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Making Movies Film Series: Duel in the Sun

By Alicia Dietrich

'Duel In The Sun' matte painting. Click image to enlarge.
'Duel In The Sun' matte painting. Click image to enlarge.
The Making Movies Film Series runs throughout the summer and features films that are highlighted in the Making Movies exhibition. Tonight, the Ransom Center will screen King Vidor’s Duel in the Sun (1946), starring Jennifer Jones and Gregory Peck. Throughout the series, Cultural Compass will highlight an exhibition item related to each film.

This matte painting from the David O. Selznick collection was used for the opening shot in Duel in the Sun. The camera starts at the top of the painting and tilts down while zooming in on the cactus at the bottom. This perspective accounts for the stair-step configuration at the bottom of the painting.

Inside a Book of Hours

By Alicia Dietrich

Hours of the Virgin. Matins. Annunciation. HRC MS 6, fol. 15r, France, mid to late 15th century.
Hours of the Virgin. Matins. Annunciation. HRC MS 6, fol. 15r, France, mid to late 15th century.
Books of Hours were medieval prayer books designed for laymen. Part I of this series outlined the historical context for the emergence of the Book of Hours as a distinctive class of text and provides an introduction to the subject. The current installment takes a look inside a Book of Hours and illustrates some of the more common elements of these books with images drawn from the Ransom Center’s collections.

Take an exhibition survey about design for a chance to win

By Cathy Henderson

Take the survey for the chance to win 'The Machine Age in America, 1918-1941'
Take the survey for the chance to win 'The Machine Age in America, 1918-1941'

Help the Ransom Center plan an exhibition about design by answering the questions in this survey. The survey should take about 15 minutes to complete. Those who complete the survey will be entered into a drawing to receive a first edition of The Brooklyn Museum of Art’s exhibition catalogue The Machine Age in America, 1918-1941.

European popular imagery collection now accessible online

By Peter Mears

Spanning the fifteenth through the nineteenth centuries, the Ransom Center’s European popular imagery collection is now fully accessible online via two sources: the Center’s finding aid and ARTstor’s nonprofit digital library.

The Ransom Center’s online finding aid includes descriptive text derived from collector’s notes and a lengthy subject index. Each record in the finding aid also includes a link to the related image. ARTstor’s digital library provides advanced search functions and the ability to group selected images for PowerPoint display in classrooms, with images at high resolution.

The invention of the printing press in the fifteenth century and the resultant cultural phenomenon called “Popular Imagery” is a perfect example of cause and effect. Like printed words, unlimited reproductions of images helped bring about the development of a new visual language in early European society and a burgeoning cultural renaissance. The broad scope of the collection, whose origins include nine European countries, illustrate this fact. Prints make up the bulk of the popular imagery collection, with 686 intaglios (including 17 mezzotints), 115 woodcuts, one wood engraving, and six lithographs. Researchers will find an abundance of subjects, from political satire on kings, rulers, revolution, and war to social satire on gender, marriage, and domestic life; from religious studies and their allegorical themes on vice and virtue to numerous motifs on “The Ages of Man,” and “The Dance Macabre” or “Dance of Death.” Great moments in science and technology are visually well-represented in the collection, as are entertaining designs for buildings, board games, and signs of the Zodiac.

While some of the works in this collection were created anonymously—often to protect the creator from ridicule, incarceration, or worse—the collection also includes imagery by many significant artists of the time period, including Albrecht Dürer (1471–1528), Hans Holbein (1497–1543) and Lucas Cranach, the Younger (1515–1586).

 

Please click the thumbnails to view full-size images.