Navigate / search

Holiday hours at the Ransom Center

By Alicia Dietrich

The Harry Ransom Center. Photo by Pete Smith.
The Harry Ransom Center. Photo by Pete Smith.

The Ransom Center will be closed for Thanksgiving Day. The galleries will be open from 10 a.m. to 5 p.m. on Friday, November 25, and from noon to 5 p.m. on this Saturday and Sunday.

Visitors can see the current exhibitions, Banned, Burned, Seized, and Censored and The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920-1925, as well as Frida Kahlo’s Self-portrait with Thorn Necklace and Hummingbird.

Free docent-led tours of the gallery exhibitions are offered at 2 p.m. on this Saturday and Sunday.

Visit the Harry Ransom Center as part of Austin’s Cultural Campus “Museum Crawl” on Saturday, November 26. Enjoy the exhibitions with your family, friends, and out-of-town guests. Join us at 2 p.m. for a docent-led tour of the exhibitions. Kick off your holiday shopping with one-day discounts on Ransom Center merchandise, including postcards, totebags, and books. Purchase a gift membership specially packaged in an archival box and receive a free set of postcards ($10 value). Complimentary beverages will warm you on your walk to your next Austin’s Cultural Campus destination.

The Reading Room will be closed on Friday, November 25, and Saturday, November 26, but will reopen on Monday, November 28.

Parking information and a map are available online.

Win a signed book by a writer on the New York Times "100 Notable Books of 2011" list

By Alicia Dietrich

The New York Times released its list of “100 Notable Books of 2011″ this week, and the Ransom Center holds the archives of five writers on the list.

To celebrate this news, the Ransom Center will give away a signed copy of a book by one of these writers to the first three people to email hrcgiveaway@gmail.com with the names of all five writers on the list.

Update: Congratulations to Lev L., Robert P., and Ry P. for their correct responses of Russell Banks, Julian Barnes, Don DeLillo, Denis Johnson, and David Foster Wallace. They will all receive a signed copy of Denis Johnson’s novel Already Dead.

In the Galleries: Censorship of "The Sex Side of Life"

By Alicia Dietrich

Photo of Mary Ware Dennett from New York Journal American collection.
Photo of Mary Ware Dennett from New York Journal American collection.

In 1919 Mary Ware Dennett (1872–1947) published The Sex Side of Life, a sex-education pamphlet for young people that she originally wrote for her sons. The U.S. Post Office declared the pamphlet obscene in April 1922, and Dennett struggled on her own to get the ruling reversed, all the while continuing to distribute The Sex Side of Life through the mail.

In 1928, in consultation with attorney Morris Ernst, Dennett agreed that it was time to test The Sex Side of Life in court.  The trial came sooner than anticipated when the Justice Department indicted Dennett for mailing the pamphlet to “Mrs. Carl A. Miles” in Virginia. A jury convicted Dennett of distributing obscene material, and the judge fined her $3,000, which Dennett refused to pay. Newspapers and magazines across the country expressed outrage at the jury’s decision. Dennett became a cause célèbre and received a contract from Vanguard Press to write about her experiences.

Dennett’s conviction was overturned on appeal in 1930. In his decision, Judge Augustus Hand wrote: “The defendant’s discussion of the phenomena of sex is written with sincerity of feeling… Any incidental tendency to arouse sex impulses which such a pamphlet may perhaps have, is apart from and subordinate to its main effect.”

A copy of the pamphlet, as well as correspondence documenting its censorship, is on display in Banned, Burned, Seized, and Censored through January 22.

Cover of 'The Sex Side of Life' by Mary Ware Dennet.
Cover of 'The Sex Side of Life' by Mary Ware Dennet.

Old Inspires the New

By Jennifer Tisdale

Austin-based Lakes Were Rivers, a group of 11 artists working in photography and video, recently collaborated with the Ransom Center to pair works of its artists with images from the Center’s photography collection, resulting in (Re)Collection, an exhibition in conjunction with the East Austin Studio Tour.

Each artist selected an image from the Ransom’s Center photography collections to be scanned and printed as an 8×10 reproduction. In the exhibition, these collection images are paired with a representative work made by members of Lakes Were Rivers, generating a complex and varied dialogue about the traditions and potential of photography as a medium.

Re(Collection) is on view this Saturday and Sunday, November 19 and 20, from 11 a.m. to 6 p.m. at 1319 Rosewood Avenue. Members of Lakes Were Rivers will serve as gallery attendants and will be available to discuss the show with visitors.

Some of the pairings appear below.

Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Adam Schreiber. Rirkrit Tiravanija, Untitled, 1999. Archival inkjet print. 2011.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.
Paul Louis Marie Fabre-Domergue. Octopus Vulgaris, 1899. La photographique des animaux aquatques. Harry Ransom Center.

________________________________________________________________

Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Ben Ruggiero. Windows as Viewed #71: Migrant Mother, Dorothea Lange 1936. Window etching cyanotype contact print. Harry Ransom Center. November 11, 2011.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.
Dorothea Lange. Destitute peapickers in California; a 32 year old mother of seven children. February 1936. Harry Ransom Center.

_________________________________________________________________

Jessica Mallios. Motif. Archival inkjet print. 2011.
Jessica Mallios. Motif. Archival inkjet print. 2011.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.
Philip H. Delamotte. Colossal head of Bavaria. Photographic Views of the Progress of the Crystal Palace, Sydenham. London: Crystal Palace Company, 1855. Harry Ransom Center.

________________________________________________________________

Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Mike Osborne. Wendover, Utah. Archival inkjet print. 2011.
Francis Frith. The Pyramids of Dahshoor?Lower Egypt, Thebes, and the Pyramids?1862 (ca.). Harry Ransom Center.
Francis Frith. The Pyramids of Dahshoor?Lower Egypt, Thebes, and the Pyramids?1862 (ca.). Harry Ransom Center.