Fifteenth-century bookbinding includes ninth-century Bible fragment in front and back covers
By Alicia Dietrich
Michael Laird, adjunct professor in the Graduate School of Information at The University of Texas at Austin and the proprietor of Michael Laird Rare Books, shares some recent discoveries he made about a Bible in the Ransom Center’s collection.
Scholarship begets scholarship; ergo bibliography, the study of books as physical objects, builds upon earlier discoveries, while seeking to answer questions about the transmission of texts, the provenance of books, and their bindings.
In fall of 2009, Ryan Hildebrand, head of book cataloging at the Ransom Center, wrote about(1) an unusual nineteenth-century fore-edge painting that adorns a fifteenth-century book at the Ransom Center, namely a Latin Bible, printed in 1481 by Johann Amerbach, of Basel (2).
While the name of the fore-edge painter (John T. Beers), is known (3), questions remain about the bookbinding itself, and of the manuscript fragment contained therein, specifically: When and where was the binding made? Can we identify the text of the manuscript fragment, and determine its date of origin?
It is an extraordinary fact that certain ornamental tools that were stamped on early bookbindings were unique to a particular workshop and thus can help to identify specific binderies—or even specific bookbinders. The study of early bookbindings has made significant progress during the last decade, particularly in Germany where vast databases of Gothic bookbinding tools now appear online (4).
Careful study of the Ransom Center’s bookbinding reveals an actual name-stamp on the front and back covers. The binding is also adorned with ornamental stamps of birds, flowers, hearts, and Evangelist symbols. [See slideshow.]
After more than 500 years of use, many of these stamps are no longer easy to see. In special cases, a light pencil rubbing can reveal much more than meets the eye. It was determined that the Ransom Center’s binding is such a case, and Associate Director and Hobby Foundation Librarian Richard Oram gave special permission for rubbings to be made in this instance. These rubbings were then compared with other rubbings that were taken from known binderies of the fifteenth-century.
The name on the binding of the Ransom Center’s 1481 Bible is Johannes Meigfoge. Meigfoge is known to have been active in Ellwangen, Germany, during the late fifteenth- and early sixteenth-century. Meigfoge’s workshop was first described by Ernst Kryss (5), who failed to localize the bindery, but located 38 bindings by Meigfoge, including 35 books printed in the years 1475 through 1513, and 3 manuscripts. The location of Meigfoge’s workshop was convincingly assigned to Ellwangen (eastern Baden-Württemberg) by Heribert Hummel, in 1977.(6)
Inside the front and back boards of the present binding may be seen an extremely ancient fragment of manuscript that dates from the ninth-century.(7) Whereas fragments from old manuscripts were commonly used as strengtheners by fifteenth- and sixteenth-century bookbinders, scholars rarely encounter manuscript material as old as this fragment. And so we can deduce that in the fifteenth-century, this small piece of parchment waste was used by Johannes Meigfoge to strengthen the inside of the spine, where it is still preserved therein.
Although the text of the fragment is hardly extensive, the Caroline minuscule handwriting is quite clear, and reads: In quam cumq[ue] domum intraveritis pri[mum dicite: pac huic domui. This text is from the New Testament, specifically Luke, chapter 10, verse 5:
“Into whatsoever house you enter, first say: ‘Peace be to this house.'”
Words of wisdom from a hitherto unknown ninth-century manuscript fragment—easily the oldest Biblical text at The University of Texas at Austin— afforded by the study of books as physical objects. With its nineteenth-century fore-edge painting, it is a remarkable fact that in one volume we are able to discover evidence of ca. 1000 years of book history.
(1) Ryan Hildebrand, “Fore-Edge Paintings: A Scene from the Nile” http://www.hrc.utexas.edu/ransomedition/2009/fall/foreedge.html (accessed 8/8/2010)
(2) HRC Incun 1481 B471a
(3) Jeff Weber, Fore-Edge Paintings of John T. Beer (Los Angeles: J. Weber Rare Books, 2005)
(4) The Einbanddatenbank of the Staatsbibliothek zu Berlin (accessed 8/8/2010)
(5) Ernst Kyriss, Verzierte gotische Einbande im alten deutschen Sprachgebiet (Stuttgart: Max Hettler, 1953), Tafelband I, no. 53. Ilse Schunke, Die Schwenke-Sammlung gotisher Stempel- und Eingbanddurchreibungen (Berlin, 1996) II, p. 257, offers no evidence for the assignment of this workshop to “Tubingen.”
(6) Heribert Hummel, “Johannes Meigfoge, ein Ellwanger Buchbinder des 15. Jahrhunderts” (in: Ellwanger Jahrbuch Bd. 27, 1977/78, pp. 187–194).
(7) Compare the ninth-century Latin Bible fragment at the Bancroft Library, UC Berkeley: f2MS A2M2 800:3, reproduced by Digital Scriptorium. (accessed 8/8/2010). The Bancroft fragment is thought to be German (as here?)