preserving their own powerfully distinct points of view.
Established during the post-war golden age of the picture magazine, Magnum has flourished despite the impact of radical technological, economic, and cultural transformations on publishing and media. When television began to take over as the dominant form of mass communication in the 1950s, Magnum photographers explored motion picture and book formats. As the editorial market continued to shrink, photographers found new audiences in museums and galleries. Over the last decade, new technologies have dramatically changed the way photographic imagery is captured, distributed, and consumed. In this new environment, Magnum photographers have kept pace, experimenting with a variety of multimedia platforms to publish their work.
Organized by Jessica S. McDonald and Roy L. Flukinger, this exhibition of approximately 300 works investigates the evolution of Magnum Photos from print photojournalism to the digital age, revealing a global cooperative in continual flux, persistently exploring new relationships between photographers, their subjects, and their viewers.
The Ransom Center presents the symposium “Magnum Photos into the Digital Age” on October 25–27. This symposium brings together photographers, curators, and historians to discuss the ways in which Magnum Photos has continually reinvented itself from the moment of its founding. Twelve Magnum photographers, as well as Magnum CEO Giorgio Psacharopulo, are scheduled to appear on panels with a focus on the cooperative’s evolution and future.
When University of Texas at Austin Professor of Philosophy Daniel Bonevac and Ransom Center Senior Research Curator of Photography Roy Flukinger taught the course “Ideas of the Twentieth Century” last fall, they had 100 students.
This fall, they will teach over 20,000.
“Ideas of the Twentieth Century” is one of the courses offered by The University of Texas at Austin as part of the UT System’s partnership with edX, a nonprofit online learning initiative. Launched by Harvard University and the Massachusetts Institute of Technology in 2012, edX collaborates with universities across the country to offer massive open online courses (MOOCs). MOOCs boast unlimited enrollment and are free for all participants.
Of the classes submitted by The University of Texas at Austin for the upcoming school year, four are currently open for registration and will begin September 15. Besides “Ideas of the Twentieth Century,” those interested can also take “Energy 101,” “Age of Globalization,” and “Take Your Medicine: The Impact of Drug Development.”
Bonevac and Flukinger’s course explores the changing mindsets and morals of the past century through the lenses of philosophy, literature, art, and history. Although they have taught this course five times before as one of the University’s Signature Courses for incoming freshmen, the class had to be adapted for an online audience.
“Our time is much more limited in teaching the online course, so each session had to be reduced down to the more basic concepts, trends, and ideas,” Flukinger said. “And, obviously, the other fact that you miss immediately is the interchange of ideas and discussion with your students. The production studio tends to be a much more detached environment than the customary give-and-take of the classroom. But such are always the tradeoffs with any mass media. And, at the same time, I do find it very invigorating to attempt to expand our teaching to a much larger and more diverse global community.”