Katherine Slusher, an art curator and writer based in Barcelona was a David Douglas Duncan Fellow at the Ransom Center in 2009. She writes about her research in the Duncan collection, which documents his travels all over the world as a photojournalist.
Slusher’s article highlights Duncan’s extensive travels to the Florida Everglades, the Caribbean, South America, Central America, Afghanistan, Egypt, Persia, and Turkey as he captured iconic images for such publications as LIFE Magazine.
The Ransom Center annually awards more than 50 fellowships to support scholarly research projects that require on-site use of its collections. The Center is receiving applications for its 2011-2012 fellowships in the humanities.
Novelist Don DeLillo received the 2010 PEN/Saul Bellow Award for Achievement in American Fiction. He is the author of 15 novels, 4 plays, and a number of short stories and essays. The PEN/Saul Bellow Award for Achievement in American Fiction goes to a distinguished living American author of fiction whose body of work in English possesses qualities of excellence, ambition, and scale of achievement over a sustained career, which places him or her in the highest rank of American literature.
Author, essayist, playwright, screenwriter, and film director David Mamet received the 2010 PEN/Laura Pels Foundation Award for a Master American Dramatist. Mamet is the author of more than 50 plays and 25 screenplays that have earned him a Pulitzer Prize, Oscar nominations, and a Tony Award. The PEN/Laura Pels Foundation Award for Drama recognizes a master American dramatist whose literary achievements are vividly apparent in the rich and striking language of his or her work.
“The fact that the archives of Don DeLillo and David Mamet, two of PEN’s literary award winners this year, are at the Ransom Center is a reminder of the extraordinary collections at the Center,” said Steve Isenberg, executive director of the PEN American Center, a member of the Ransom Center’s Advisory Council, and a former visiting professor of humanities at The University of Texas at Austin. “It’s wonderful that these collections are readily available to scholars, students, faculty, and the public to see firsthand.”
The current (and final) installment of the Ransom Center’s series on Books of Hours surveys the 300-year reign of the Book of Hours as a medieval bestseller, from its beginnings in the fifteenth century to the Age of Print to the Post-Reformation period.
Part I of the series describes the emergence of the Book of Hours as a distinctive class of text and provides an introduction to the subject. Part II discusses and illustrates the most common elements found inside a Book of Hours.
With 2010 drawing to a close, Ransom Edition, the Center’s print newsletter, asked writers and scholars to share their picks for the best book of the past decade. See the recommendations of Booker Prize-winner Penelope Lively, writer and filmmaker Iain Sinclair, writer Stephen Harrigan, writer and journalist Selina Hastings, and associate professor Randolph Lewis.
The Harry Ransom Center celebrated the opening of its exhibition, Discovering the Language of Photography: The Gernsheim Collection, with a “Picture Perfect Evening” on Friday, September 10. Guests enjoyed informal tours of the exhibition, photo-inspired screenings, “make-and-take” photo keepsakes with The WonderCraft, cocktails courtesy of Tito’s Handmade Vodka, hors d’oeuvres, and more.
Guests received gift bags with items from The Blanton Museum of Art, Con’ Olio Oils & Vinegars, CSI Printing, Lip Glosserie, Saks Fifth Avenue, and South Austin People – So.A.P.
Jacqueline Muñoz, librarian at the Ransom Center, cataloged more than 300 books from David Foster Wallace’s archive. Here, she writes about her experience working with the collection and her personal response to Wallace’s work.
I didn’t think much of Infinite Jest in the beginning. My impression of David Foster Wallace’s writing was that it was wordy and unfocused with some seriously flawed characters. Gradually I settled into his use of language, which is quite impressive, and finally at the Boston AA section, I was hooked—certainly on the plot, but even more so on the man behind the prose. All at once, it was clear the length of the story and ambiguity of the characters was Wallace’s vehicle for articulating how unforgiving it is to be human, and how, though various generations may seem vastly different on the surface, they struggle internally with the same issues. I thought, this man is a genius; I want to know him better. So, I was thrilled to find out the Ransom Center would be acquiring his archive, especially given the description about the extensive annotations to his books.
Even then, I was not prepared for what we received. Of the more than 300 titles in his collection, there are maybe 10 or 15 that are not annotated—not simply with underlined passages but ample and personally revealing margin notes. The library basically falls into two categories: novels/stories he taught in his literature classes and books for use in research and self-analysis. Finishing Infinite Jest, I came away with a lot of questions about the origin of some of the characters, as well as theories about the story itself. I think the items in his library, which feel very much like journal entries the way he marked them up, provide some answers.
Looking at his collection, one can see that Wallace was undoubtedly a highly intelligent man: a philosopher, mathophile, physics buff, grammarian, pop-fiction reader, lit professor, creative writer, and spiritual seeker. He didn’t merely own these books; he digested them. Cover to cover there are handwritten notes and vocabulary words; he dog-eared pages, annotated the most pertinent passages, and even used the tomes as coffee mug coasters and phone conversation doodle pads. Through his books, one gains a sense of him on a personal, human level—his struggles, unpretentiousness, sense of humor, diligent research skills, and devotion to masterful writing. It’s almost as if he’s still teaching and sharing.
The David Foster Wallace papers have been cataloged and are now available for study in the Ransom Center’s reading room. Since last March when the Center announced its acquisition of the papers, a few small collections have arrived that complement the archive acquired from Wallace’s Estate.
Just weeks after we announced the acquisition, the Ransom Center was contacted by Steve Kleinedler, supervising editor of American Heritage Dictionary (AHD). Wallace was a member of the AHD usage panel, a group of individuals AHD consulted about issues related to usage and grammar. Each year, AHD sends a survey or “usage ballot” of questions to its board members—asking, for example, the acceptable use of specific words—and the responses influence how AHD defines appropriate usage in its dictionaries. Wallace, whose facility with language was exceptional, was enthusiastic about serving on the AHD usage panel, and his survey responses demonstrate how seriously he took his role. Though most of the questions were designed so that they could be answered with a mere check mark, the six usage ballots that Wallace completed are covered with his comments and questions. AHD sent the Ransom Center copies of David Foster Wallace’s usage ballots, and a few sample pages can be seen in the slideshow above.
Within days of hearing from AHD about their Wallace materials, the Ransom Center received a call from Jay Jennings, the former editor of Tennis Magazine, who in 1996 commissioned Wallace to write an article about the U.S. Open (published as “Democracy and Commerce at the U.S. Open”). The editor had a file of corrected proofs and correspondence related to the article that he wanted to contribute to the archive. These papers provide a wonderful example of how involved Wallace was in the editorial process. Wallace had warned the editor that he would be a difficult editee, but the papers demonstrate the contrary. Though Wallace’s comments on the proof pages are often assertive, they are equally good-natured, dotted throughout with smiley faces, and oftentimes showing his humor. A sample page can be seen in the above slideshow.
Both of these collections were donated to the Ransom Center by individuals who admired Wallace’s work and felt compelled to make a contribution to his archive. This generosity of spirit is characteristic of the enthusiastic and very personal responses the Ransom Center has received from a number of devoted readers of Wallace’s works over the past several months, readers who wanted to give something back to the community in honor of a writer they admired deeply.
Please click the thumbnails to view larger images.
The archive of David Foster Wallace (1962-2008), author of Infinite Jest (1996), The Broom of the System (1987), Girl with Curious Hair (1989) and numerous collections of stories and essays, is now open at the Harry Ransom Center. A finding aid for the collection and an inventory of Wallace’s library can be accessed online.
The Ransom Center acquired Wallace’s archive last year. The collection is made up of 42 boxes and is divided into three main sections: works, personal and career-related materials and copies of works by Don DeLillo. The works section covers the period between 1984 and 2006 and includes material related to Wallace’s novels, short stories, essays and magazine articles. The personal and career materials section covers 1971 through 2008 and includes juvenilia, teaching materials and business correspondence. Most of the correspondence in the collection is between Wallace and his editors and is related to his work. The third, and smallest, section includes photocopy typescripts of three works by Don DeLillo, one of which, Underworld, contains extensive handwritten annotations by Wallace.
The Ransom Center commemorates the opening of the archive with public readings of Wallace’s work by writers and actors tonight at 7 p.m. (C.S.T.) in the university’s Jessen Auditorium in Homer Rainey Hall. The event, which is co-sponsored by “American Short Fiction” and Salvage Vanguard Theater, will be webcast live.
United Kingdom–based Guyanese writer Wilson Harris, whose papers reside at the Ransom Center, has been knighted by Queen Elizabeth II. He is the author of the works Fetish (1951), Eternity to Season (1954), Palace of the Peacock (1969), and The Ghost of Memory (2006).
Harris, born in 1921, was influenced in his writing by his personal experiences with the complex Guyanese landscape and multi-racial culture. His novels, known for their abstract and experimental nature, are full of metaphors and complex symbolism, with an intermingling of time, reality, imagination, memory, and dreams; they have been called “psychical expeditions.” Harris won the Guyana National Prize for Literature in 1987 and 2002.
The Wilson Harris collection, which was acquired by the Ransom Center in batches between 1970 and 2007, includes handwritten manuscripts, typescripts, page proofs, and reviews for several of his books, as well as correspondence, primarily letters written by Harris to poet and literary critic Michael Thorpe.